The story of the assassination of U.S. Senator Robert F. Kennedy who was shot in the early morning hours of June 5, 1968 in the Ambassador Hotel in Los Angeles, and 22 people in the hotel whose lives were never the same.
Tuesday, June 4, 1968: the California presidential primary. As day breaks Robert F. Kennedy arrives at the Ambassador Hotel; he'll campaign, then speak to supporters at midnight. To capture the texture of the late 1960s, we see vignettes at the hotel: a couple marries so he can avoid Vietnam, kitchen staff discuss race and baseball, a man cheats on his wife, another is fired for racism, a retired hotel doorman plays chess in the lobby with an old friend, a campaign strategist's wife needs a pair of black shoes, two campaign staff trip on LSD, a lounge singer is on the downhill slide. Through it all, we see and hear RFK calling for a better society and a better nation. Written by
Following the death of his brother John F. Kennedy, Bobby (Robert F. Kennedy) underwent a visible change that deeply impacted his own original political vision. The once ruthless crusader seemed to have been made newly raw and vulnerable by suffering and grief, and he began talking about creating a society based on morally sustained action and compassion. He spoke out on in very plain, emotional, human language on a wide range of topics including civil rights, freedom, democracy, poverty, human rights, education, health care, war and peace. But he wasn't simply about words - he also remained very much a man of action, personally going into migrant worker camps, urban ghettos and the Mississippi Delta to see how the poor really lived, meeting with angry African American activists to better understand their concerns, and going out of his way at every turn to speak with the marginalized and disenfranchised. He became a voice for all the Americans who had no voice. See more »
While John Casey is seated and talking, his wrist watch says the time is 10 minutes to the hour. A few moments later, the watch has skipped back in time to quarter to the hour. See more »
People come to see me. People LOVE me! So if I want to have a fucking drink, then I am going to have a fucking drink
[softly, in Tim's face]
... because I deserve it!
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Tuesday Afternoon (Forever Afternoon)
Written by Justin Hayward (as David Justin Hayward)
Performed by The Moody Blues
Courtesy of Universal International Music, B.V.
Under license from Universal Music Enterprises See more »
As someone who idolizes Bobby Kennedy and lived through that terrible day in 1968, (as well as JFK's assassination in 1963, too), this was a very poor effort by Estevez that is truly not fitting to the memory of Bobby Kennedy. Other than the inspiring actual quotes and clips of Bobby Kennedy, this movie is a disaster of fiction and Estevez's political agenda. Why not just tell the real story, Emilio? Is it too hard to do the research to get the story right? Your fiction makes Oliver Stone's conspiracy theory-based JFK look like a Pulitzer Prize winning documentary. The only chance that this movie has is that younger audiences may not care that there's no basis in truth in Estevez's story about RFK and what happened at the Ambassador Hotel on June 4, 1968. If you ask me, Estevez should NEVER be allowed to direct a movie again. He is a hack as a writer and director who didn't even care enough about Bobby Kennedy to get the story right. What's the matter, Emilio, the actual five people (including RFK's friend Paul Schrade who was shot in the forehead directly behind Bobby) weren't interesting enough characters for you to base your story on? Or were you just too lazy to research their real lives. So you just made up people to get shot including pretend characters: two Kennedy college volunteers who dropped LSD for the first time that day? Or a kid who wanted to avoid the Viet Nam war by getting married to a school friend to get a fake marriage certificate? Or a honorable Kitchen Manager who was kind to illegal immigrant Latino's who was fired that very day by his boss who was cheating on his marriage with former Austin Powers hotie Heather Graham? Gee, Emilio, what terrific characters (yeah, right.) It's beautifully filmed and edited, but this entire film is a big lie designed to promote Emilio's political agenda to a) Get out of Iraq, and b) to promote amnesty for oppressed Latino illegal immigrants. The only actual real people portrayed in the film are Sirhan Sirhan (on camera for less than a minute) and Latino bus boy Juan Romero... who Emilio calls "Jose'." Shame on Emilio Estevez and Martin Sheen and the ultra-liberal Hollywood elite who helped bring this work of leftist propaganda to the big screen masqueraded as a true story of the events at the Ambassador Hotel on June 4, 1968. Shame on you all. I can't even watch a true documentary about Bobby Kennedy without shedding tears but your film (except for the actual clips of RFK) disgusted me.
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