| Photos (see all 65 | slideshow) | Videos (see all 4) |
Directed by | |||
| Marc Forster | |||
Writing credits | ||
| Allan Knee | (play "The Man Who Was Peter Pan") | |
| David Magee | (screenplay) | |
Original Music by | |||
| Jan A.P. Kaczmarek | |||
Cinematography by | |||
| Roberto Schaefer | (director of photography) | ||
Film Editing by | |||
| Matt Chesse | (as Matt Chessé) | ||
Casting by | |||
| Kate Dowd | |||
Production Design by | |||
| Gemma Jackson | |||
Art Direction by | |||
| Peter Russell | |||
Set Decoration by | |||
| Trisha Edwards | |||
Costume Design by | |||
| Alexandra Byrne | |||
Makeup Department | |||
| Kevin Alexander | .... | hair stylist | |
| Kevin Alexander | .... | makeup artist | |
| Christine Blundell | .... | chief hair designer | |
| Christine Blundell | .... | chief makeup designer | |
| Nuria Mbomio | .... | hair stylist | |
| Nuria Mbomio | .... | makeup artist | |
| Nathalie Tissier | .... | hair stylist: Mr. Depp | |
| Nathalie Tissier | .... | makeup artist: Mr. Depp | |
| Lesa Warrener | .... | hair stylist | |
| Lesa Warrener | .... | makeup artist | |
| Denise Kum | .... | makeup artist (uncredited) | |
| Sian Richards | .... | hair stylist (uncredited) | |
| Esther Wauters | .... | daily makeup artist (uncredited) | |
| Michelle Webb | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| James Grant | .... | unit manager | |
| C. Cory M. McCrum-Abdo | .... | post-production supervisor (as Cory McCrum-Abdo) | |
| Tim Porter | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Joanna Crow | .... | crowd assistant director | |
| Martin Harrison | .... | first assistant director | |
| Finn McGrath | .... | second assistant director | |
| Rosie Newall | .... | third assistant director | |
| Phil Stoole | .... | assistant director (uncredited) | |
| Alex Streeter | .... | additional third assistant director (uncredited) | |
Art Department | |||
| Ray Barrett | .... | construction manager | |
| Perry Bell | .... | stand-by painter | |
| Peter Burden | .... | dressing props | |
| Will Cann | .... | stand-by props (as William Cann) | |
| Stephen Challenor | .... | carpenter | |
| Dean Clegg | .... | art stand-by | |
| Dean Clegg | .... | junior draughtsman | |
| Fergus Clegg | .... | set buyer | |
| Charlie Cobb | .... | art department assistant | |
| Derek Cowie | .... | scenic artist | |
| Roland Coyne | .... | carpenter | |
| Richard Davies | .... | carpenter | |
| Robert J. Dugdale | .... | scenic artist (as Robert Dugdale) | |
| Jack Dyer | .... | supervising stagehand (as John Dyer) | |
| Trevor Dyer | .... | carpenter | |
| Stephen Ede | .... | carpenter | |
| Rosie Hardwick | .... | assistant art director | |
| Kevin Harris | .... | assistant construction manager | |
| Kevin Harris | .... | head carpenter | |
| Rohan Harris | .... | propmaker | |
| Phil Harvey | .... | assistant art director | |
| Lois Hopwood | .... | art department runner | |
| Richard Kelloway | .... | dressing props | |
| Carol Kupisz | .... | graphic artist | |
| Paul Ladd | .... | stand-by stagehand | |
| Kenneth Langridge | .... | stagehand | |
| Gary Martin | .... | dressing props | |
| Stephen McGregor | .... | stand-by carpenter (as Stephen John McGregor) | |
| Campbell Mitchell | .... | stand-by props | |
| John New | .... | carpenter | |
| Tom Pleydell-Pearce | .... | property master | |
| Peter Potter | .... | dressing props | |
| Douglas Regan | .... | painter | |
| Denis Rich | .... | concept artist | |
| Adrian Start | .... | head painter | |
| Matthew Start | .... | painter | |
| John Symons | .... | carpenter | |
| Danny Thomas | .... | carpenter | |
| John Thorpe | .... | carpenter | |
| Paul Waterman | .... | carpenter | |
| Howard Weaver | .... | scenic artist | |
| Michael Weaver | .... | painter | |
| Keith Weston | .... | stagehand | |
| Stephen Whitworth | .... | carpenter | |
| Colin Wright | .... | carpenter | |
| Giles Asbury | .... | storyboard artist (uncredited) | |
| Kenneth Bryson | .... | set builder (uncredited) | |
