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Finding Neverland (2004)

PG  |   |  Biography, Drama, Family  |  17 December 2004 (USA)
7.8
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Ratings: 7.8/10 from 165,304 users   Metascore: 67/100
Reviews: 626 user | 225 critic | 38 from Metacritic.com

The story of J.M. Barrie's friendship with a family who inspired him to create Peter Pan.

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Title: Finding Neverland (2004)

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Won 1 Oscar. Another 23 wins & 69 nominations. See more awards »

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Cast

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Nick Roud ...
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Jimmy Gardner ...
Oliver Fox ...
Gilbert Cannan
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Storyline

The movie details the experiences of "Peter Pan" author J.M. Barrie, which lead him to write the children's classic. He got to know four children who have no father. Drawing from his time with the kids, he writes a story about children who don't want to grow up. Written by Jan Wilm

Plot Summary | Plot Synopsis

Taglines:

How far can your imagination take you. See more »


Motion Picture Rating (MPAA)

Rated PG for mild thematic elements and brief language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

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Language:

Release Date:

17 December 2004 (USA)  »

Also Known As:

J.M. Barrie's Neverland  »

Filming Locations:

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

£776,124 (UK) (29 October 2004)

Gross:

$51,676,606 (USA) (22 April 2005)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

| (DVD) (Encore print)

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In actuality (not the film), Peter Llewelyn Davies was not J.M. Barrie's inspiration for the Peter Pan character. His younger brother, Michael, was. Michael is also said to be Barrie's favorite of the children, not Peter. It is not certain why Barrie then chose to name the main character Peter. One idea why is because of his brothers, Peter behaved the most like an adult at a young age. Barrie wished he had more of a childhood, so he immortalized him as the symbol of youth. See more »

Goofs

The first scene of "Finding Neverland", is set in 1903, the opening night of James Barrie's play "Little Mary". The vehicle in which Mr & Mrs Snow arrive is a Rolls-Royce model 40/50 HP, also known as a "Silver Ghost". This is an anachronism. The Rolls-Royce company was formed in 1904, with production of the 40/50 HP started in 1907. Moreover, the car has a "Flying Lady" mascot on the radiator which was not designed by Charles Sykes until 1911. The specific car is identifiable from its registration number - BM 8794. It is chassis number 1979, which was delivered new on 10th May 1912. The car used to drive to the summer cottage is a Mitchell Tourer, made in Racine Wisconsin, USA. Although the Mitchell-Lewis Motor Company was founded in 1903, the model in the film appears to be about 1911, judging by the shape and style of the lettering on the radiator. It's certainly no earlier than 1910. See more »

Quotes

[first lines]
Charles Frohman: Opening night. I love opening night. How are you? Did you see him?
See more »

Crazy Credits

Last credit to appear at end credits: For Milo... See more »

Connections

Referenced in Allemaal film: De amerikaanse droom (2007) See more »

Soundtracks

Medieval and Renaissance Fanfare No. 7
Composed by David Marshall (PRS)
Published by Studio G Ltd (PRS)
Courtesy of Promusic
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

10 Stars! If you see no other movie this year, see this one!,
23 November 2004 | by (United States) – See all my reviews

FINDING NEVERLAND is that rare work of art that transcends the medium of film and becomes a spirit-altering experience. Strong accolades? Gush? Perhaps so, but squeeze time out of the clutter of life and the holidays to see this movie and be transported to a place that nurturingly reassures us that the cycle of life is indeed good. Find Neverland!Marc Forster ('Monster Ball') has created a lovingly tender look at the playwright JM Barrie (Johnny Depp) in 1903 when, down on his luck with theater flops, unfulfilled by a marriage of Victorian standards to a beautiful but aloof and social climbing wife Mary (Radha Mitchell), and with writer's block, he encounters the Llewellyn Davies family - a widow Sylvia (Kate Winslet) and her four boys, George (Nick Roud), Jack (Joe Prospero), Michael (Luke Spill) and Peter (Freddie Highmore) - playing blissfully in Kensington Gardens. Barrie is captivated, draws the boys to him with his patient and infectious enthusiasm for play, and bonds with this family, gaining the obvious seeds for his highest achievement or creation, PETER PAN.How these seeds grow, despite the soft, yet supportive, growling of his producer Charles Frohman (Dustin Hoffman) and the not so soft interference of Sylvia's wealthy haughty mother Madame du Maurier (Julie Christie), form the storyline of this film. The magic comes from the skill of the writers (Alan Knee and David Magee) and director, the cinematographer (never has Victorian London glowed with such elegant gaslight presence), and the musical score by Jan Kaczmarek. Cameo roles are treated with tremendous respect: Eileen Essel as Mrs. Snow, Ian Hart as Sir Arthur Conan Doyle, Kelly MacDonald as the first Peter Pan, etc all are brief but fully realized and poignant. Given this support it is obvious that the talents of the lead performers will shine, and they glow they do with such understated performances that make the simple story of the sanctity of the inner child so cogent that there is not a dry eye in the house during the thankfully long credits. Johnny Depp continues to prove that he is one of the finest actors on the screen today: his Barrie has a flawless Scottish accent and a manner of movement and facial expressions that make him a gentle hero. Kate Winslet, never more beautiful, likewise embodies Sylvia with exactly the right amount of perk and pathos, and as her mother, Julie Christie is strikingly beautiful and unfailingly solid in a role less than loving. The boys are artfully recreated, never absurdly over the top, always very close to the bridge that crosses the craggy canyon between childhood and adulthood. Growing up has never been better portrayed - by all of the characters!In a time when too often films that address magic and imagination rely on computer effects to create creatures that are comic book absurd, FINDING NEVERLAND relies on simply showing the stage mechanics of the play, suspending wires and all, even in the climax of the story when Barrie brings his successful play to the living room of the ill Sylvia in order to keep his promise to her to take her to Neverland. No gimmicks here, just solid stagecraft very much in keeping with the inherent magic of Barrie's enduring play. This is a brilliant cinematic accomplishment - a feast for the eyes, the ears, the brain, and the soul. Please don't miss it! Grady Harp, November 2004


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