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Overview

User Rating:
6.4/10   111 votes
MOVIEmeter: ?
Up 12% in popularity this week. See why on IMDbPro.
Director:
Max Färberböck
Writers:
Max Färberböck (writer)
Sarah Khan (writer)
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Contact:
View company contact information for September on IMDbPro.
Release Date:
26 June 2003 (Germany) more
Genre:
Drama more
Plot:
The film explores the impact of September 11th 2001 through several fictional episodes intercut with documentary material. | add synopsis
Plot Keywords:
NewsDesk:
(2 articles)
Marianelli guest at the Ifta Music Forum
 (From MovieScore Magazine. 28 August 2009, 1:57 AM, PDT)
Ifta Academy Puts Music Centre Stage
 (From IFTN. 27 August 2009, 7:29 AM, PDT)
User Comments:
How far is New York more (1 total)

Cast

  (Credited cast)
Catharina Schuchmann ... Julia
Justus von Dohnanyi ... Philipp Scholz
Nina Proll ... Lena
Jörg Schüttauf ... Helmer
Moritz Rinke ... Baumberger
Sólveig Arnarsdóttir ... Susanne
Stefanie Stappenbeck ... Natascha

Rene David Ifrah ... Ashraf (as René Ifrah)
Anja Kling ... Sandra
Vincent Heppner ... Robert
Aiko Pipo ... Patrick
rest of cast listed alphabetically:
Eva Ali ... Schwangere
Anna Böttcher ... Hebamme
Frederique Bruel ... Frau Tonazzo
Niels Brügmann ... Bowler
Maik Cüppers ... Fighter in Park
Matthias Dittmer ... Klient
Ercan Durmaz ... Erkan
Rosa Enskat ... Frau Peters
Heike Falkenberg ... Mutter Elternabend
Leopold Färberböck ... Gregor Scholz
Lili Färberböck ... Isabell Scholz
Peter Fitz ... Isidor Krantz
Eva Freese ... Lilly
Hans-Joerg Frey ... Vater Elternabend
Carolin Fürst ... Schwangere
Anja Gust ... Schwangere
Susanne Herlet ... Frau Breuer
Grischa Huber ... Gudrun
Sofia Khan ... Indische Tänzerin
Albert Kitzl ... Herr Moshen
Sylvia Küppers ... Schwangere
Birgit Leipolz ... Freundin Erkan
Eva Mannschott ... Mutter Elternabend
Patrizia Moresco ... Sigrun
Murali Perumal ... Naim
Henny Reents ... Bianca
Mignon Remé ... Diplomatenfrau
Sabina Riedel ... Schwangere
Stefan Rosinski ... Bowler
Bernhard Schütz ... Vater Elternabend
Barbara Springborn ... Schwangere
Maja Stadler-Euler ... Anwältin

Errol Trotman-Harewood ... John Glenn (as Errol Harewood)
Holger Umbreit ... Pizza
Kristina Van Eyck ... Klavierlehrerin
Michael Wittenborn ... Waller

Haydar Zorlu ... Benjamin Frank
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Additional Details

Parents Guide:
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Runtime:
115 min | France:109 min (Cannes Film Festival)
Country:
Germany
Language:
German
Color:
Color
Sound Mix:
Dolby Digital
Certification:
Germany:12 | Argentina:13
Filming Locations:
Berlin, Germany more
Company:
Distant Dreams Filmproduktion more

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User Comments

   (Comment on this title)
6 out of 9 people found the following comment useful.
How far is New York, 12 January 2005
7/10
Author: hans kauf from Guadalajara, Mexico

The dramatic pattern of various loosely connected stories of different people has given us a few remarkable films lately, like the Mexican AMORES PERROS or LICHTER (lights) from Germany. September can be compared to them, although here the stories are related to a common background, which is September 11th 2001. So we see a lot of TV-screens with news and statements, occasionally taken 1:1 on the movie screen.

Germany, September 2001. Among the portrayed people we have a broker who deals on a daily basis with colleagues in the WTC, his wife leading an unfulfilled life in their luxury home. He wants divorce. – A policeman of the anti-terrorist force wants to sell his 1967 Corvette, materialized American dream to him. He sort of takes personal the terrorist assault. – A mixed couple, he Pakistani, she German, both working in a Pizzeria. When the crash happens, the woman cannot stand her husband not expressing his feelings – she doubts, if he as a Muslim feels for the victims.

Humour is scarce but intelligently employed in the movie. The funny part belongs to a journalist fighting to write his article on the terrible events. When his girlfriend bursts in, she gives him an intellectual statement, which makes him change his mind and his article. You'll have to wait a bit for the point.

All these couples have their own relationship-conflicts. The film is on the impact of media suffering, placing it against the personal problems of the characters. The heaviest statement comes from the broker, who tells his wife: "You have no right in their suffering, it's their own." Do we maintain too much distance to unknown people's hardships, or too little? How do we deal with media realities?

These are justified and topical questions, and September accomplishes some reflection about them. The script works well, although it is far from the brilliance of LICHTER. Acting is immaculate. What I didn't like is the stylish camera, with close-ups that expose the protagonists and resemble certain TV-techniques. More distance would have been better. Anyway it is worth watching, I give it a 7.

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