| Gary Dennis | .... | set builder (uncredited) | |
| Mary Ellen | .... | set builder (uncredited) | |
| Aja Lockhart | .... | assistant art director (uncredited) | |
| Martin Smeaton | .... | sculptor (uncredited) | |
| Gene Tewksbury | .... | set builder (uncredited) | |
Sound Department | |||
| Paul Aronoff | .... | adr mixer (as Paul Aranoff) | |
| Brian Basham | .... | adr recordist | |
| Ron Bedrosian | .... | adr mixer | |
| Peter Burgess | .... | foley artist | |
| John Casali | .... | boom operator | |
| Matthew Collinge | .... | sound designer | |
| Matthew Collinge | .... | sound effects | |
| Ed Colyer | .... | foley mixer (as Edward Colyer) | |
| David Crozier | .... | production sound mixer | |
| Andie Derrick | .... | foley artist (as Andi Derrick) | |
| James Harris | .... | sound assistant | |
| Lora Hirschberg | .... | sound re-recording mixer | |
| James Mather | .... | foley editor | |
| Brandon Proctor | .... | sound re-recording mixer | |
| Danny Sheehan | .... | adr editor | |
| Danny Sheehan | .... | dialogue editor | |
| Keenan Wyatt | .... | sound technician | |
| Christopher Barnett | .... | re-recording engineer (uncredited) | |
| James Bellamy | .... | auricle operator (uncredited) | |
| Mark DeSimone | .... | adr mixer (uncredited) | |
| Luke Dunn Gielmuda | .... | additional sound designer (uncredited) | |
| Sean England | .... | machine room operator (uncredited) | |
| Robert Farr | .... | adr mixer (uncredited) | |
| Andrew Glen | .... | auricle operator (uncredited) | |
| Nigel Heath | .... | adr recordist (uncredited) | |
| Tony Lewis | .... | auricle operator (uncredited) | |
| Brian Magerkurth | .... | sound re-recordist (uncredited) | |
| Mike Marchain | .... | adr supervisor (uncredited) | |
| Khama Matiti | .... | sound recordist (uncredited) | |
| Scott Parker | .... | assistant sound editor (uncredited) | |
| Mark Purcell | .... | sound recordist (uncredited) | |
| Jamie Roden | .... | adr mixer (uncredited) | |
| Greg Steele | .... | adr mixer (uncredited) | |
| Mike Wood | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects supervisor | |
| Mark Haddenham | .... | special effects senior technician (uncredited) | |
| Peter Haran | .... | special effects technician (uncredited) | |
| Jody Taylor | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Jam Abelanet | .... | visual effects supervisor: BUF | |
| Johnny Alves | .... | technical director: BUF | |
| Christelle Balcon | .... | visual effects coordinator: BUF | |
| Mark Benard | .... | visual effects producer: Lost Boys Studios | |
| Christophe Chaverou | .... | visual effects producer: BUF | |
| Nicolas Chevallier | .... | technical director: BUF | |
| Hal Couzens | .... | visual effects producer: Double Negative | |
| Sean Danischevsky | .... | digital compositing artist: Double Negative | |
| Valerie Delahaye | .... | production manager: BUF | |
| Kevin Genzel | .... | digital compositing artist: Lost Boys Studios | |
| Andy Hague | .... | visual effects editorial: Double Negative | |
| Pete Hanson | .... | studio manager: Double Negative | |
| Jeremy Hattingh | .... | digital compositing artist: Double Negative | |
| Kevin Tod Haug | .... | visual effects designer | |
| Martin Hill | .... | technical director: Double Negative | |
| Alex Ireland | .... | digital compositing artist: Double Negative | |
| Yoko Ishiguro | .... | digital compositing artist: Double Negative | |
| Jesper Kjölsrud | .... | 3D animator: Double Negative (as Jesper Kjolsrud) | |
| Roula Lainas | .... | visual effects producer: Lost Boys Studios | |
| Laurent Makowski | .... | technical director: BUF | |
| Leslie McMinn | .... | visual effects producer | |
| Neil Miller | .... | matte painter: Double Negative | |
| Stephane Naze | .... | sequence supervisor: BUF | |
| Charlie Noble | .... | digital compositing artist: Double Negative | |
| Tony Power | .... | visual effects coordinator: Lost Boys Studios | |
| Paul Riddle | .... | visual effects supervisor: Double Negative | |
