| Joseph Fiennes | ... | Stephen | |
| Elisabeth Shue | ... | Mary Bloom | |
| Justin Chambers | ... | Ryan Eames | |
| Sam Shepard | ... | Vic | |
| Dennis Hopper | ... | Horace | |
| Deborah Kara Unger | ... | Caroline | |
| Mary Stuart Masterson | ... | Brynne | |
| Jake Weber | ... | Ben Bloom | |
| Davis Sweatt | ... | Leopold - age 11 | |
| James Middleton | ... | Louis | |
| Don Henderson Baker | ... | Jack (as Don Baker) | |
| David Burke | ... | Thomas Kingsley | |
| Amie Quigley | ... | Ruth Livingston | |
| Andrew Ruse | ... | Mark | |
| Zac Epstein | ... | Kid #1 | |
| Gil Johnson | ... | Gil | |
| Terry Loughlin | ... | Policeman | |
| Emma Rogerson | ... | Isabelle | |
| Traci Dinwiddie | ... | Diane | |
| Alex Van | ... | Mr. Jenkins | |
| Robert C. Treveiler | ... | Paul Livingston | |
| Danny Nelson | ... | Judge | |
| Wilbur Fitzgerald | ... | Prosecution | |
| Cody Newton | ... | Charles | |
| Jordan Lamb | ... | Leopold (age 4) | |
| Paulette Todd | ... | Joanne | |
| rest of cast listed alphabetically: | |||
| David Burke | ... | Thomas Kingsley | |
| Michael Harding | ... | Angry Neighbor | |
| Brian Lafontaine | ... | Ned Gray | |
| Sandra W. Van Natta | ... | Funeral Mourner | |
| Taylor Wentworth | ... | Boy in classroom | |
| Sylvia Jefferies | ... | College Girl (uncredited) | |
| Richard Jennings | ... | Doctor (uncredited) | |
| Jim Lynch | ... | Professor (uncredited) | |
| Rachel Nau | ... | Student (uncredited) | |
| Caroline Pires | ... | Student (uncredited) | |
Directed by | |||
| Mehdi Norowzian | |||
Writing credits | ||
| Massy Tadjedin | (written by) & | |
| Amir Tadjedin | (written by) | |
Produced by | |||
| Erica August | .... | producer | |
| Paul F. Bernard | .... | associate producer (as Paul Bernard) | |
| Sara Giles | .... | executive producer | |
| Sara Giles | .... | producer | |
| Jonathan Karlsen | .... | producer | |
| Nik Powell | .... | executive producer | |
| Louise Rosner | .... | line producer | |
| Derek Roy | .... | executive producer | |
| Massy Tadjedin | .... | producer | |
| Ken Tuohy | .... | line producer: UK | |
| J. David Williams | .... | co-executive producer | |
| Amir Yazdi | .... | associate producer | |
Original Music by | |||
| Mark Adler | |||
Cinematography by | |||
| Zubin Mistry | (director of photography) | ||
Film Editing by | |||
| Tariq Anwar | |||
Casting by | |||
| Lina Todd | |||
Production Design by | |||
| Stefania Cella | |||
Set Decoration by | |||
| Eric Weiler | |||
Costume Design by | |||
| Jacqueline West | |||
Makeup Department | |||
| Wendy Bell | .... | makeup artist | |
| Felicity Bowring | .... | makeup department head | |
| Gunnar Swanson | .... | hair stylist | |
| Kathe Swanson | .... | key hair stylist | |
Production Management | |||
| Polly Duval | .... | post-production supervisor | |
| Louise Rosner | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Paul F. Bernard | .... | first assistant director (as Paul Bernard) | |
| Greg Hale | .... | second assistant director | |
Art Department | |||
| Nelson Alicea | .... | laborer | |
| Jack Ballance | .... | assistant to production designer | |
| Robert Beck | .... | property master (as Robbie Beck) | |
| Sean Bernard | .... | scenic artist | |
| Sara Bettinger | .... | construction foreperson | |
| Kristen Bunting | .... | set dresser | |
| Richard M. Cole | .... | propmaker (as Richard Cole) | |
| Geoff Cormier | .... | set dresser (as Geoffrey Cormier) | |
| Kristen Donaldson | .... | art department production assistant | |
| Sonya Duvall | .... | art department coordinator | |
| Greg Eddins | .... | propmaker | |
| Frank M. Fleming | .... | leadman (as Frank Fleming) | |
| Timothy Fox | .... | on-set dresser | |
| John Gilchrist Jr. | .... | propmaker (as John Gilchrist) | |
