In 1904, in Dublin, James Joyce chats up Nora Barnacle, a hotel maid recently come from Galway. She enchants him with her frank, direct and uninhibited manner, and before long, he's ... See full summary »
Ewan McGregor stars as a cleaning man in L.A. who takes his boss' daughter hostage after being fired and replaced by a robot. Two "angels" who are in charge of human relationships on earth,... See full summary »
Young Dutch landscape architect Meneer Chrome comes to a remote English estate where Thomas Smithers lives with his wife, Juliana. Smithers is determined to leave as his legacy a fabulous ... See full summary »
An homage to the early 1960s sex comedies that starred Rock Hudson and Doris Day. The story follows a best-selling female advice author who has all the answers until a sly journalist playboy starts asking the questions. Written by
Natalie Knowles <NatSplat007@hotmail.com>
The extra scene at the end with Ewan McGregor and Renée Zellweger singing a duet was filmed at the insistence of the actors. They said that with both of them having been in musicals previously (McGregor in Moulin Rouge! (2001) and Zellweger in Chicago (2002)) that it would be a sin not to. See more »
When Barbara arrives in NY and encounters the bomb protesters in front of what appears to be the United Nations plaza, there is a prominent shot of the People's Republic of China (PRC) national flag on one of the flagpoles. PRC did not take over the UN's China seat from the Republic of China (Taiwan) until 1971; thus, in the early '60s, the Taiwanese flag would have been displayed. See more »
The place: New York City. The time: Now, 1962. And there's no time or place like it. If you've got a dream, this is the place to make that dream come true. That's why the soaring population of hopeful dreamers has just reached eight million people. Oh! Make that eight million and one.
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The ending credits include an extra scene with Renee & Ewan singing a duet and one with David Hyde Pierce and Sarah Paulson. See more »
An underrated gem - glowing pastiche with a post-feminist twist
I'm surprised to read so many user comments which indicate that Down With Love received some critical acclaim - I recall a very different response, where critics seemed hugely and almost unanimously underwhelmed (maybe this was a UK response?) and consequently, I wasn't expecting too much. This only enhanced my enjoyment - what an underrated gem this movie is!!
I rarely like Zellwegger, but here she was pertly perfect, and McGregor was simply fabulous - dashing, charismatic, loathsome, even vulnerable, especially when he occasionally slips from his duplicitous fake self (when he notices a lash on her cheek, for example), and always delivers his lines with exquisite (and surprising) comic timing. The support cast were also excellent, especially Hyde Pierce, although he was not a 100 miles from his decade-long stint as Niles Crane.
The set, costumes, production design and cinematography were also outstanding in this movie, evoking the brashly-coloured, kitsch, fluffy-light ambiance which pervades the early 1960s New York screwball romance movie genre, but the snippy script and slick direction removed this pastiche away from its potential as mere enchanting, screwball fable to a witty, post-feminist send-up of this Hudson/Day romcom genre
and indeed, the battle of the sexes. To its credit, Down With Love
doesn't collapse completely into mawkish sentimentality with Novak (Zellwegger) suddenly capitulating into the cult of domesticity, tamed by her man, which is often the fate of modern post-feminist heroines - instead, the couple compromise, and we can be sure that she won't be confined to the suburban purgatory she comes to dread.
In all, a fun, fab and brilliantly executed movie, which has been clearly (re)created with due love for the genre it so skillfully parodies, yet in the light of postmodern sensibilities by adding a much-needed post-feminist twist.
61 of 86 people found this review helpful.
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