| Xavier Roig | .... | 3D animator: Double Negative | |
| Tom Rolfe | .... | digital compositing artist: Double Negative | |
| Steven J. Scott | .... | digital intermediate colorist: EFilm (as Stephen Scott) | |
| Matthew Shaw | .... | visual effects editorial: Double Negative (as Matt Shaw) | |
| Jenny Strand | .... | 3D animator: Double Negative | |
| Jennifer Wood | .... | visual effects editorial: Double Negative | |
| Timothy Michael Cairns | .... | quality control supervisor: Efilm/Panavision (uncredited) | |
| Patrick Clancey | .... | digital opticals (uncredited) | |
| Phil DeSanti | .... | post-production assistant: visual effects (uncredited) | |
| Laurent Gillet | .... | visual effects: BUF compagnie (uncredited) | |
| Ntana Key | .... | digital intermediate paint artist (uncredited) | |
| Kevin Lin | .... | digital cleanup artist (uncredited) | |
| Jay Mallet | .... | motion control cameraman (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Ray Moody | .... | motion control (uncredited) | |
| David Sewell | .... | digital artist (uncredited) | |
Stunts | |||
| Lucy Allen | .... | stunt performer | |
| Jim Dowdall | .... | stunt performer | |
| Dave Fisher | .... | stunt performer | |
| Sarah Franzl | .... | stunt performer | |
| Paul Heasman | .... | stunt performer | |
| Tony Lucken | .... | stunt performer | |
| Dinny Powell | .... | stunt performer | |
| Lee Sheward | .... | stunt coordinator | |
| Alan Stewart | .... | stunt performer | |
Casting Department | |||
| Louis Elman | .... | adr voice casting | |
| Vicky Wildman | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Vicky Clark | .... | wardrobe assistant (as Vicci Clark) | |
| Ivo Coveney | .... | costume property maker | |
| Lou Durkin | .... | costume assistant | |
| Rebecca Hartnoll | .... | assistant costume property maker | |
| Jenny Hawkins | .... | wardrobe assistant | |
| Andrew Hunt | .... | wardrobe master | |
| Finn Lee | .... | wardrobe assistant (as Lee Croucher) | |
| Sharon Long | .... | assistant costume designer | |
| Nicholas Roche-Gordon | .... | wardrobe assistant (as Nick Roche-Gordon) | |
| Jeremy Turner | .... | assistant costume designer | |
| Marion Weise | .... | wardrobe supervisor | |
| Tamsin Wright | .... | costume department runner | |
| Melanie Carter | .... | costume maker (uncredited) | |
| Sue Casey | .... | costume assistant (uncredited) | |
| Lee Clayton | .... | tailor (uncredited) | |
| Thomas Sjolander | .... | embroidery (uncredited) | |
| Joanna Weaving | .... | textile artist: costume department (uncredited) | |
| Dominic Young | .... | costume cutter (uncredited) | |
Editorial Department | |||
| Terra Bliss-Alvarez | .... | digital intermediate producer: EFilm (as Terra Bliss) | |
| Linda A. Borgeson | .... | post-production executive (as Linda Borgeson) | |
| Ted Brady | .... | high definition color grader: Laser Pacific | |
| Robin Gonsalves | .... | post-production assistant | |
| Meagan James | .... | first assistant editor | |
| Harry Muller | .... | color timer | |
| Amy Tompkins | .... | digital intermediate editor | |
| Trish Hadley | .... | post-production coordinator (uncredited) | |
| Nicholas Sousa | .... | second assistant editor (uncredited) | |
| Jason Wheeler | .... | negative cutter (uncredited) | |
Music Department | |||
| Clio Gould | .... | concert master | |
| Krzysztof Herdzin | .... | orchestrator | |
| Eddie Hession | .... | musician: accordion | |
| Nick Ingman | .... | conductor | |
| Jan A.P. Kaczmarek | .... | music producer | |
| Jan A.P. Kaczmarek | .... | orchestrator | |
| Helen Keen | .... | musician: recorder | |
| Christopher Kennedy | .... | music editor | |
| John Lenehan | .... | musician: celeste (as John Lenehen) | |
| Leszek Mozdzer | .... | musician: piano solo | |
| Rafal Paczkowski | .... | score mixer | |
| Rafal Paczkowski | .... | score recordist | |
| John Parricelli | .... | musician: acoustic guitar and mandolin (as John Paricelli) | |
| Curt Sobel | .... | music editor: temp music | |
