| Photos (see all 72 | slideshow) | Videos (see all 2) |
| Gretchen Mol | ... | Jenny | |
| Paul Rudd | ... | Adam Sorenson | |
| Rachel Weisz | ... | Evelyn Ann Thompson | |
| Fred Weller | ... | Phillip (as Frederick Weller) |
Directed by | |||
| Neil LaBute | |||
Writing credits(WGA) | ||
| Neil LaBute | (play) | |
| Neil LaBute | (screenplay) | |
Produced by | |||
| Tim Bevan | .... | executive producer | |
| Eric Fellner | .... | executive producer | |
| Neil LaBute | .... | producer | |
| Andrew Lipson | .... | producer | |
| Gail Mutrux | .... | producer | |
| Philip Steuer | .... | producer | |
| Rachel Weisz | .... | producer | |
Original Music by | |||
| Elvis Costello | |||
Cinematography by | |||
| James L. Carter | (director of photography) | ||
Film Editing by | |||
| Joel Plotch | |||
Casting by | |||
| Fiona Weir | |||
Art Direction by | |||
| Christopher H. Lawrence | |||
| Lynette Meyer | |||
Set Decoration by | |||
| Sondra Thorpe | |||
Costume Design by | |||
| Lynette Meyer | |||
Makeup Department | |||
| Raqueli Dahan | .... | makeup department head | |
| Daniel Erdman | .... | department head hair | |
| Kevin Haney | .... | prosthetics makeup | |
| Cynthia Laws | .... | assistant makeup artist | |
| Steve Prouty | .... | prosthetics makeup | |
Second Unit Director or Assistant Director | |||
| John R. Saunders | .... | second assistant director | |
| Jonathan Watson | .... | first assistant director (as Jonathan M. Watson) | |
Art Department | |||
| Paul Arden | .... | artist: coffeehouse paintings | |
| Doug Devine | .... | lead man | |
| Michael Flaherty | .... | painter | |
| J.J. Fleisher | .... | swing | |
| Francis X. Gentile | .... | construction coordinator | |
| Scotty Guyson | .... | swing (as Scott Guyson) | |
| Ronnie Lombard | .... | swing (as Ron Lombard) | |
| Bryce Moore | .... | property master | |
| Maria Paschell | .... | assistant property master | |
| Steven Pinney | .... | sculptor | |
| Ronald L. Woodward | .... | on-set dresser | |
Sound Department | |||
| Pembrooke Andrews | .... | assistant sound editor | |
| Rick Ash | .... | sound re-recording mixer | |
| Felipe Borrero | .... | sound mixer | |
| Lance Brown | .... | sound re-recording mixer | |
| Zane D. Bruce | .... | foley artist (as Zane Bruce) | |
| Alexander Court | .... | apprentice sound editor | |
| Robert Deschaine | .... | adr mixer | |
| William Dotson | .... | dialogue editor (as Bill Dotson) | |
| John Michael Fanaris | .... | sound effects coordinator | |
| Don Givens | .... | foley mixer | |
| Gregg Harris | .... | boom operator | |
| Bobby Johanson | .... | adr mixer | |
| Fred Johnston | .... | utility sound | |
| Sterling Moore | .... | boom operator | |
| William Munroe | .... | boom operator | |
| Ed Novick | .... | sound mixer | |
| Michael Payne | .... | sound effects editor | |
| Alex Raspa | .... | adr recordist | |
| Joseph T. Sabella | .... | foley artist (as Joseph Sabella) | |
| Dan Scolnik | .... | foley cue | |
| Unsun Song | .... | sound re-recordist | |
| Cathie Speakman | .... | supervising adr editor (as Catherine M. Speakman) | |
| Patrick Stoltz | .... | chief sound engineer (as Pat Stoltz) | |
| John C. Stuver | .... | foley editor | |
| John Switzer | .... | sound effects coordinator | |
| Tami Treadwell | .... | adr recordist | |
| Trevor Ward | .... | sound consultant: Dolby | |
| Drew Webster | .... | sound re-recordist | |
| Kris Wilcox | .... | utility sound | |
| Richard E. Yawn | .... | supervising sound editor | |
| Hal Levinsohn | .... | adr supervisor (uncredited) | |
Visual Effects by | |||
| Mark Dornfeld | .... | digital effects opticals and end titles: Custom Film Effects | |
| Shaina Holmes | .... | digital compositor | |
Stunts | |||
| Charlie Brewer | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Michael Baird | .... | video assist operator | |
| Dana Baker | .... | key grip | |
| Salim Benshir | .... | electrician (as Salim Bensrhir) | |
| Bruce Birmelin | .... | still photographer | |
| Eddie Bowlin | .... | electrician | |
| Betty Chow | .... | film loader | |
| Chad Cohlmia | .... | electrician | |
| Seong Dilg | .... | dolly grip | |
| Craig Doobie | .... | best boy grip (as Craig Dobbie) | |
| Warren Feldman | .... | second assistant camera | |
| Jim Grce | .... | gaffer | |
| Steve Hurson | .... | first assistant camera (as Stephen Hurson) | |
| Ronald Kline | .... | best boy electric | |
| Martin J. Layton | .... | camera operator (as Marty Layton) | |
| Jess Mexia | .... | grip | |
| Daisuke Dice Miyake | .... | grip (as Daisuke Miyake) | |
| Brian W. Nordheim | .... | Steadicam operator (as Brian Nordheim) | |
| Tony Tucker | .... | electrician (as Anthony P. Tucker) | |
| Ryan Vanlossberg | .... | grip (as Ryan VonLossberg) | |
| Vincent Wrenn | .... | electrician (as Vincent Wren) | |
Casting Department | |||
| Leigh French | .... | adr voice casting | |
| Rich King | .... | extras casting | |
| Daniel Swee | .... | casting consultant | |
Costume and Wardrobe Department | |||
| Jennifer Dozier | .... | wardrobe supervisor | |
| Leigh Stanton | .... | costumer | |
Editorial Department | |||
| Mark Dashnaw | .... | first assistant editor (as Mark Alan Dashnaw) | |
