When a disgraced former college dean has a romance with a mysterious younger woman haunted by her dark, twisted past, he is forced to confront a shocking fact about his own life that he has kept secret for 50 years.
Chekov's Uncle Vanya, transposed to turn-of-the-century North Wales, where the peace and tranquility of a country house is disturbed by the arrival of the estate's tyrannical owner and his ... See full summary »
Aging screenwriter Felix Bonhoeffer has lived his life in two states of existence: in reality and his own interior world. While working on a murder mystery script, and unaware that his brain is on the verge of implosion, Felix is baffled when his characters start to appear in his life, and vice versa.
Turning her back on her wealthy, established family, Diane Arbus falls in love with Lionel Sweeney, an enigmatic mentor who introduces Arbus to the marginalized people who help her become one of the most revered photographers of the twentieth century.
Robert Downey Jr.,
Convicted gun runner, Las Vegas visionary, crusading newspaper publisher, target of the Watergate burglars, hero of Israels War of Independence...these are only some the highlights of Hank ... See full summary »
The Human Stain is the story of Coleman Silk (Hopkins), a classics professor with a terrible secret that is about to shatter his life in a small New England town. When his affair with a young troubled janitor (Kidman) is uncovered, the secret Silk had harbored for over fifty years from his wife, his children and colleague, writer Nathan Zuckerman, fast explodes in a conflagration of devastating consequences. It is Zuckerman who stumbles upon Silk's secret and sets out to reconstruct the unknown biography of this eminent, upright man, esteemed as an educator for nearly all his life, and to understand how this ingeniously contrived life came unraveled. Written by
The mole on the side of Anthony Hopkins' head was added, due to the fact that Wentworth Miller has a mole on the side of his head. Hopkins also wore green contacts to match the color of Miller's eyes. See more »
When Coleman and Faunia are talking in the kitchen, the cigarettes and the lighter on the counter (next to Kidman) keep changing position from scene to scene. See more »
Granted, she's not my first love. Granted, she's not my great love. But she is sure as hell my last love. Doesn't that count for something?
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I honestly can not think of a single thing wrong with this movie. The actors are top rate actors that consistently turn in exceptional performances. This movie is no exception.
The plot is intriguing. The pasts of the main protagonists unfold, making their characters exceptionally deep. We get to see these characters evolve in interesting and compelling ways. There are shades-of-grey in these characters. We don't have the perfect hero. We have gentle people with kind hearts who make mistakes.
The direction is perfectly understated. There is a lot of nuance in the way the scenes are filmed and the way in which the actors are framed. Instead of the love scenes being the all-to-familiar humping and groaning, these scenes are filmed without graphic nudity. Note the way in which Anthony Hopkins places his hands on Nicole Kidman's back. It is so loving and tender and intimate.
Even the editing is right on. The length of the film, at 106 minutes, is the perfect length. There are no wasted scenes.
Some of the material is hard to watch. Note the posture and the facial expression on Anthony Hopkins in the kitchen scene in which Nicole Kidman is giving him a hard time. It is subtle and painful to watch.
If you are into light-hearted escapist film, this isn't for you. The subject matter is deep and difficult. I like these kinds of movies and this one is one of the best in class.
Kudos to all involved with this film.
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