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Only the Strong Survive (2002)

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A film featuring the veteran soul music artists and music of Stax Records.
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
Himself
Carla Thomas ...
Herself
...
Himself
...
Himself
...
Herself
...
Himself
The Chi-Lites ...
Themselves
Ann Peebles ...
Herself
...
Himself
Jaye Michael Davis ...
Himself
Don Bryant ...
Himself
Luther Ingram ...
Himself
Joyce Moore ...
Herself
Jon Tiver ...
Himself
Gail Webb ...
Herself
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Storyline

Stax Records launched the careers of Otis Redding, Sam & Dave, Carla & Rufus Thomas, and Booker T. & The MGs back in the 1960s and 70s. But then disco hit big and all but wiped soul music off the map. This documentary harkens back to the golden era of soul and catches up with the carriers of the Stax dynasty, including Wilson Pickett, Sam Moore, Mary Wilson, Isaac Hayes, and The Chi Lites. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

A celebration of soul.

Genres:

Documentary | Music

Motion Picture Rating (MPAA)

Rated PG-13 for brief language and a drug reference | See all certifications »
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Details

Country:

Language:

Release Date:

15 August 2003 (Austria)  »

Also Known As:

Csak az erősek élik túl  »

Box Office

Opening Weekend:

$22,035 (USA) (9 May 2003)

Gross:

$57,322 (USA) (4 July 2003)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Soundtracks

In the Midnight Hour
Written by Wilson Pickett and Steve Cropper
Performed by Wilson Pickett
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User Reviews

 
talented musicians, untalented filmmakers, amateurish cameramen
8 May 2003 | by (New York, NY) – See all my reviews

It was sort of interesting, and at times entertaining, to hear the stories of these very successful singers.

Interestingly enough, not being too familiar with this kind of music, and not having heard much of it before, I wasn't actually all that impressed with their voices...too rough for my taste. But their musicianship was evident, and it was educational to find out more about this style of music.

However, the film itself didn't really hold my attention or draw me in. It was sort of like watching home videos of people I don't know, in not-particularly-interesting contexts. Furthermore, they never really developed on the theme suggested by the title. By comparison, "Standing in the Shadows of Motown" is a similar film with more coherence.

The worst part, by far, however, was the filming itself. Much of it was shot with hand-held cameras and no attempt at steadiness. The result shook and made the audience queasy. Luckily, they were too busy closing their eyes to listen to the music to notice.


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