| Robin Gonsalves | .... | post-production assistant | |
| Vivian Hengsteler | .... | negative cutter | |
| Meagan James | .... | assistant editor | |
| Dan Muscarella | .... | color timer | |
| Milton Rudge | .... | colorist: dailies | |
| George Valdez | .... | post-production assistant (as George A. Valdez) | |
| Bonnie J. Young | .... | negative cutter (as Bonnie Young) | |
Music Department | |||
| Nick Angel | .... | music supervisor | |
| Kirsten Lane | .... | music consultant | |
| Kathy Nelson | .... | executive in charge of film music: Universal Studios | |
| Nick South | .... | music editor | |
| Alexandra Hill | .... | music assistant (uncredited) | |
Transportation Department | |||
| John W. Barbee | .... | transportation captain | |
| Al Burton | .... | transportation coordinator | |
| Roger Byrd | .... | driver: camera truck | |
| Lance Cherniet | .... | driver (as Lance I. Cherniet) | |
| Alberto Coto | .... | driver | |
| Manuel Martinez | .... | driver: art department | |
| Kelly Murphy | .... | driver: honeywagon | |
| Travis Stake | .... | stakebed driver | |
| Travis Stake | .... | wardrobe driver | |
| Raymond Van Holtan | .... | driver: production van (as Raymonf Van Holton) | |
| Ali Yegahne | .... | driver (as Ali Yeganhe) | |
Other crew | |||
| Alexa Alden | .... | script supervisor | |
| Bert Beatson | .... | stand-in: Mr. Rudd | |
| Francie Brown | .... | dialect coach | |
| Thomas Brunelle | .... | voice-over | |
| William Calvert | .... | voice-over | |
| Richard A. Clark | .... | key assistant location manager (as Richard A. Clark II) | |
| Jennifer Crystal | .... | voice-over (as Jennifer Crystal Foley) | |
| Sara Curran | .... | head of legal and business affairs: Working Title Films | |
| Lawrence Curtis | .... | office production assistant | |
| Tony Davis | .... | production coordinator: Working Title Films | |
| Moosie Drier | .... | voice-over | |
| Jennifer Dunne | .... | location manager | |
| Missy Eustermann | .... | post-production accountant | |
| Sierra French-Myerson | .... | voice-over | |
| Shefali Ghosh | .... | chief financial officer: Working Title Films | |
| Ari Haas | .... | set production assistant | |
| Tim Harms | .... | assistant: Neil LaBute | |
| Lara Harris | .... | voice-over | |
| Evan Hayes | .... | set production assistant | |
| Robert Hepburn | .... | set medic (as Robert 'Sarge' Hepburn) | |
| Aliza James | .... | assistant: Mr. Fellner | |
| Elizabeth Jurado | .... | assistant: Rachel Weisz (as Elizabeth A. Jurado) | |
| Robert Lepucki | .... | assistant location manager (as Bob Lepucki) | |
| Ann Lynch | .... | executive coordinator: Working Title Films | |
| Laurent Marchand | .... | chef | |
| Jessie S. Marion | .... | voice-over | |
| Frankie McEwen | .... | stand-in | |
| Callum Metcalfe | .... | assistant: Mr. Bevan | |
| Kevin Mittan | .... | dailies supervisor | |
| Angela Morrison | .... | chief operating officer: Working Title Films | |
| Traci Murray | .... | stand-in | |
| Don Napoli | .... | assistant accountant (as Donald Napoli) | |
| John Nasraway | .... | key set production assistant | |
| Huston Petty | .... | craft service (as Houston Petty II) | |
| Scott Pitman | .... | assistant production coordinator | |
| John H. Price | .... | on-set interviews | |
| Guadalupe Rilova | .... | assistant: Gail Mutrux | |
| Michele Robertson | .... | unit publicist | |
| Mark Rogerson | .... | stand-in | |
| Michael Sartain | .... | set production assistant | |
| Ben Schoen | .... | end title typographer: Scarlett Letters | |
| Sheeraz Shah | .... | vice president legal and business affairs: Working Title Films | |
| Clarisse Sirianni | .... | dailies supervisor | |
| Lauren Swearingen | .... | production coordinator | |
| Lucy Wainwright | .... | legal advisor: Working Title Films | |
| Jennifer Wirrick | .... | set production assistant | |
| Howard Young | .... | production accountant | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
Thanks | |||
| Ian McDiarmid | .... | special thanks | |
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| The Devil Wears Prada | City of Shoulders and Noses | Notes on a Scandal | Chris & Don. A Love Story | Candy |
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Amazing play turn to film is nothing short of remarkable. Neil Labute creates a film that is almost as thought provoking and as terrifying as his movie In the company of men. The cast does an excellent job in bringing the play to life on screen with Paul Rudd giving a great performances as the guy who is reshape, Gretchen Mole is also great as his best friend who is taken with his transformation and Fred Weller is good as his friend who warns him about his relationship. The best performance hands down goes to Rachel Weisz, who gives this film its heart and soul with a terrifying and haunting performance that is will be remembered for a very long time. I always liked Rachel Weisz as an actress because she takes risk like no other actress out there, and gives amazing performances in almost every film she has done. This performance proves to me that she is one of the most talented, powerful and versatile actresses of our time.
This movie is a classic in the making and I can't wait to see it again.