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Bobby (2006)

 -  Drama | History  -  23 November 2006 (USA)
7.1
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Ratings: 7.1/10 from 36,000 users   Metascore: 54/100
Reviews: 267 user | 190 critic | 31 from Metacritic.com

The story of the assassination of U.S. Senator Robert F. Kennedy who was shot in the early morning hours of June 5, 1968 in the Ambassador Hotel in Los Angeles, and 22 people in the hotel whose lives were never the same.

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Title: Bobby (2006)

Bobby (2006) on IMDb 7.1/10

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Nominated for 2 Golden Globes. Another 6 wins & 13 nominations. See more awards »

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Cast

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Storyline

Tuesday, June 4, 1968: the California presidential primary. As day breaks Robert F. Kennedy arrives at the Ambassador Hotel; he'll campaign, then speak to supporters at midnight. To capture the texture of the late 1960s, we see vignettes at the hotel: a couple marries so he can avoid Vietnam, kitchen staff discuss race and baseball, a man cheats on his wife, another is fired for racism, a retired hotel doorman plays chess in the lobby with an old friend, a campaign strategist's wife needs a pair of black shoes, two campaign staff trip on LSD, a lounge singer is on the downhill slide. Through it all, we see and hear RFK calling for a better society and a better nation. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

hotel | campaign | senator | chess | friend | See more »

Taglines:

He saw wrong and tried to right it. He saw suffering and tried to heal it. He saw war and tried to stop it. See more »

Genres:

Drama | History

Motion Picture Rating (MPAA)

Rated R for language, drug content and a scene of violence | See all certifications »

Parents Guide:

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Details

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Release Date:

23 November 2006 (USA)  »

Also Known As:

El día que mataron a Kennedy  »

Box Office

Budget:

$14,000,000 (estimated)

Opening Weekend:

£285,057 (UK) (26 January 2007)

Gross:

$11,204,499 (USA) (2 February 2007)
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Company Credits

Show detailed on  »

Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Anthony Hopkins plays a door man named John Casey in the film. In reality, there actually was a John Casey who served as door man at the Ambassador Hotel. At the end of the credits, it states, "'John Casey' is the name of an actual doorman at the Ambassador Hotel from 1928-1965. His portrayal in this film is not intended to reflect the actual facts of his life or legacy." See more »

Goofs

(at around 21 mins) 4-beam sky-tracker (Pichel) style searchlight beams are shown. These were first brought to market in the 1979-1980. See more »

Quotes

Miriam: That poor woman... I used to be such a fan
See more »

Connections

Featured in Siskel & Ebert: Episode dated 18 November 2006 (2006) See more »

Soundtracks

Initials
(from "Hair")
Written by Galt MacDermot, James Rado and Gerome Ragni
Performed by Galt MacDermot
Courtesy of Sony BMG Masterworks
By Arrangement with SONY BMG MUSIC ENTERTAINMENT
See more »

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User Reviews

 
Tedious hagiographic ensemble piece
28 January 2008 | by (London, UK) – See all my reviews

What is it about L.A and ensemble films? The Player, Short Cuts, Crash...Emilio Estevez makes a ham-fisted attempt to fashion a memoriam to the ill-fated brother of JFK using the multi-strand plot and character technique associated with Robert Altman. But Estevez clearly lacks Altman's ability to maintain interest and build character through the use of trivialities, revelations and encounters as the film progresses.

The premise is the 'last day in the life of' Bobby Kennedy as he campaigns in the California Primary of 1968. Except, it's the goings on in the Ambassador Hotel, where he will be shot that evening, that feature rather than the character itself. It's a structural device, perhaps even influenced by the obvious and somewhat alienating reverence that Estevez has for Kennedy.

Excerpts of speeches and public reactions to his visit are inter-cut into the movie, that almost portray him as this Ghandi-like presence, on the cusp of commencing a national transformation that will not only end the war in Vietnam but apparently bring an end to 'hatred and violence' and a new sense of community. What is overlaid across the film with the intent of being inspirational, often comes across as simplistic. Estevez simply does not have a sufficiently detached critical sense to connect to more sceptical viewers. L.A liberals and ageing hippies will of course by weeping into their popcorn buckets.

However, there are a couple of nice turns, which you inevitably get in a film with such a cast. Mentionably, Sharon Stone, whose jaded beautician provides a relatable, pathetic character amongst a range of cyphers who are basically inserted to represent the body politic - old and young, black, white and Hispanic, druggie and idealist.

The final portion is compelling and well shot but the rest of the movie, despite it's attempt to portray America poised on a knifedge, as Kennedy would have it, lacks zest.


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