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IMDb > Abouna (2002)
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Overview

User Rating:
6.5/10   243 votes
MOVIEmeter: ?
Up 13% in popularity this week. See rank & trends on IMDbPro.
Writer:
Mahamat-Saleh Haroun (writer)
Contact:
View company contact information for Our Father on IMDbPro.
Release Date:
22 November 2002 (UK) more
Genre:
Drama more
Plot:
The lives of two brothers, who live in N'djamena, are upended when they awake one Saturday morning to find that their father has left the family... more | add synopsis
Plot Keywords:
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Awards:
7 wins & 1 nomination more
User Comments:
African Blues more

Cast

  (Cast overview, first billed only)
Ahidjo Mahamat Moussa ... Tahir
Hamza Moctar Aguid ... Amine
Zara Haroun ... Achta (Mother)
Mounira Khalil ... The Mute Girl
Diego Moustapha Ngarade ... Uncle Adoum (as Diego Mustapha N'Garade)
Koulsy Lamko ... The Father
Garba Issa ... The Headmaster
Ramada Mahamat ... The teacher's wife
Hassan Boulama ... Hassan
Sossal Mahamat ... Teacher's assistant
Hadje Fatime N'Goua ... The doctor
Nouraldine Mahamat Alio ... Police chief
Christophe N'Garoyal ... Factory manager
Haoua Tantine Abakar ... Angry neighbour
Adoum Albert ... Fighting boy
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Additional Details

Also Known As:
Abouna (France)
Our Father (International: English title)
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Runtime:
84 min
Language:
French | Arabic
Color:
Color
Sound Mix:
Dolby SR
Certification:
Australia:PG | UK:PG
Filming Locations:
Gaoui, Chad more

Fun Stuff

Movie Connections:
References Stranger Than Paradise (1984) more

FAQ

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6 out of 6 people found the following comment useful:-
African Blues, 3 May 2005
10/10
Author: Chris Bright from London

On the surface a simple, affecting tale of two sons' search for their absent father, Abouna is actually a film of some sophistication.

At one point the brothers visit a cinema. The posters outside advertise the African film Yaaba, Chaplin's The Kid and most notably Jim Jarmusch's Stranger Than Paradise (hardly likely to be topping the bill in Chad). Other posters which would have been apt include "Pather Panchali", "Les Quatre Cent Coups" and any one of a number of recent Iranian movies.

Jarmusch's elliptical style of story-telling seems a particular influence, all of the obvious plot points (a kiss, a capture, a death) occur off-camera and the dialogue is more about what is not said than about what is. I do wonder a little whether an audience in Chad would buy this deadpan style or whether the film is really aimed at the First World art-house audience, but for me it works well.

There seems to be a metaphor in the idea of the absent father, perhaps relating to a country that the director feels has lost its way after many years of colonialism and war. The central family is not poor by African standards, but life is still harsh.

Much of the music is by the Malian guitarist Ali Farka Toure, and you can really hear the African roots of the Blues in his playing. The images of landscape, skin, children playing are beautiful.

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