1903 London. Renowned playwright J.M. Barrie (James)'s latest effort has garnered less than positive reviews, something he knew would be the case even before the play's mounting. This failure places pressure on James to write another play quickly as impresario Charles Frohman needs another to replace the failure to keep his theater viable. Out for a walk with his dog in part to let his creative juices flow, James stumbles upon the Llewelyn Davies family: recently widowed Sylvia Llewelyn Davies (the daughter of now deceased author George L. Du Maurier) and her four adolescent sons. James and the family members become friends, largely based on he and the boys being able to foster in each other the imagination of children, James just being the biggest among them in this regard. Sylvia also welcomes James into their lives, he who becomes an important and integral part of it. Among the six of them, the only one who does not want to partake is Sylvia's third, Peter Llewelyn Davies, who is ... Written by
When J.M. Barrie and the Llewelyn Davies family are traveling by buggy to Mary Ansell Barrie's (James's wife) cottage, a flock of sheep stops in front of the buggy and it is forced to stop. This is included in the film because the buggy is an original from the late 1800s and is not able to properly run. To make it go, it is pushed over the hill. To cover for it stopping suddenly at the base of the hill, director Marc Forster decided to have the sheep block the road. See more »
When J.M. Barrie is rebuffing Peter for saying Porthos is just a dog, the stuffed toys behind Peter change orientation in relation to Peter at least twice. See more »
Now that we're past the hype... don't miss this movie!
Every holiday season Harvey Weinstein and Miramax talk up one of their properties, fully expecting everyone to bow and throw awards at it as soon as it's released. This year it's Finding Neverland, which has produced a lot of buzz in favor of Johnny Depp's sophisticated performance. Although the film deserves all the praise it gets, it is understandable that moviegoers are a little weary with another dramatic period piece, with another "oscar caliber" cast, about yet another take on Peter Pan.
The bottom line is, this movie is phenomenal. Exploring the major theme of Barrie's play (that of a boy who never grows up), Finding Neverland refrains from condemning grown-ups, but exalts the wild magic one can enjoy as a kid. For James, who had to deal with his family's reticence upon the death of his brother, the real tragedy occurs when a child is forced to grow up too fast.
My favorite idea from this film is this: life finds a way to put into our lives the people we're supposed to be living our lives with. James and Sylvia needed each other, and they needed each other at that particular time. Life took care of them.
The film does indeed move at a snail's pace. Consider that part of the set design. Just as the characters go about 1905 London in top hats and buttoned-down gowns, so does the movie develop in a manner which would have been fitting for a time which preceded MTV-generation attention spans by about a hundred years.
As for the acting, it is wonderful. Depp is understated and gallant, Kate Winslet is lovely and tragic, and they're both better than I've ever seen them. Julie Christie is brutally ominous as the matriarch who can gum up everyone's happiness. Dustin Hoffman, although out of place, brings a dry wit as a risk-taking businessman. The boys playing the Davis kids are a lot of fun to watch and play their dramatic parts perfectly.
If you want something where all the pieces of the magic puzzle that is movie-making come together with grace, charm, and humanity, you won't find a more rewarding film than this.
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