| Randy Spendlove | .... | executive in charge of music | |
| Marek Szpakiewicz | .... | orchestrator | |
| Pamela Thorby | .... | musician: recorder | |
| Malcolm Fife | .... | music editor (uncredited) | |
Transportation Department | |||
| Gary Birmingham | .... | transportation coordinator | |
| John Hollywood | .... | driver | |
| Lee Isgar | .... | driver: Dustin Hoffman | |
| Steve Michard | .... | driver (as Steve Mitchard) | |
| John Nichol | .... | driver | |
| Johnny Ott | .... | driver | |
| Terry Reece | .... | driver | |
| Simon Saunders | .... | driver | |
| Alan Smith | .... | driver | |
| Rob MacKnight | .... | driver: unit minibus (uncredited) | |
Other crew | |||
| Barbara Berkery | .... | dialect coach: Ms. Mitchell | |
| Mathias Bocquillon | .... | assistant: Johnny Depp | |
| Terry Brown | .... | vice president of engineering: Laser Pacific | |
| Jonathan Butterell | .... | choreographer | |
| Francesca Castellano | .... | production coordinator | |
| Rebecca Chambers | .... | location assistant | |
| James Chasey | .... | stand-in | |
| Christi Dembrowski | .... | assistant: Johnny Depp | |
| Jan Denham | .... | stand-in | |
| Cathy Doubleday | .... | script supervisor | |
| Judith Edwards | .... | unit nurse (as Jude Edwards) | |
| Ben Famiglietti | .... | assistant: Harvey Weinstein (as Benjamin Famiglietti) | |
| Bill Feightner | .... | technical director: EFilm | |
| Emily Feingold | .... | assistant: Harvey Weinstein | |
| Philip Franks | .... | director: play sequences | |
| Stephanie Gilliver | .... | production accountant trainee | |
| Sheryl Goodhead | .... | account executive: Laser Pacific | |
| David Greenbaum | .... | assistant: Harvey Weinstein | |
| Chad Gunderson | .... | high definition service coordinator: Laser Pacific | |
| Jim Hajicosta | .... | production accountant | |
| Karen Hogarty | .... | production attorney | |
| Matthew Hogden | .... | tutor | |
| Bjorn Johnson | .... | production runner | |
| Claudia Kalindjian | .... | unit publicist | |
| Jemma Kearney | .... | assistant: Marc Forster | |
| Rosalind Lawton | .... | production attorney | |
| Polly Leach | .... | assistant production coordinator | |
| Emma Leslie | .... | assistant: Kate Winslet | |
| Adrian Lobb | .... | stand-in | |
| Andrew Mannion | .... | floor runner (as Andy Mannion) | |
| Dan Palmer | .... | assistant production accountant | |
| Finlay Pile | .... | location assistant | |
| Emma Pill | .... | location manager | |
| Jason Potter | .... | assistant production accountant | |
| David Register | .... | high definition engineer: Laser Pacific | |
| Eric Ian Robinson | .... | assistant: Harvey Weinstein (as Eric Robinson) | |
| Jordan Roter | .... | assistant: Richard Gladstein | |
| Enis Rotthoff | .... | assistant: Jan A.P. Kaczmarek | |
| Georgiana Sayer | .... | stand-in | |
| Sally Jo Sousa | .... | animal trainer: Birds & Animals (as Sally Sousa) | |
| Sharra Stende | .... | assistant: Gary Binkow | |
| Julie Tottman | .... | animal trainer: Birds & Animals | |
| Aiden Treays | .... | assistant choreographer (as Aidan Treays) | |
| Andre Tréjo | .... | high definition service coordinator: Laser Pacific | |
| Charlie Waller | .... | floor runner | |
| Paul 'Welcie' Wellstead | .... | supervising rigger (as Paul Wellstead) | |
| Emma Williams | .... | unit nurse | |
| Tonia Wright | .... | assistant: Richard Gladstein | |
| Tomas Cabral | .... | production assistant (uncredited) | |
| Darren Helman | .... | location support (uncredited) | |
| Dan Palmer | .... | post-production accountant (uncredited) | |
| Martyn Richmond | .... | production runner (uncredited) | |
| Heather Thomas-Hughes | .... | unit nurse (uncredited) | |
Thanks | |||
| Renée Chabria | .... | very special thanks | |
| Colette Chessé | .... | very special thanks | |
| Gillian Harwood Chesse | .... | very special thanks (as Gillian Chessé) | |
| Laura Duguid | .... | very special thanks | |
| Michael Emyrs | .... | very special thanks | |
