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Gilda Radner: It's Always Something (2002) (TV)
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Overview
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Director:
Writers (WGA):
Release Date:
29 April 2002 (USA)
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Tagline:
Life gave her a million reasons to laugh... and one reason to cry.
Plot:
A biography about famous comedienne Gilda Radner, the woman who made the leap to success on "Saturday Night Live" (1975). Full summary » | Add synopsis »
Plot Keywords:
NewsDesk:
User Reviews:
Wowie wow wow wow!
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Cast
(in credits order)
Directed by | |||
| Duane Clark | |||
Writing credits(WGA) | ||
| Gilda Radner | (book "It's Always Something") | |
| Janet Brownell | (teleplay) | |
Original Music by | |||
| David E. Russo | |||
Cinematography by | |||
| Derick V. Underschultz | |||
Film Editing by | |||
| Paul Dixon | |||
Casting by | |||
| Kate Caldwell | |||
| Diane Kerbel | |||
| Meg Liberman | |||
| Camille H. Patton | |||
Production Design by | |||
| Carol Spier | |||
Art Direction by | |||
| James McAteer | |||
Set Decoration by | |||
| Julian Peters | |||
Costume Design by | |||
| Noreen Landry | |||
Makeup Department | |||
| Joan Chell | .... | assistant makeup artist | |
| Katarina Chovanec | .... | key hair stylist | |
| Debi Drennan | .... | makeup designer | |
| Stephanie Ingram | .... | assistant hair stylist | |
Production Management | |||
| Carmen Arndt | .... | production manager | |
| Pamela Delaney | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Avrel Fisher | .... | first assistant director: second unit | |
| Greg Sigurdson | .... | weekly assistant director | |
| Ken A. Smith | .... | second assistant director | |
| William Spahic | .... | first assistant director | |
Art Department | |||
| Cynthia Chau | .... | art apprentice | |
| Jason Herriott | .... | scenic artist | |
| Rod James | .... | key scenic | |
| Maria Kennedy | .... | set buyer | |
| Kim Maticiw | .... | properties buyer | |
| Michael Williams'Willis' | .... | carpenter | |
| Terry Parachuk | .... | construction coordinator | |
| Craig Williams | .... | property master | |
Sound Department | |||
| Marina Adam | .... | foley artist | |
| Matt Ahrens | .... | assistant sound editor | |
| Grant Bone | .... | sound effects editor | |
| Christian T. Cooke | .... | sound re-recording mixer | |
| Jane Crawford | .... | first assistant dialogue editor | |
| Barry Gilmore | .... | adr editor | |
| Janice Ierulli | .... | supervising sound editor | |
| Kirk Lynds | .... | foley recordist | |
| Mark McNeilly | .... | boom operator | |
| Rick Penn | .... | sound recordist | |
| Ian Rankin | .... | sound re-recording mixer | |
| Brandon Walker | .... | adr editor | |
Special Effects by | |||
| Jon Davis | .... | special effects technician | |
| John LaForet | .... | special effects coordinator | |
Visual Effects by | |||
| Jon Campfens | .... | visual effects supervisor | |
| Janeen Elliott | .... | digital compositor | |
| Rachel Mina | .... | digital artist | |
| Carrie Richardson | .... | visual effects coordinator | |
| Rick Smith | .... | digital compositor: GVFX | |
Casting Department | |||
| Lisa Ystrom | .... | casting associate | |
Costume and Wardrobe Department | |||
| Adam Urquhart | .... | daily dresser | |
Editorial Department | |||
| David Augsburger | .... | assistant editor | |
| Frank Biasi | .... | on-line editor | |
| Arlene Moelker | .... | colorist | |
Transportation Department | |||
| Rick Anglin | .... | production driver | |
| Albert Ezerzer | .... | production driver | |
| Dave Marwick | .... | head driver | |
| Matthew Wolchock | .... | transportation coordinator | |
Other crew | |||
| Juan Aguirre | .... | assistant accountant | |
| Darryl Assinck | .... | production assistant | |
| Don Bachmann | .... | production coordinator | |
| Andre R. Gagne | .... | location manager | |
| Michael Hackenberger | .... | animal wrangler: second unit | |
| Pamela Hackwell | .... | contact lens technician | |
| Lynn Josephson Delaney | .... | executive assistant to producer | |
| Daniel L. Oppenheim | .... | production executive | |
| Anthony Pangalos | .... | assistant production coordinator | |
| Rick Parker | .... | animal wrangler | |
| Lisa Perone | .... | production assistant | |
| Jess Platt | .... | dialect coach: Jami Gertz | |
| Julia Stan | .... | script supervisor | |
| Thomas Vencelides | .... | location manager | |
| Andrea Wassell | .... | production accountant | |
| Anne Wootten | .... | choreographer | |
Production Companies
- American Broadcasting Company (ABC)
- Argentum Film Produktion und Betriebes KG
- JBFL (Gilda) Productions
- Jaffe/Braunstein Films
- Merv Griffin Entertainment
- Touchstone Television
- Winsome Entertainment
- Winsome Productions
- American Broadcasting Company (ABC) (original airing)
- Buena Vista Television
- Chapman/Leonard Studio Equipment cranes
- Eyes Post Group post-production video
- Hand Prop props supplied by
- Tattersall Casablanca post-production audio
- Toronto Film Studios movie studio
Additional Details
Also Known As:
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Parents Guide:
Runtime:
60 min
Language:
Color:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
Certification:
Filming Locations:
Did You Know?
Movie Connections:
Features "Saturday Night Live" (1975)See more »
FAQ
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An 
company.
it should have been awful.
it was a dangerous premise, having mostly unknown actors portray legends, most of whom are still living. (belushi and all the other original snl cast, plus eugene levy, gene wilder, and more.)
these guys did faithful, believable renditions. (i.e. the gene wilder guy had the speech patterns down pat. and the belushi guy resisted the urge to play it loud and cartoonish.)
prepare to be disappointed by some of belushi and murray's behavior. to respect lorne michaels. to admire laraine newman.
but most of all, prepare to fall madly, deeply in love with gene wilder.
from everything i know, the storytelling was journalistically accurate, and despite the unhappy ending, it is not a sad movie.
it got a little surreal watching these impostors do recreations of classic snl sketches. i kept waiting to be offended or have my intelligence insulted or to get bored.
i loved it from beginning to end. i hope they rerun it so i can make everyone i know watch it.