The story of the assassination of U.S. Senator Robert F. Kennedy who was shot in the early morning hours of June 5, 1968 in the Ambassador Hotel in Los Angeles, and 22 people in the hotel whose lives were never the same.
Walter, 24, is a wrestler, competing for a spot on the national team when he learns of his sister's brutal death. He comes home to help his mother; he works out, takes a dead-end job, and ... See full summary »
Aging screenwriter Felix Bonhoeffer has lived his life in two states of existence: in reality and his own interior world. While working on a murder mystery script, and unaware that his brain is on the verge of implosion, Felix is baffled when his characters start to appear in his life, and vice versa.
Jeremy Collier is a Vietnam veteran who has returned home and is struggling to cope with the war experiences that haunt him. He is also at odds with his family, who cannot begin to ... See full summary »
Carl and James are two pleasant but unambitious garbage men. Carl has a telescope with which he observes his neighbors. One evening he sees a man giving a female neighbor a hard time. As ... See full summary »
Tuesday, June 4, 1968: the California presidential primary. As day breaks Robert F. Kennedy arrives at the Ambassador Hotel; he'll campaign, then speak to supporters at midnight. To capture the texture of the late 1960s, we see vignettes at the hotel: a couple marries so he can avoid Vietnam, kitchen staff discuss race and baseball, a man cheats on his wife, another is fired for racism, a retired hotel doorman plays chess in the lobby with an old friend, a campaign strategist's wife needs a pair of black shoes, two campaign staff trip on LSD, a lounge singer is on the downhill slide. Through it all, we see and hear RFK calling for a better society and a better nation. Written by
When Tim starts playing drums with the band, the sound of the cymbal doesn't match what he's playing. See more »
Why do you want to get stoned?
We want to get stoned, because it feels good, man.
Bingo, because it feels good! You want to get stoned, because it feels good! Right?
Why is that wrong?
Because it's a cop out...
Ok, then can you explain to us why for what other reason than the fact it feels good, do we want to get stoned, man?
Because it's our way, of getting closer, to god.
That is what you're looking for; except for you didn't know it, until this minute.
See more »
Stories of racism, infidelity, aging, the effects of the Vietnam War, drugs: Why RFK's death was so impactful
BOBBY as written and directed (and starring) Emilio Estevez is not simply a recreation of the fateful night June 6, 1968 when Bobby Kennedy was shot, though that event is meticulously dissected as the sun dawns on Los Angeles' Ambassador Hotel on that day. This film is a series of vignettes of the lives of many people (22 examples shine) whose hope for a better future than that of a country undergoing disintegration on many levels were shattered. It is about 'little people', people with choices whose responses to the death of a hero is devastating.
Racism (Christian Slater vs Laurence Fishburne vs interaction with Freddy Rodríguez and Jacob Vargas); hippie/white collar drug abuse (Ashton Kutcher dealing LSD to Brian Geraghty and Shia LaBeouf, Demi Moore's alcoholism defeating her marriage to Emilio Estevez and career as a lounge singer); aging and the problems of 'useless old people' (Harry Belafonte and Anthony Hopkins); adultery (hotel manager William Macy married to beautician Sharon Stone yet having an affair with switchboard operator Heather Graham); marriages teetering on commercialism (Martin Sheen and Helen Hunt); young political aspirants basing futures on RFK (Joshua Jackson and Nick Cannon); and the extremes to which young men will go to avoid being sent to Vietnam (Elijah Wood and Lindsay Lohan) - these are the main characters we get to know as they prepare for the evening's party for RFK and then suffer the explosive effect of the shooting by Sirhan Sirhan (David Kobzantsev). The power of the film lies in the impact Bobby Kennedy had on all of these people who represent the rest of a nation.
Estevez wisely uses film footage from life to project the speech and presence of RFK: using an actor to depict him would have made the effect less sharp. But in the end, as it seems apparent from Estevez' script, the power comes from the messages in the voice-over of Kennedy's own speeches, words to offer hope and a chance for resolution of the many conflicts that threatened to destroy the US. Would that there were minds with such thoughts speaking today when a leader is so desperately needed! The film has flaws (it would be difficult for a two hour enactment of a well known yet partially fictionalized incident not to). But the message is pungent and clear: we MUST care for each other as a country and forgo the alienation that is so rampant. A very fine film for thought. Grady Harp
28 of 45 people found this review helpful.
Was this review helpful to you?