Biographical epic of the controversial and influential Black Nationalist leader, from his early life and career as a small-time gangster, to his ministry as a member of the Nation of Islam and his assassination.
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were ... See full summary »
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.
A mini movie spoof of the life of Mariah Carey, with the Lovers and Haters that she encounters along the way, and how she overcomes those haters and obstacles to still be one of the most talented and loved musical sensations in history.
usual Spike Lee, good start but a mess of a finish
Spike Lee needs to ease back and take his time. He is not Woody Allen and cannot make a decent film every year.
The same problems that plague Jungle Fever, Get on the Bus and Bamboozled torpedo Jim Brown: All American.
What starts out as a completely engaging portrait of one of the most amazing and awe-inspiring athletes to ever walk on a field quickly loses steam halfway through when Spike looks into Brown's domestic abuse problems and family relations. Looking to investigate them only to vindicate Brown, Spike shows he's only interested in showing how fantastic Brown is and deflecting any criticism.
In one segment, Brown explains an incident in which he reportedly threw a woman over a balcony, which he denies. The woman involved, found 30 years later, explains what happened, saying she was trying to get away from Brown, who was beating her. Instead of asking Brown, oh I don't know, what's up with that, Spike just lets Brown get away with being portrayed as another black man hassled by the White establishment.
While Brown faced tremendous challenges because of white America's intransigence and racism, he wasn't perfect but Spike doesn't seem interested in allowing for a balanced take.
If it wasn't for the loads of great anecdotes about Brown, provided by teammates, coaches, friends and Brown himself, and the insane footage of Brown mauling defenses as a running back, the documentary would find itself in deep trouble, weighed down by too much extraneous footage and too many long-winded explanations by Brown of his lack of parenting.
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