The lives of two brothers, who live in N'djamena, are upended when they awake one Saturday morning to find that their father has left the family. They are Amine, about eight years old, ... See full summary »
A dramatized account of the hidden sexual abuse and scandal that shook the foundation of the Catholic Church, and the characters, events, and policies that brought the abuse and scandal into existence.
From opposing ethnic groups, Ngabo and Sangwa are tested when old-timers warn, "Hutus and Tutsis should not be friends." An intense & inspiring portrait of youth in Rwanda, MUNYURANGABO ... See full summary »
Lee Isaac Chung
Jean Marie Vianney Nkurikiyinka
Bamako. Melé is a bar singer, her husband Chaka is out of work and the couple is on the verge of breaking up... In the courtyard of the house they share with other families, a trial court ... See full summary »
A group of children, fleeing the war, is taken to Luanda accompanied by a nun. When they reach the aeroplane, 12-year-old N'Dala decides to leave the group and to reconnoitre the city. The ... See full summary »
Maria João Ganga
Domingos Fernandes Fonseca,
After the death of her husband, Lilia's life revolves solely around her teenage daughter, Salma. Whilst looking for Salma late one night, Lilia stumbles upon a belly dance cabaret and ... See full summary »
The lives of two brothers, who live in N'djamena, are upended when they awake one Saturday morning to find that their father has left the family. They are Amine, about eight years old, playful and asthmatic, and Tahir, 15, handsome, quiet, his brother's protector. The boys go in search of their father, and find only trouble. Dad's leaving also debilitates their mother. The movies, a musical uncle, a village Koran school, a poster of a Moroccan beach, and a young deaf woman figure in the resolution. Is there any place for happiness, or is happiness only in storybooks? Written by
I read that this was the first feature length film from Chad (meaning, fully financed, with most cast/crew from Chad). So it is worth seeing just for that, to honor the filmmakers who, amidst all endeavours of making a film in a country that lacks resources for local cinema, were able to get things done. But one thing that struck me the most, technically, was the lighting in this film. Using layered structures of fore and backgrounds, for instance a character would be in the foreground sitting in a dark room by the window. He would appear as a dark silhouette, surrounded by a dark room, but in the back ground we see the view from outside the window. They obviously set their light exposures to outside to get the effect, but it is noticeable because of it being used several times. This and many other conscious decisions comment on the abilities of the filmmakers and their wilingness to employ the tricks of the trade, even if local cinema in Chad is very new.
4 of 4 people found this review helpful.
Was this review helpful to you?