A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Michael and Jenna, having been a couple for three years, want to get married and start a family. These plans seem to be well on their way when Jenna announces that she's pregnant. But ... See full summary »
While visiting an art museum, a nerdy college student named Adam meets an iconoclastic artist named Evelyn and is instantly smitten. As their relationship develops, she gradually encourages Adam to change in various ways that surprise his older friends, Jenny and Philip. However, as events progress, Evelyn's antics become darker and darker as her influence begins to twist Adam and his friends in hurtful ways. Written by
Kenneth Chisholm (firstname.lastname@example.org)
In the park scene where Adam and Jenny kiss, Adam's nose looks normal (Paul Rudd's real nose), but at this point he hasn't had the surgery yet. The surgery happens in the next scene, so his nose shouldn't have been normal in the park scene. See more »
The only thing that would help him is a knife right through his fucking throat.
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Cruel and Heartless Tale of Seduction and Manipulation
Adam Sorenson (Paul Rudd) is a simple, insecure and shy student that works half period as a security guard of a museum and in a rental. He meets the anarchist and transgressor student of Arts Evelyn Ann Thompson (Rachel Weizs) trying to paint a penis in an important statue, and after arguing with her, in the end they schedule a dinner. Evelyn becomes his girlfriend and he introduces his best friends, Jenny (Gretchen Mol) and Phillip (Frederick Weller), to her. As long as they stay together, Adam's behavior changes and his appearance and confidence improve influenced by Evelyn. He has an affair with Jenny, betraying and lying to Evelyn and to Phillip, and destroying their friendship. When Evelyn presents her thesis for the Master degree, Adam is surprised with revelations.
When I saw the cruel "In the Company of Men" in 1997 or 1998, I became a great fan of Neil LaBute. However, his next good movies have never been in the same level of his debut. In "The Shape of Things", Neil LaBute is in shape again and presents a magnificent cruel and heartless tale of seduction and manipulation. I felt the same surprise as Adam with the plot point of the story, which is a great study of human behavior, with excellent performances of Rachel Weisz and Paul Rudd. My vote is nine.
Title (Brazil): "Arte, Amor e Ilusão" ("Art, Love and Illusion")
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