3 items from 2015
Amazon seems to have the funds and means to make themselves on par with not only their streaming competitor Netflix but also every other independent studio in Hollywood right now, and with their power it looks like they're going down the auteur route. In addition to producing Spike Lee's next "joint" Chiraq and working on Woody Allen's first-ever TV show, they have also inked deals on the next projects from directors Terry Gilliam and Jim Jarmusch. Deadline broke the story, but it was the astute eyes over at The Playlist found the scoop buried in their report. Amazon has yet to confirm what projects the filmmakers have signed onto with their banner, so to figure out what's in the works one has to rely solely on what each filmmaker announced previously. Although Gilliam expressed interest in making a steampunk version of 1984 in recent history, it would seem this is mostly likely the very, »
- Will Ashton
This week, Neil Calloway looks at the recent collapse of two films, and the wider implications for Hollywood…
Imagine if you’d secured Bruce Willis, or Robert De Niro and Robert Pattinson to star in your film, sorted out financing and actually started shooting; you’d be pretty happy. You wouldn’t be guaranteed a hit – in William Goldman’s oft-repeated maxim about Hollywood “nobody knows anything”, but you’d be pretty certain that your film would get a release, and had the potential to make money.
But of course, this is Hollywood. “Nobody knows anything” is often repeated because it’s true. In November last year Idol’s Eye, starring De Niro and Pattinson, shut down production, and this week Bruce Willis, along with director John Pogue, left the film Wake after production had been “temporarily” stopped earlier in the year. Both films were to be produced by Benaroya Pictures, »
- Neil Calloway
When Only God Forgives made its debut at the 2012 Cannes Film Festival, it’s fair to say the reaction was somewhat mixed. Some hooted and derided the film. A few got up and left. Many, on the other hand, championed director Nicolas Winding Refn’s follow up to his critically-acclaimed Drive, also starring Ryan Gosling.
The Guardian’s Peter Bradshaw, for example, prized the film, and for this writer, it was a disturbing counterpoint to the more commercial Drive - if that film was a sun-drenched dream in which Ryan Gosling played an archetypal male hero, then Only God Forgives is the nightmare: a view of machismo gone horribly awry.
If some critics were appalled by the film, Refn had misgivings of his own. The director’s self-doubt »
3 items from 2015
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners