When a disgraced former college professor has a romance with a mysterious younger woman haunted by her dark twisted past, he is forced to confront a shocking secret about his own life that he has kept secret for 50 years.
The daughter of a brilliant but mentally disturbed mathematician, recently deceased, tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students who wants to search through his papers and her estranged sister who shows up to help settle his affairs.
Successful playwright Felix Webb has a new play, 'The Hit Man', in rehearsal. Directed by his old friend Humphrey, it is already being hailed as a masterpiece; but Felix can't enjoy his ... See full summary »
Turning her back on her wealthy, established family, Diane Arbus falls in love with Lionel Sweeney, an enigmatic mentor who introduces Arbus to the marginalized people who help her become one of the most revered photographers of the twentieth century.
Robert Downey Jr.,
Aging screenwriter Felix Bonhoeffer has lived his life in two states of existence: in reality and his own interior world. While working on a murder mystery script, and unaware that his brain is on the verge of implosion, Felix is baffled when his characters start to appear in his life, and vice versa.
A tale about a happily married couple who would like to have children. Tracy teaches art, Andy's a college dean. Things are never the same after she is taken to hospital and operated upon by Jed, a "know all" doctor.
The Human Stain is the story of Coleman Silk (Hopkins), a classics professor with a terrible secret that is about to shatter his life in a small New England town. When his affair with a young troubled janitor (Kidman) is uncovered, the secret Silk had harbored for over fifty years from his wife, his children and colleague, writer Nathan Zuckerman, fast explodes in a conflagration of devastating consequences. It is Zuckerman who stumbles upon Silk's secret and sets out to reconstruct the unknown biography of this eminent, upright man, esteemed as an educator for nearly all his life, and to understand how this ingeniously contrived life came unraveled. Written by
According to Wentworth Miller, the casting agent did not believe that he was part-African American like the character Coleman Silk. Miller also told the casting agent about an incident at Princeton University. While he was a student there, he published an editorial cartoon in the campus newspaper that was misconstrued as a racial slur against Professor Cornel West. Silk has a similar situation in the film. Miller faxed family pictures and articles about the controversy to prove his story. West later attended the film's premiere and made up with Miller. See more »
During the breakfast scene after Faunia stays the night with Coleman, the bread she eats reappears on the table as it was before she ate it. See more »
How do you know she doesn't want to use you to make up for all that she's lost? Do I represent you in a paternity suit, Coleman? "Give up the girl, Achilles." I took your intro to European lit umpteen years ago as an undergrad. Give her up, and your troubles go away.
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A satisfying film -- I wish there were more like it.
This just opened in Lawrence, KS, a university town, at the theater that shows indies and foreign films. Maybe Miramax is hoping for a "Big Fat Greek Wedding" type of reaction?
I've not read the book but, to me, this was a very satisfying film, with some examination of a number of issues: the costs to a black person of crossing over and becoming white -- and/or the price to anyone of becoming disconnected from their families. Although disconnection may give greater freedom in some ways, in others it forms an uncomfortable prison. Another issue might be described as a variant on, "Let he who is without sin cast the first stone." And yet another is that the "stain" that all of us carry also stains others with whom we come in contact. And maybe there's a dear price (and reward?) that may be paid for following heart too much rather than head?
Really solid performances by some great actors -- Hopkins, Kidman, Harris -- and the others.
Some gratuitous nudity was injected, maybe to help ticket sales?, but it was not too far-fetched from the story line.
All the backgrounds fit (I grew up in Vermont and lived in academia many years elsewhere); the landscape and the Volvos plus the professor's house had a very authentic feel.
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