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Down with Love (2003)

PG-13  |   |  Comedy, Romance  |  16 May 2003 (USA)
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Ratings: 6.3/10 from 31,859 users   Metascore: 52/100
Reviews: 298 user | 140 critic | 39 from

Aaaah... it's New York City in 1962, and love is blooming between a journalist and a feminist advice author, who's falling head over heels despite her beau's playboy lifestyle.


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Cast overview, first billed only:


An homage to the early 1960s sex comedies that starred Rock Hudson and Doris Day. The story follows a best-selling female advice author who has all the answers until a sly journalist playboy starts asking the questions. Written by Natalie Knowles <>

Plot Summary | Add Synopsis

Plot Keywords:

love | book | author | sex | playboy | See All (115) »


The ultimate catch has met his match.


Comedy | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sexual humor and dialogue | See all certifications »

Parents Guide:



Official Sites:




Release Date:

16 May 2003 (USA)  »

Also Known As:

Abajo el amor  »

Box Office

Opening Weekend:

$45,029 (USA) (9 May 2003)


£1,958,152 (UK) (24 October 2003)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Tony Randall, who plays publisher Theodore Banner, appeared with Rock Hudson and Doris Day in Pillow Talk (1959), Lover Come Back (1961), and Send Me No Flowers (1964). In all three films, Randall played Hudson's employer and nebbish sidekick (the role played by David Hyde Pierce in "Down With Love"). See more »


At the beginning of the movie the narration states that the year is 1962. Yet when Barbara and Catcher are "doing the town" in New York there are various titles of Broadway shows displayed, among them "Oliver!". This musical didn't open on Broadway until 6 January 1963. See more »


[first lines]
Narrator: The place: New York City. The time: Now, 1962. And there's no time or place like it. If you've got a dream, this is the place to make that dream come true. That's why the soaring population of hopeful dreamers has just reached eight million people. Oh! Make that eight million and one.
See more »

Crazy Credits

The movie opens with the big CinemaScope logo 20th Century Fox used fifty years before. See more »


Edited from Will Success Spoil Rock Hunter? (1957) See more »


Alone and Blue
Written by Steve Cray
Courtesy of Associated Production Music LLC
See more »

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User Reviews

An underrated gem - glowing pastiche with a post-feminist twist
17 May 2004 | by (Oxford, UK) – See all my reviews

I'm surprised to read so many user comments which indicate that Down With Love received some critical acclaim - I recall a very different response, where critics seemed hugely and almost unanimously underwhelmed (maybe this was a UK response?) and consequently, I wasn't expecting too much. This only enhanced my enjoyment - what an underrated gem this movie is!!

I rarely like Zellwegger, but here she was pertly perfect, and McGregor was simply fabulous - dashing, charismatic, loathsome, even vulnerable, especially when he occasionally slips from his duplicitous fake self (when he notices a lash on her cheek, for example), and always delivers his lines with exquisite (and surprising) comic timing. The support cast were also excellent, especially Hyde Pierce, although he was not a 100 miles from his decade-long stint as Niles Crane.

The set, costumes, production design and cinematography were also outstanding in this movie, evoking the brashly-coloured, kitsch, fluffy-light ambiance which pervades the early 1960s New York screwball romance movie genre, but the snippy script and slick direction removed this pastiche away from its potential as mere enchanting, screwball fable to a witty, post-feminist send-up of this Hudson/Day romcom genre

  • and indeed, the battle of the sexes. To its credit, Down With Love

doesn't collapse completely into mawkish sentimentality with Novak (Zellwegger) suddenly capitulating into the cult of domesticity, tamed by her man, which is often the fate of modern post-feminist heroines - instead, the couple compromise, and we can be sure that she won't be confined to the suburban purgatory she comes to dread.

In all, a fun, fab and brilliantly executed movie, which has been clearly (re)created with due love for the genre it so skillfully parodies, yet in the light of postmodern sensibilities by adding a much-needed post-feminist twist.

62 of 87 people found this review helpful.  Was this review helpful to you?

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