Frieder and his wife Nina, a doctor, are fixing up their house, though their relationship is obviously strained. Instead of picking up their young daughter Charlotte, Nina drives off to ... See full summary »
Clara and Hans are left-wing terrorists who have been searched by police for almost fifteen years. Their increasingly rebellious daughter Jeanne begins to pose a threat to their security ... See full summary »
Taipei. A voice off-camera looks back ten years to 2000, when Vicky was in an on-again off-again relationship with Hao-Hao. She's young, lovely, and aimless. He's a slacker. Cigarettes and ... See full summary »
Lynn (22) lives with her brother in Berlin. There she enjoys the advantages of family life, without really feeling involved in it. She does not have any precise aim in life, but manages to ... See full summary »
A portrait of Rita, who claims that her mother was never a mother for her. Rita gives birth to her own six children and forces her mother to take the role of a mother for her grandchildren as she never did that for Rita.
Paul is a German soldier who goes AWOL when the truck he is riding in stops at a fast food restaurant. He then returns home to where his older brother Max lives. Paul is immediately attracted to Max's girlfriend, Lene, and tries to entice her into a sexual relationship, but she refuses. Paul is shown to be angry and frequently loses his temper at those around him, including his brother, his old friend, and his ex-girlfriend. Meanwhile, the military begins to look for him. Written by
Bungalow definetely is one of the best German films I've ever seen, maybe even the best. But it is also a love-or-hate movie. I loved it for personal reasons and if you can't identify with one of the characters, you'll probably ask yourself what the director intended to show the audience or you'll simply find 'Bungalow' boring. For me, it wasn't. It felt like a longer version of Marcus Weiler's short 'Always crashing in the same car', a German version of Larry Clark's study of aimlessness and loneliless in 'Ken Park' or even a German version of Richard Kelly's masterpiece 'Donnie Darko' reduced to that feeling of being somehow lost, without a direction to follow that seems right.
The acting is brilliant and the (non-)dialogues are brilliant. If you are German and born in the 80s, maybe you'll love this movie. I was impressed. 10 out of 10.
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