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Happily N'Ever After (2006)

4.5
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Ratings: 4.5/10 from 7,821 users   Metascore: 28/100
Reviews: 68 user | 91 critic | 22 from Metacritic.com

An alliance of evil-doers, led by Frieda, looks to take over Fairy Tale Land. But when Ella realizes her stepmother is out to ruin her storybook existence, she takes a dramatic turn and blossoms into the leader of the resistance effort.

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(as Paul J. Bolger) ,

Writers:

(additional writer),
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Cast

Cast overview, first billed only:
...
The Wizard (voice)
...
Dwarf 1 / Dwarf 2 / Giant (voice) (as John De Maggio)
...
Mambo (voice)
...
Ella (voice)
Lisa Kaplan ...
Fairy Godmother (voice)
...
Stepsister 2 / Witch 2 / Baby's Mother (voice) (as Jill Talley Kenny)
...
Amigo 3 / Dwarf 3 / Messenger / Wolf 2 (voice) (as Tom J. Kenny)
...
Witch 1 (voice) (as Tress Mac Neille)
...
Rumplestiltskin (voice)
...
Amigo 2 (voice) (as Robert F. Paulsen III)
...
Wolf 1 (voice) (as John Polito)
...
Rick (voice)
...
Amigo 1 (voice) (as Philip G. Proctor)
...
Munk (voice)
...
Stepsister 1 / Baby / Red Riding Hood (voice) (as Kath E. Soucie)
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Storyline

As the story begins, an alliance of evil fairy tale-doers, led by Frieda, looks to take over Fairy Tale Land and take control of. But when Ella A.K.A. Cinderella realizes her own evil stepmother is out to ruin her storybook existence, she takes a dramatic turn and blossoms into the leader of the resistance effort. Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Plot Synopsis

Taglines:

Fairy Tale Endings Aren't What They Used To Be See more »


Motion Picture Rating (MPAA)

Rated PG for some mild action and rude humor | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

5 January 2007 (USA)  »

Also Known As:

Agada Shmagda  »

Filming Locations:

 »

Box Office

Budget:

$47,000,000 (estimated)

Opening Weekend:

£62,622 (UK) (3 August 2007)

Gross:

£169,441 (UK) (10 August 2007)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

All the actors except Wallace Shawn and George Carlin voiced their parts in Los Angeles, California. Carlin voiced his roll in Las Vegas over the phone, and Shawn voiced his role from New York. For this reason, Andy Dick, whose character shares scenes with Shawn's character throughout the film, would impersonate Shawn's part while doing his. See more »

Quotes

Rick: Believe it or not, it gets worse.
See more »

Crazy Credits

Somewhere in the final credits we find out that "Step Mother" gets new friends in a very cold place. See more »

Connections

Spoofs Snow White and the Seven Dwarfs (1937) See more »

Soundtracks

Disco Inferno
Written by Leroy Green and Ron Kersey (as Tyrone G. Kersey)
Performed by The Trammps
Published by Cherry River Music Group Co/Dimensional Songs of the Knoll
Courtesy of Warner Music Group Germany Holding GmbH/A Warner Music Group Company
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Gently Dancing Breakfast at Tiffany's
1 October 2008 | by (Virginia Beach) – See all my reviews

If you can compartmentalize your movie viewing, you will be able to negotiate through this.

The thing to ignore is the thing we are supposed to place foremost, all the dialog, acting, story and pacing. Its just dreadful. Enough said about that.

But. It has two things that interested me.

One is simply the idea. It is a movie of a fairy tale inside a movie about manipulating fairy tales, inside a movie narrated by someone who seems to be outside both movies (he actually gets to stop the film physically) but at the same time trapped in the innermost movie. There's magic to explain some of this, but only a part. Its a very clever concoction.

But the other thing was some of the characters. Well, they vary so; I guess I really mean the two women in front, Ella (Cinderella) and her redhaired stepmother. Its how they are rendered. Ella seems to be the only character whose face seems outside the cartoon world she inhabits. She's clearly a version of Audrey Hepburn with each of her attractive feature made a little more so. Its really quite good.

The bodies are another thing. Not since Betty Boop's boobs were stilled by the censors, have we seen a young body as naturally sexy as this. There's nothing seductive or intended or cheap or erotic about it. Its just that all the parts move as they should, under modest clothes. I really was amazed, especially at the attention paid to her rear end.

The step mother is something else. She moves with exaggerated erotic intent. She has huge bosoms and a nearly invisible waist. And then again huge thighs. Where the younger just walks, this puffy dominatrix swings. There's clearly some intent by the filmmaker here to get some sort of message across about the undesirability of overt sexuality. It zoomed right past me just in my astonishment at Ella's motion.

Ted's Evaluation -- 2 of 3: Has some interesting elements.


3 of 5 people found this review helpful.  Was this review helpful to you?

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VERY Disappointing... kmitchellj
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