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Overview
User Rating:
Director:
Writer:
Neil Burger (written by)
Tagline:
Dallas. 1963. The second shooter.
Plot:
Almost forty years after the John F. Kennedy assassination, an ex-Marine named Walter Ohlinger has come forward with a startling claim. full summary | add synopsis
Awards:
2 wins & 3 nominations more
User Comments:
Minamalist Masterpiece more (25 total)
Cast
(Cast overview, first billed only)| Raymond J. Barry | ... | Walter Ohlinger | |
| Dylan Haggerty | ... | Ron Kobeleski | |
| Renee Faia | ... | Sharon Kobeleski | |
| Kelsey Kemper | ... | Karen Kobeleski | |
| Dennis Lau | ... | Steven Wu | |
| Sonny Franks | |||
| Jared McVay | ... | Jimmy Jones | |
| Christel Khalil | ... | Babysitter | |
| Lillias White | ... | Nurse | |
| Kate Williamson | ... | Walter's Ex-Wife | |
| Jack Tate | ... | John Seymour Jr. | |
| Nicolas Mize | ... | Gary Deetz | |
| James Hiser | ... | Alan Delvecchio | |
| Darrell Sandeen | ... | John Seymour Sr. | |
| Evan O'Meara | ... | Secret Service Agent #1 |
Additional Details
MPAA:
Rated R for language.
Parents Guide:
Runtime:
88 min
Country:
Language:
Color:
Aspect Ratio:
1.78 : 1 more
Sound Mix:
Certification:
Company:
Fun Stuff
Quotes:
Walter Ohlinger: I was in Dallas on November 22nd, 1963. That mean anything to you? more
Movie Connections:
Featured in The 2003 IFP Independent Spirit Awards (2003) (TV) more
FAQ
This FAQ is empty. Add the first question.more (25 total)
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Discuss this movie with other users on IMDb message board for Interview with the Assassin (2002) moreRecommendations
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Why aren't there more comments and viewers for this disturbing little gem? The best conspiracy movie(JFK, PI or otherwise) in may a year hits all the right notes technically and plot wise. Filmmed digitally (SONY PD-150) with such skill that you'll be checking your TV/DVD resolution in the first five minutes, the filmmakers use every advantage and disadvatage of the digital format to their benefit. The camera work begins static, rigid local TV news style then slowly takes on a subtle impressionistic style that blurs the line between docudrama and fiction. Viewers not interested in film as a meta-(self referential) text need not apply. After starting with the formal aspects of the JFK mystery, camera angles, do pictures lie, tampered
evidence and conflicting witnesses the film then seems to turn on the viewer so that we are put in the position of one of those unlucky witnesses who were
bribed, intimidated, bullied, framed or killed for seeing just a little too much. The performances are uniformly great, starting with the ballistics man who plays his part so straight I had to mentally check and remind myself this wasn't a
documentary. The ex-wife was brilliant. All the actors were just realistic to the point of surrealism. I'm now babbling, SEE THIS MOVIE