| Joe Golz | .... | propmaker (as Joseph Golz) | |
| Frank J. Hart | .... | propmaker (as Frank Hart) | |
| Richard Hill | .... | propmaker | |
| Randall H. Jones | .... | lead greensman (as Randall Jones) | |
| Steven Kerlagon | .... | lead scenic artist | |
| Christopher Kuder | .... | set dresser | |
| Bryan Lee | .... | propmaker | |
| Rodney Malone | .... | laborer | |
| Thomas A. Morris Jr. | .... | construction coordinator (as Tom Morris) | |
| William Scot Noonan | .... | propmaker (as William Noonan) | |
| William Rampey | .... | propmaker | |
| Gregory Schmitz | .... | scenic artist | |
| Ben T. Sineath Jr. | .... | laborer | |
| Ben Sineath | .... | propmaker | |
| Bob Smith | .... | assistant property master (as Robert Smith) | |
| Stephanie Waldron | .... | sculptor | |
| Scott D. Warner | .... | propmaker (as Scott Warner) | |
| Michael J. Wheeler | .... | leadman (as Michael Wheeler) | |
| Duane Williamson | .... | on-set dresser | |
Sound Department | |||
| C. Douglas Cameron | .... | boom operator (as Doug Cameron) | |
| Jean-Raphaël Dedieu | .... | sound designer (as Jean-Raphael Dedieu) | |
| Ross Gregory | .... | sound designer | |
| Alex Hudd | .... | sound consultant: dolby | |
| Craig Irving | .... | sound re-recording mixer | |
| André Jacquemin | .... | supervising sound designer | |
| Bill Jones | .... | foley recordist | |
| Mark Lafbery | .... | assistant sound re-recording mixer | |
| Simon Price | .... | adr editor | |
| Michael Rayle | .... | cable person | |
| Jerry Richards | .... | foley artist | |
| Jerry Richards | .... | foley editor | |
| Carl Rudisill | .... | sound mixer | |
| Matt Connolly | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Heath Hood | .... | special effects technician | |
| Walter Kiesling | .... | special effects foreman | |
| Michael Schorr | .... | special effects supervisor (as Mike Schorr) | |
Visual Effects by | |||
| Andy Burrow | .... | visual effects scanning supervisor: Framestore CFC | |
| Michael Deming | .... | visual effects recroding supervisor: Framestore CFC | |
| Tim Hey | .... | digital paint artist: Framestore CFC | |
| Drew Jones | .... | visual effects executive producer: Framestore CFC | |
| Alasdair MacCuish | .... | digital lab producer: Framestore CFC | |
| Steve Parsons | .... | visual effects operator: Framestore CGC | |
| Tom Partridge | .... | visual effects editorial: Framestore CFC | |
| Chad Rogers | .... | visual effects operator: Framestore CGC | |
| Maria Stroka | .... | visual effects operator: Framestore CGC | |
| Steve Tizzard | .... | compositing artist: Framestore CFC (as Stephen Tizzard) | |
| Gavin Toomey | .... | compositing artist: Framestore CFC | |
| Tara Walker | .... | visual effects operator: Fr | |
Stunts | |||
| Cal Johnson | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Alan Aldridge | .... | first assistant camera | |
| William 'Bill' Allanson II | .... | electrician (as William Allanson) | |
| Brad Banks | .... | electrician | |
| Monica Barrios-Smith | .... | assistant camera | |
| Michael Bonsignore | .... | dolly grip | |
| Kelly Curry | .... | grip: second company | |
| Lee Donaldson | .... | grip | |
| Marcello Garofal | .... | assistant to director of photography | |
| Mark Graves | .... | assistant chief lighting technician | |
| Michael Green | .... | camera operator | |
| Gerald D. Hatchell | .... | grip (as Dwayne Hatchell) | |
| Stephen Mills | .... | electrician | |
| Christian Satrazemis | .... | film loader | |
| Dave Spencer | .... | grip | |
| Michael Tackett | .... | still photographer | |
| Jordan Valenti | .... | chief lighting technician | |
| Mark Vogel | .... | electrician | |
| Bo Webb | .... | second assistant camera | |
| Dennis Zoppe | .... | grip: first company | |
