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The story of the assassination of U.S. Senator Robert F. Kennedy who was shot in the early morning hours of June 5, 1968 in the Ambassador Hotel in Los Angeles, and 22 people in the hotel whose lives were never the same.

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4,860 ( 1,200)
Nominated for 2 Golden Globes. Another 7 wins & 15 nominations. See more awards »

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Cast

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Agent Phil
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Storyline

Tuesday, June 4, 1968: the California presidential primary. As day breaks Robert F. Kennedy arrives at the Ambassador Hotel; he'll campaign, then speak to supporters at midnight. To capture the texture of the late 1960s, we see vignettes at the hotel: a couple marries so he can avoid Vietnam, kitchen staff discuss race and baseball, a man cheats on his wife, another is fired for racism, a retired hotel doorman plays chess in the lobby with an old friend, a campaign strategist's wife needs a pair of black shoes, two campaign staff trip on LSD, a lounge singer is on the downhill slide. Through it all, we see and hear RFK calling for a better society and a better nation. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

hotel | campaign | senator | chess | friend | See All (72) »

Taglines:

22 lives linked by a moment the world would never forget See more »

Genres:

Drama | History

Motion Picture Rating (MPAA)

Rated R for language, drug content and a scene of violence | See all certifications »

Parents Guide:

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Details

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Release Date:

23 November 2006 (USA)  »

Also Known As:

El día que mataron a Kennedy  »

Box Office

Budget:

$14,000,000 (estimated)

Opening Weekend:

$69,039 (USA) (17 November 2006)

Gross:

$11,204,499 (USA) (2 February 2007)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Helen Hunt received her script for her role the day before filming began. See more »

Goofs

A scene in a men's restroom shows ADA-complaint soap dispensers with low-force plastic valves. These did not exist until 1990. See more »

Quotes

Edward Robinson: You've got... shit to offer. You've got no poetry, you've got no light. No one looking at you going, "Damn... look at that Miguel. I want... some of what he's got." All you have is your anger.
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Connections

Featured in Siskel & Ebert: Episode dated 18 November 2006 (2006) See more »

Soundtracks

Grazing in the Grass
Written by Harry Elston (as Harry J. Elston) and Philemon Hou
Performed by Hugh Masekela
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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User Reviews

 
Admirable, moving effort
24 November 2006 | by (United States) – See all my reviews

It's easy to get caught up in the "too many characters" argument or that there are too many stories left unfinished or incomplete. IMO, it's important to remember this is a snapshot of just ONE day. How much are we expected to know about any of the characters in that time period? How much do you learn about the guy sitting next to you on the plane with whom you visit during a three hour flight? I admit that at first I was thinking, "Okay Emilio, where are you going with this and why do I care about all these people?" It seemed a little disjointed to me. But then I found myself going with it and appreciating the idea that we were getting a glimpse into the lives of a few of the people at the Ambassador hotel that day. I thought the performances by all were very strong, although I'll admit it was next to impossible to get beyond the all-star cast, simply because the plot isn't structured to bring you close enough to the characters to lose sight of who is playing the role. But again, in the end it didn't matter because the artistry of it all--the music, the camera shots, the inclusion of film and audio footage of Bobby Kennedy, the significance of these characters we've been following throughout... it just worked for me. It is also hard to ignore how much RFK's message resonates in our political climate today. As the credits rolled, at least half of the audience remained in their seats, from those sitting in stunned silence to others almost sobbing. Complete strangers were gathered outside the theater, talking about the movie or their own memories of Kennedy. It is clearly a labor of love for Emilio but I think he did a fabulous job.


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