The story of the assassination of U.S. Senator Robert F. Kennedy who was shot in the early morning hours of June 5, 1968 in the Ambassador Hotel in Los Angeles, and 22 people in the hotel whose lives were never the same.
The movie is a coming-of-age drama about a boy growing up in Astoria, N.Y., during the 1980s. As his friends end up dead, on drugs or in prison, he comes to believe he has been saved from their fate by various so-called saints.
Robert Downey Jr.,
Rachel comes to stay with her Grandmother Georgia for the summer leaving some obvious problems behind at home. Her alcoholic mother doesn't even stay the night before rushing back out to ... See full summary »
The daughter of a brilliant but mentally disturbed mathematician, recently deceased, tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students, who wants to search through his papers, and her estranged sister, who shows up to help settle his affairs.
When a disgraced former college dean has a romance with a mysterious younger woman haunted by her dark, twisted past, he is forced to confront a shocking fact about his own life that he has kept secret for 50 years.
Tuesday, June 4, 1968: the California presidential primary. As day breaks Robert F. Kennedy arrives at the Ambassador Hotel; he'll campaign, then speak to supporters at midnight. To capture the texture of the late 1960s, we see vignettes at the hotel: a couple marries so he can avoid Vietnam, kitchen staff discuss race and baseball, a man cheats on his wife, another is fired for racism, a retired hotel doorman plays chess in the lobby with an old friend, a campaign strategist's wife needs a pair of black shoes, two campaign staff trip on LSD, a lounge singer is on the downhill slide. Through it all, we see and hear RFK calling for a better society and a better nation. Written by
In Samantha's glasses at the pool, you can see very clearly in the reflection the 20x20 white diffusion with crew members either standing or sitting in front of it. See more »
Samantha. You're more than the shoes on your feet or the designer dress on your back. You're more than the purse you carry or the money inside. You and I are more than the stuff, more than the things in our lives. Somewhere between our things and our stuff is us. I don't wanna lose us.
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"Bobby" brings you back (if you were ever there) to the 60s, when those who protested the Vietnam War and racial injustice were motivated from their heart and torn by anger and grief in their efforts to change both. Yes the ensemble characters in the film are quite ordinary and their (sometimes) tawdry or pathetic shortcomings all too obvious and easy to sneer at, yet who could not recognize themselves in one or more of these vignettes. Robert Kennedy's assassination was felt by those who cared about him or his mission to the presidency as a deep wound to our own vision of a more compassionate and just America. The pettiness and simplicity of the characters in this movie are expertly directed to reveal our own pettiness and let us identify with them, if not consciously, then unconsciously. Remember, the top Hollywood actors in this movie were paid basic union scale (virtually free for them) so this was made for love. Our own little soap operas are put into such deep perspective that when he is killed, so were we, or at least the film lets you feel that. You find yourself loving this man, Robert Kennedy, for what he stood for and what he said during his candidacy, which is brilliantly threaded throughout the movie in his own words. The humanity you discover in him is of course your own humanity and isn't it refreshing to cry for yourself and your lost dreams as you cry for his.
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