Two business executives--one an avowed misogynist, the other recently emotionally wounded by his love interest--set out to exact revenge on the female gender by seeking out the most innocent, uncorrupted girl they can find and ruining her life.
Paul Miller, a self-described "failed actor," sets out for his final act and his ultimate role: the last two days of his life ending with his suicide on tape. He tries to reunite with old ... See full summary »
When "American Psycho" was released early in 2000 it reaffirmed author Bret Easton Ellis as the controversial "bad boy" of contemporary American Fiction. "This is Not an Exit" reveals the world inhabited by Ellis. In HD.
The film tells the story of Russian emigree and the only survivor from ship crash Yanko Goorall and servant Amy Foster in the end of 19th century. When Yanko enters a farm sick and hungry ... See full summary »
While visiting an art museum, a nerdy college student named Adam meets an iconoclastic artist named Evelyn and is instantly smitten. As their relationship develops, she gradually encourages Adam to change in various ways that surprise his older friends, Jenny and Philip. However, as events progress, Evelyn's antics become darker and darker as her influence begins to twist Adam and his friends in hurtful ways. Written by
Kenneth Chisholm (firstname.lastname@example.org)
In the park scene where Adam and Jenny kiss, Adam's nose looks normal (Paul Rudd's real nose), but at this point he hasn't had the surgery yet. The surgery happens in the next scene, so his nose shouldn't have been normal in the park scene. See more »
It's not funny.
Yes, it is. I mean, it's not that funny that wives get beat up, but the fact that you look like one, that I find hilarious!
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An intelligent, sophisticated comedy that gets off to a slightly lame start but ends brilliantly
After the first 30 minutes I felt like the film lacked energy. The pace was a little too slow for my taste, and the intensity too low. I wanted it to be snappier, more sizzling.
But then, about halfway through, it got really interesting. The second half, although it still suffers from some pacing problems, makes up for the first. And then the third act is one of the most brilliant and satisfying third acts I saw in a long time. The ending brings together all of the elements and themes that were planted throughout the movie (our obsession with the way things look, the line between art and real life) to form insights about our lives that are as brutal as they are true.
I am generally fond of Neil LaBute's work - most of the time his works contain more than what they initially seem to be (I haven't see "The Wicker Man" remake yet, but I heard it was horrible). Here, what starts off as your run-of-the-mill romantic comedy/drama, develops into a cynic's paradise, presenting insights into our lives which are as brutal as they are true.
Three of the four actors do a splendid job (Weisz, Rudd & Mol). I especially liked Paul Rudd's performance, and the way his character changes throughout. All three, and especially Rachel Weisz, are convincing in their roles, and deliver multi-layered performances with lots of subtext. Fred Weller's performance leaves something to be desired, but the fact that his role is well written somewhat makes up for that. LaBute has successfully made all four characters three-dimensional and they feel like real people.
Overall, I'd say it was a pretty great movie, certainly entertaining, and an important one to watch and analyze if you are into writing, directing or acting. Somewher, though, I feel like it didn't live up to its full potential. This script, if directed with more intensity, could have become one of my favorite movies, up there with films such as "Closer", "Glengary Glen Ross" or "Oleanna". Maybe it's the transition from the stage to the screen that made LaBute feel like he should make everything more minimalistic and restrained. But it's definitely worth checking out.
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