Casting Department | |||
| Richard Futch | .... | location casting | |
| Margaret Mullins | .... | location casting | |
Costume and Wardrobe Department | |||
| Winnie D. Brown | .... | costume supervisor (as Winnie Brown-Willis) | |
| Keva Keyes | .... | additional costumer | |
| Joyce Marling | .... | costumer | |
| Jude Christian Orlando | .... | costume illustrator | |
Editorial Department | |||
| John Ensby | .... | laboratory liaison: UK | |
| Sacha Guttenstein | .... | post-production coordinator | |
| Saska Simpson | .... | assistant editor | |
| John Stanborough | .... | color timer | |
Music Department | |||
| Mark Adler | .... | conductor | |
| Mark Adler | .... | orchestrator | |
| Mark Adler | .... | score mixer | |
| Joanie Diener | .... | music editor | |
| Stephen Hart | .... | score recordist | |
| Daryn Roven | .... | score mixer | |
| James T. Sale | .... | music preparation | |
Transportation Department | |||
| Elio Acanfora | .... | driver | |
| Kenneth Bennett | .... | driver | |
| Jeff Corbett | .... | driver (as Jeffrey Corbett) | |
| Doug Floyd | .... | driver (as Douglas Floyd) | |
| Wayne Jones | .... | transportation captain | |
| Skip Long | .... | driver | |
| Tonny Meckelvaney | .... | driver (as Tony Meckelvaney) | |
| Joey Ricker | .... | driver | |
| Lee Siler | .... | transportation coordinator | |
| Russell Scott Siler | .... | driver | |
| Robert W. Simpson | .... | driver (as Rob Simpson) | |
| Dean Stephens | .... | driver (as Stanley Dean Stephens) | |
| William H. Sylvester | .... | driver (as William Sylvester) | |
| Duncan Toney | .... | driver | |
| Ken Wilson | .... | driver | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
Leo is a film made up of two story strands, one detailing the experiences of a newly released prisoner and another tells the tragic tale of a bored 50's housewife whose life takes a downward spiral. Gradually, these two story strands weave together in a predictable fashion, but the film loses none of it's power despite this rather obvious 'twist'.
Leo had been sitting on the shelf for a couple of years untill it's recent release in the U.K. and in my opinion it's difficult to see why. From the stunning cinematography employed, to the universally excellent performances, it's a small winner all round. Obviously not a commercial film but so much rubbish is dumped into cinemas nowadays there is a lot of room for films like this.
As stated above, the film has two plotlines running together. The way in which the director takes us to one, and then the other is done cleverly and in no way detracts from the flow of the picture. The cinematography is a times breathtaking. In the scene in which the character of Steven is released from prison, the barbed wire fences behind him look almost beautiful in the sunlight's reflection. Combined with quick edits of his character running against a clear blue sky, the sequence is quite exhilirating.
The performances in Leo also deserve praise. Joseph Fiennes as Steven is excellent, watch out for the scene in which he confronts Dennis Hoppers character in the back room of a diner.
Elisabeth Shue is as good as in Leaving Las Vegas, if not better. Her descent into alcoholism from straight laced housewife is acted perfectly, her reaction to some devastating news delivered by two policemen is heartbreakingly delivered.
Even if the final revelation is painfully predictable, (though there is a quite unexpected plot point revealed late on) and some of the supporting characters are drawn in very broad strokes, Leo ultimately delivers. It's well directed, well acted, looks gorgeous and is quietly moving in it's own way. And you'll still be thinking about it as you walk away from the theater.
How many films can you say that about these days?