The lives of two brothers, who live in N'djamena, are upended when they awake one Saturday morning to find that their father has left the family. They are Amine, about eight years old, ... See full summary »
Anna a young teenager comes home from her Catholic boarding school for the holidays and discovers her father has left. Her mother is devastated and confined in the company of the local ... See full summary »
Police inspector Léonetti, a tough, efficient policeman, has been sent to a second-rate police station after being reprimanded. There he is given a partner, young and beautiful Jeanne Dumas... See full summary »
A stranger comes to work at widow Halla's farm. Halla and the stranger fall in love, but when he is revealed as Eyvind, an escaped thief forced into crime by his family's starvation, they ... See full summary »
A story about the transition from late youth to early maturity, the film follows several friends and lovers as they come to make decisions on how to live their lives--getting a job more in ... See full summary »
In this pitch black comedy the rivalry between two neighbors escalates into an all out war. True a maintenance error on a tractor they both end up, paralyzed, in a wheelchair. It seems they... See full summary »
Michel de Gavre
The lives of two brothers, who live in N'djamena, are upended when they awake one Saturday morning to find that their father has left the family. They are Amine, about eight years old, playful and asthmatic, and Tahir, 15, handsome, quiet, his brother's protector. The boys go in search of their father, and find only trouble. Dad's leaving also debilitates their mother. The movies, a musical uncle, a village Koran school, a poster of a Moroccan beach, and a young deaf woman figure in the resolution. Is there any place for happiness, or is happiness only in storybooks? Written by
I read that this was the first feature length film from Chad (meaning, fully financed, with most cast/crew from Chad). So it is worth seeing just for that, to honor the filmmakers who, amidst all endeavours of making a film in a country that lacks resources for local cinema, were able to get things done. But one thing that struck me the most, technically, was the lighting in this film. Using layered structures of fore and backgrounds, for instance a character would be in the foreground sitting in a dark room by the window. He would appear as a dark silhouette, surrounded by a dark room, but in the back ground we see the view from outside the window. They obviously set their light exposures to outside to get the effect, but it is noticeable because of it being used several times. This and many other conscious decisions comment on the abilities of the filmmakers and their wilingness to employ the tricks of the trade, even if local cinema in Chad is very new.
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