| John Golden | ... | Victor | |
| Mary Ann Curto | ... | Elizabeth | |
| David Paulson | ... | Creature | |
| B.J. Cearley | ... | Young Victor |
Directed by | |||
| Robert David | |||
Writing credits(in alphabetical order) | ||
| Robert David | screenplay | |
| J. Searle Dawley | scenario | |
| Mary Shelley | novel | |
Produced by | |||
| Kathleen Herd | .... | producer | |
Original Music by | |||
| Hank Troy | |||
Cinematography by | |||
| Robert David | |||
Film Editing by | |||
| Robert David | |||
Costume Design by | |||
| Sandy Tessier | |||
Makeup Department | |||
| Sheryl Blum | .... | special makeup effects artist | |
Production Management | |||
| Kathleen Herd | .... | production manager | |
| Amanda Trujillo | .... | assistant production manager | |
Art Department | |||
| Dean LaGross | .... | carpenter | |
Special Effects by | |||
| Sam Bush | .... | special photographic effects | |
Camera and Electrical Department | |||
| Robert David | .... | camera operator | |
| Scott Marzorati | .... | key grip | |
| Amanda Trujillo | .... | still photographer | |
| Tom Zaczyk | .... | lighting director | |
Editorial Department | |||
| Tom Zaczyk | .... | color timer | |
Transportation Department | |||
| Scott Marzorati | .... | transportation coordinator | |
Other crew | |||
| Lucille Alarid-Zaczyk | .... | production assistant | |
| Sam Bush | .... | title designer | |
| Dan Clark | .... | production assistant | |
| Amanda French | .... | assistant production coordinator | |
| Eric Gonzales | .... | production assistant | |
| Joanie Lienemann | .... | caterer | |
| Janet Marzorati | .... | production assistant | |
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| Frankenstein | The Brothers Grimm | Pet Sematary | The Innocents | Frankenstein |
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| Full cast and crew | Company credits | IMDb Sci-Fi section |
| IMDb USA section |
This film is a must see for fans of "Frankenstein" and any fans of silent cinema. It is not presented in a nostalgic way. This film is not only an accurate representation of the most famous "lost" film, but is faithful to silent film acting styles. I found it unusually compelling. It is as if silent film as a genre never died, but continued as a style of film-making into the nineteen-nineties--presented via this movie. It is unusual for a horror movie to not depend on sound for its scares. Instead of the jumping out from behind the door "scares," this movie depends on a rising creepiness--fed by the incredibly beautiful and authentic musical soundtrack. It deals with themes of asexual creation--the emptiness of birth without love-mate--creations of the solitary. It uses the language of nightmares in a similar way as Dreyer's "Vampyr." This film is completely unique and one wonders from what sort of mind this adaptation came from. An amazing vision done obviously on low budget, but with very high production value. Highly recommended!