A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
Retired FBI profiler Terry McCaleb (Eastwood), who has recently had a heart transplant, is hired by Graciela Rivers (De Jesus), to investigate the death of her sister, Gloria, who happens to have given McCaleb his heart. On the case, he soon deduces that the killer, who staged the murder to look like a random robbery, may actually be a serial killer Terry was trailing for years in the FBI. Can the elderly and feeble McCaleb, who had intended to spend his retirement living on his boat in the Los Angeles harbor, and who can't drive, and has to nap regularly, muster up the endurance to find the killer? Written by
Amir Al-Kourainy <firstname.lastname@example.org>
The type of gun that Terry McCaleb (Clint Eastwood) had was an eight shot .357 Magnum Smith & Wesson defensive revolver with a fluted cylinder. The make and model is also known as a Smith & Wesson Performance Center & Lew Horton Distributing 627-PC or Smith & Wesson Performance Model 627 8-Shot. The weapon was first released in 1997 and has been nicknamed "The Bloodwork Gun". As Smith & Wesson manufacture the Magnum gun, the use of this brand of it in this film can be considered a reference to Eastwood's 'Dirty Harry' screen character, who was famous for using the Magnum. See more »
After Terry discovers that the killer takes mementos from his victims, the 'blowup' of the killer taking Gloria's earring is taken from a completely different angle than the previously seen surveillance tape (not to mention so clear that the other detectives could never have overlooked it). See more »
[referring to McCaleb at crime scene]
Okay, listen. Whatever happens, it'll his face on the front page.
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Clint Eastwood's direction sadly loses its way late in this otherwise suspenseful drama from the co-writer of "L.A. Confidential" (Brian Helgeland). Eastwood is a famous detective, but a massive heart attack just as he is about to catch a crazed serial killer forces him to an early retirement. Fast-forward a bit and Eastwood has received a new heart from a woman who has recently passed away. Slowly, but surely Eastwood's body is accepting the new organ and it appears that a healthy recovery is imminent. Things change though as a Hispanic woman (Wanda De Jesus) pays Eastwood a visit one day and explains that his new heart come from her younger sister, a woman who was killed in a convenient store. Quickly it becomes crystal clear that the killer in the store is in fact the same man who eluded Eastwood earlier. Now Eastwood is back one last time with a score to settle. Through Eastwood's journey he has to indulge a pesky neighbor (Jeff Daniels) who wants to assist in the case, dodge cops Paul Rodriguez and Dylan Walsh and convince doctor Anjelica Huston that he owes De Jesus his time and help. "Blood Work" does do well for the majority of its running time, but the punchline comes way too fast and the finale is unsatisfying to say the least. Eastwood is pretty good as usual and Daniels is excellent in a comical supporting turn. Everyone else though ends up struggling to keep their intensity up as the production progresses. The "Hardy Boys" routine and the unnecessary blossoming romance between Eastwood and De Jesus make "Blood Work" play more like a television movie of the week than a theatrical release. With all this said, "Blood Work" does do enough good things to keep the audience watching and intrigued---most of the time anyway. 4 stars out of 5.
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