| Jane Evans | .... | very special thanks | |
| Lauri Gladstein | .... | very special thanks | |
| Julie Goldstein | .... | very special thanks | |
| John Hadity | .... | very special thanks | |
| James V. Hart | .... | very special thanks | |
| Robert Louis-Dreyfuss | .... | very special thanks | |
| Kit Palmer | .... | enormous gratitude | |
| Meryl Poster | .... | very special thanks | |
| Thad Spencer | .... | very special thanks | |
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| Prick Up Your Ears | The Kite Runner | City of Shoulders and Noses | Gone with the Wind | Edvard Munch |
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FINDING NEVERLAND is that rare work of art that transcends the medium of film and becomes a spirit-altering experience. Strong accolades? Gush? Perhaps so, but squeeze time out of the clutter of life and the holidays to see this movie and be transported to a place that nurturingly reassures us that the cycle of life is indeed good. Find Neverland!Marc Forster ('Monster Ball') has created a lovingly tender look at the playwright JM Barrie (Johnny Depp) in 1903 when, down on his luck with theater flops, unfulfilled by a marriage of Victorian standards to a beautiful but aloof and social climbing wife Mary (Radha Mitchell), and with writer's block, he encounters the Llewellyn Davies family - a widow Sylvia (Kate Winslet) and her four boys, George (Nick Roud), Jack (Joe Prospero), Michael (Luke Spill) and Peter (Freddie Highmore) - playing blissfully in Kensington Gardens. Barrie is captivated, draws the boys to him with his patient and infectious enthusiasm for play, and bonds with this family, gaining the obvious seeds for his highest achievement or creation, PETER PAN.How these seeds grow, despite the soft, yet supportive, growling of his producer Charles Frohman (Dustin Hoffman) and the not so soft interference of Sylvia's wealthy haughty mother Madame du Maurier (Julie Christie), form the storyline of this film. The magic comes from the skill of the writers (Alan Knee and David Magee) and director, the cinematographer (never has Victorian London glowed with such elegant gaslight presence), and the musical score by Jan Kaczmarek. Cameo roles are treated with tremendous respect: Eileen Essel as Mrs. Snow, Ian Hart as Sir Arthur Conan Doyle, Kelly MacDonald as the first Peter Pan, etc all are brief but fully realized and poignant. Given this support it is obvious that the talents of the lead performers will shine, and they glow they do with such understated performances that make the simple story of the sanctity of the inner child so cogent that there is not a dry eye in the house during the thankfully long credits. Johnny Depp continues to prove that he is one of the finest actors on the screen today: his Barrie has a flawless Scottish accent and a manner of movement and facial expressions that make him a gentle hero. Kate Winslet, never more beautiful, likewise embodies Sylvia with exactly the right amount of perk and pathos, and as her mother, Julie Christie is strikingly beautiful and unfailingly solid in a role less than loving. The boys are artfully recreated, never absurdly over the top, always very close to the bridge that crosses the craggy canyon between childhood and adulthood. Growing up has never been better portrayed - by all of the characters!In a time when too often films that address magic and imagination rely on computer effects to create creatures that are comic book absurd, FINDING NEVERLAND relies on simply showing the stage mechanics of the play, suspending wires and all, even in the climax of the story when Barrie brings his successful play to the living room of the ill Sylvia in order to keep his promise to her to take her to Neverland. No gimmicks here, just solid stagecraft very much in keeping with the inherent magic of Barrie's enduring play. This is a brilliant cinematic accomplishment - a feast for the eyes, the ears, the brain, and the soul. Please don't miss it! Grady Harp, November 2004