1903 London. Renowned playwright J.M. Barrie (James)'s latest effort has garnered less than positive reviews, something he knew would be the case even before the play's mounting. This failure places pressure on James to write another play quickly as impresario Charles Frohman needs another to replace the failure to keep his theater viable. Out for a walk with his dog in part to let his creative juices flow, James stumbles upon the Llewelyn Davies family: recently widowed Sylvia Llewelyn Davies (the daughter of now deceased author George L. Du Maurier) and her four adolescent sons. James and the family members become friends, largely based on he and the boys being able to foster in each other the imagination of children, James just being the biggest among them in this regard. Sylvia also welcomes James into their lives, he who becomes an important and integral part of it. Among the six of them, the only one who does not want to partake is Sylvia's third, Peter Llewelyn Davies, who is ... Written by
The first scene of "Finding Neverland", is set in 1903, the opening night of James Barrie's play "Little Mary". The vehicle in which Mr & Mrs Snow arrive is a Rolls-Royce model 40/50 HP, also known as a "Silver Ghost". This is an anachronism. The Rolls-Royce company was formed in 1904, with production of the 40/50 HP started in 1907. Moreover, the car has a "Flying Lady" mascot on the radiator which was not designed by Charles Sykes until 1911. The specific car is identifiable from its registration number - BM 8794. It is chassis number 1979, which was delivered new on 10th May 1912. The car used to drive to the summer cottage is a Mitchell Tourer, made in Racine Wisconsin, USA. Although the Mitchell-Lewis Motor Company was founded in 1903, the model in the film appears to be about 1911, judging by the shape and style of the lettering on the radiator. It's certainly no earlier than 1910. See more »
Now that we're past the hype... don't miss this movie!
Every holiday season Harvey Weinstein and Miramax talk up one of their properties, fully expecting everyone to bow and throw awards at it as soon as it's released. This year it's Finding Neverland, which has produced a lot of buzz in favor of Johnny Depp's sophisticated performance. Although the film deserves all the praise it gets, it is understandable that moviegoers are a little weary with another dramatic period piece, with another "oscar caliber" cast, about yet another take on Peter Pan.
The bottom line is, this movie is phenomenal. Exploring the major theme of Barrie's play (that of a boy who never grows up), Finding Neverland refrains from condemning grown-ups, but exalts the wild magic one can enjoy as a kid. For James, who had to deal with his family's reticence upon the death of his brother, the real tragedy occurs when a child is forced to grow up too fast.
My favorite idea from this film is this: life finds a way to put into our lives the people we're supposed to be living our lives with. James and Sylvia needed each other, and they needed each other at that particular time. Life took care of them.
The film does indeed move at a snail's pace. Consider that part of the set design. Just as the characters go about 1905 London in top hats and buttoned-down gowns, so does the movie develop in a manner which would have been fitting for a time which preceded MTV-generation attention spans by about a hundred years.
As for the acting, it is wonderful. Depp is understated and gallant, Kate Winslet is lovely and tragic, and they're both better than I've ever seen them. Julie Christie is brutally ominous as the matriarch who can gum up everyone's happiness. Dustin Hoffman, although out of place, brings a dry wit as a risk-taking businessman. The boys playing the Davis kids are a lot of fun to watch and play their dramatic parts perfectly.
If you want something where all the pieces of the magic puzzle that is movie-making come together with grace, charm, and humanity, you won't find a more rewarding film than this.
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