Ex-Special Forces soldier Louis Stevens returns to Miami to find his former high school overrun by drugs and violence. A master of the Brazilian martial art, capoeira, Stevens pledges to ... See full summary »
Between 2013 and 2015 a group of nonprofit attorneys seek nonhuman clients for whom they can advocate in two US territories, in order to establish legal person-hood for apes, elephants and cetaceans in the USA.
Real-life individuals discuss topics on society, happiness in the working class among others and with those testimonies the filmmakers create fictional moments based on their interviews. ... See full summary »
The July 3rd, 1973 historic concert of the 'leper Messiah'. This was to be David Bowie's last concert with the Ziggy persona and the Spiders from Mars. A great medley of 'Wild Eyed Boy From... See full summary »
A documentary made up of nine separate segments on the topic of drug addiction. Segments include: "Saturday Night in a Dallas ER," by Jon Alpert; "A Mother's Desperation," by Susan Froemke ... See full summary »
Stax Records launched the careers of Otis Redding, Sam & Dave, Carla & Rufus Thomas, and Booker T. & The MGs back in the 1960s and 70s. But then disco hit big and all but wiped soul music off the map. This documentary harkens back to the golden era of soul and catches up with the carriers of the Stax dynasty, including Wilson Pickett, Sam Moore, Mary Wilson, Isaac Hayes, and The Chi Lites. Written by
It was sort of interesting, and at times entertaining, to hear the stories of these very successful singers.
Interestingly enough, not being too familiar with this kind of music, and not having heard much of it before, I wasn't actually all that impressed with their voices...too rough for my taste. But their musicianship was evident, and it was educational to find out more about this style of music.
However, the film itself didn't really hold my attention or draw me in. It was sort of like watching home videos of people I don't know, in not-particularly-interesting contexts. Furthermore, they never really developed on the theme suggested by the title. By comparison, "Standing in the Shadows of Motown" is a similar film with more coherence.
The worst part, by far, however, was the filming itself. Much of it was shot with hand-held cameras and no attempt at steadiness. The result shook and made the audience queasy. Luckily, they were too busy closing their eyes to listen to the music to notice.
1 of 6 people found this review helpful.
Was this review helpful to you?