Heremakono (2002) - News Poster

(2002)

News

Irrfan Khan to lead Adff jury

  • ScreenDaily
Irrfan Khan to lead Adff jury
Irrfan Khan, Christina Voros and Catherine Dussart to preside over feature competition juries; seven world premieres of Arab films in feature competitions.

Abu Dhabi Film Festival (Oct 23-Nov 1) has released the names of its jury members, who will select the award winners of this year’s Adff competitions.

This year’s Narrative Features jury led by Mumbai-based actor Irrfan Khan (The Lunchbox, Life of Pi) will be rounded out by Algerian novelist and academic Waciny Laredj, award-winning English writer-director Steven Shainberg, Australian film director Cate Shortland and Palestinian actor Ali Suliman.

The panel evaluating the New Horizons section led by Paris-based film producer Catherine Dussart (The Missing Picture) includes Syrian actor Bassel Al Khayat, Moroccan filmmaker Leila Kilani, Geneva-based Indian filmmaker Anup Singh and film critic Charles Tesson, artistic director of Critics’ Week at the Cannes Film Festival.

Heading the Documentary Features jury is Brooklyn-based director and cinematographer Christina Voros. The other jury
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2014 Cannes Critics’ Panel Day 1: Leigh Paints Strong Canvas with “Mr. Turner” & Sissako’s Mixes Humor & Sorrow in “Timbuktu”

According to our Cannes Critics’ Panel, it may not top Topsy Turvy, but Mike Leigh’s 2 plus hour portrait starring Timothy Stall paints a strong portrait of a tortured artist with his fifth trip to the festival and our set of critics responded favorably. Prior to Mr.Turner, his previous entries include, Naked (award for Best Director in ’93), Secrets and Lies (Palme d’Or in ’96), 2002′s All or Nothing and 2010′s Another Year.

Having premiered yesterday and receiving its official red carpet screening today, Abderrahmane Sissako’s Timbuktu is arresting for its combination of humor and deep sorrow. The still very fresh true events, saw the Maurinania born filmmaker broke down during the press conference. While this was his first trip in the Main Comp, the filmmaker has also been to Cannes on four separate visits dating back to Octobre (Un Certain Regard – 1993), La Vie Sur Terre (1998), Heremakono (Un Certain
See full article at IONCINEMA.com »

Daily Briefing. Denis, Guerín, Straub @ Exit Art; New Cinema Lucida

  • MUBI
Every year since 2000, the Jeonju International Film Festival has commissioned three short works for its Jeonju Digital Project and, about a month ago now, the festival announced it'd selected Raya Martin, Vimukthi Jayasundara and Ying Liang for this year's edition (you may remember the three directors' video messages). The 2011 films are still making the rounds, and in fact, when they screen tomorrow at Exit Art, two of them — Claire Denis's To the Devil and José Luis Guerín's Memories of a Morning, both 45 minutes — will be seeing their NYC premieres. The third is Jean-Marie Straub's An Heir (22 mins, image above). If you're planning on being there, you'll want to read Robert Koehler's dispatch from Locarno last summer, touching briefly on the Denis and Guerín films but really digging into the Straub.

Reading. "With the main focus on African and Asian cinema and documentary film, Camera Lucida no 7 also
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Viva La 'Bamako' for New Yorker

[/link] > New Yorker Films A quick weekend announcement before showcasing the film at the 44th annual New York Film Festival, New Yorker Films announced they picked up the dramedy. Featured at the Cannes film fest and the Toronto International Film Festival, Bamako this revolves around a couple in the process of breaking up and several people who testify in a court located outside their home in the city of Bamako, the capital of the West African country of Mali. Melé is a bar singer, her husband Chaka is out of work and the couple is on the verge of breaking up… In the courtyard of the house they share with other families, a trial court has been set up. African civil society spokesmen have taken proceeding against the World Bank and the Imf whom they blame for Africa’s woes… Amidst the pleas and the testimonies, life goes on in the courtyard.
See full article at IONCINEMA.com »

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