Directed by | |||
| Peter Greenaway | |||
Writing credits(in alphabetical order) | ||
| Peter Greenaway | writer | |
Produced by | |||
| Wouter Barendrecht | .... | executive producer | |
| Eva Baró | .... | co-producer | |
| Bob Bellion | .... | co-producer | |
| Jet Christiaanse | .... | line producer | |
| Jimmy de Brabant | .... | co-producer | |
| Carlo Dusi | .... | executive producer | |
| Kees Kasander | .... | producer | |
| Ragna Arny Larusdottir | .... | assistant line producer | |
| Aleksandr Mikhajlov | .... | co-producer | |
| Gherardo Pagliei | .... | co-producer | |
| Elisabetta Riga | .... | co-producer | |
| Edmon Roch | .... | line producer | |
| Aron Sipos | .... | co-producer | |
| Antoni Solé | .... | co-producer | |
| Sándor Söth | .... | co-producer | |
| Esther Thedinga | .... | assistant line producer | |
| Klaus Volkenborn | .... | co-producer | |
| Michael J. Werner | .... | executive producer | |
| Juan Álvarez | .... | assistant producer | |
Original Music by | |||
| Borut Krzisnik | |||
| Eduardo Polonio | |||
Cinematography by | |||
| Reinier van Brummelen | (director of photography) | ||
Film Editing by | |||
| Elmer Leupen | |||
| Chris Wyatt | |||
Casting by | |||
| Pep Armengol | |||
| Sharon Howard-Field | |||
| Radica Jovicic | |||
| Peter Wooldridge | |||
Production Design by | |||
| Davide Bassan | |||
| Billy Lelieveld | |||
| Pirra Jesús Lorenzo | |||
| Bettina Schmidt | |||
| Márton Ágh | |||
Costume Design by | |||
| Andrea Flesch | |||
| Beatrice Giannini | |||
| Marrit van der Burgt | |||
Makeup Department | |||
| Aurélie Elich | .... | makeup artist | |
| Sara Meerman | .... | key makeup artist | |
| Joël Seiller | .... | assistant hair stylist | |
| Evelyne Sittig | .... | assistant hair stylist | |
| Evelyne Sittig | .... | assistant makeup artist | |
Art Department | |||
| Pau Albin | .... | assistant props buyer | |
| Dominique De Pompignan | .... | stand-by props | |
| Manuel Demoulling | .... | prop buyer | |
| Rosie Ellis | .... | set dresser | |
| Thomas Ferrandis | .... | carpenter | |
| Queralt Antú Serrano | .... | calligraphy artist | |
| Queralt Antú Serrano | .... | props | |
| Seth Turner | .... | assistant art director | |
Sound Department | |||
| Caoimhe Doyle | .... | foley artist | |
| Csaba Erös | .... | boom operator: Budapest | |
| Dani Fontrodona | .... | sound recordist | |
| Max Frick | .... | sound editor | |
| Urko Garai | .... | boom operator | |
| Arni Gustafsson | .... | boom operator | |
| Bart Jilesen | .... | sound re-recording mixer | |
| Bart Jilesen | .... | supervising sound editor | |
| János Köporosy | .... | sound recordist: Budapest | |
| Han Otten | .... | sound designer | |
| Han Otten | .... | sound effects editor | |
| Han Otten | .... | sound re-recording mixer | |
| György Rajna | .... | utility sound: Budapest | |
| James Seddon | .... | dolby consultant | |
Special Effects by | |||
| Gustavo Harry Farias | .... | special effects technician | |
| Sara Meerman | .... | special effects makeup | |
Visual Effects by | |||
| Francesco Paglia | .... | digital compositor | |
| Mauro Vicentini | .... | digital compositor | |
| Raymond Viveen | .... | digital compositor | |
Camera and Electrical Department | |||
| Ruzbeh Babol | .... | camera operator | |
| László Berger | .... | assistant camera | |
| Daan de Boer | .... | chief gaffer | |
| Raúl Campos | .... | electrician | |
| Llúcia Faraig | .... | still photographer | |
| Juan González Guerrero | .... | assistant gaffer | |
| Helder Loureiro Alves Da Silva | .... | lighting technician | |
| Laura Martínez | .... | grip | |
| Alex Narváez | .... | electrician | |
| José Alberto Pinto de Jesus | .... | electrician | |
| Frank Restle | .... | crane operator | |
| Mike Roberts | .... | video assist operator | |
| Attila Szûcs | .... | dolly grip | |
| Balázs Vákár | .... | gaffer | |
Casting Department | |||
| Pep Armengol | .... | casting: Spain | |
| Irene Roqué | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Imre Béres | .... | costume assistant: military supervisor | |
| Magdalena Marczynska | .... | wardrobe assistant | |
| József Varjú | .... | dresser: men | |
Editorial Department | |||
| Jaap Praamstra | .... | additional editor | |
| Jon Thompson | .... | post-production consultant | |
| Catalin Brylla | .... | dailies editor (wales ) (uncredited) | |
Transportation Department | |||
| Gaby Meyers | .... | driver: cast | |
| Francois Muller | .... | truck driver | |
| Igor Pecirep | .... | driver: director | |
Other crew | |||
| Bob Bellion | .... | financial manager | |
| Alexandre Brown | .... | facilities supervisor | |
| Peter Brown | .... | location assistant | |
| Catalin Brylla | .... | production assistant | |
| Pauline Burt | .... | risk manager | |
| Susanne Fischer | .... | assistant to line producer: Italy | |
| Guy Hebeler | .... | location manager | |
| Zoltán A. Kerényi | .... | managing director: Focusfilm Kft. | |
| Joe Kotroczo | .... | production office assistant | |
| Patricia Kretschmer | .... | assistant to producer | |
| Annick Lockman | .... | production coordinator: Luxembourg | |
| Roberto Longobardi | .... | production accountant | |
| Alba Morera | .... | production assistant | |
| Francois Muller | .... | location security officer | |
| Sébastien Peiffer | .... | additional location assistant | |
| Otfried Suppin | .... | location assistant | |
| Elly Verduyckt | .... | script supervisor | |
| Allard van der Werff | .... | assistant: Peter Greenaway | |
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| Sunshine | Original Sin | The Holy Mountain | The Pillow Book | Little Ashes |
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| Full cast and crew | Company credits | External reviews |
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The Moab Story is a fascinating cinematic experiment - it really is an encyclopedic CD-ROM-like film - it reminded me of The Pillow Book and A TV Dante in its presentation. The screen is predominantly busy with informative movement. I watched the film on DVD and the text on screen is small, but I was constantly zooming in on the picture to read it so it wasn't a problem. But the viewing would be enhanced watching it on as large a screen as possible, but having said that it is appropriate for DVD with its interactivity. The project as a whole begs for interactivity with the individual user.
The film begins with showing us actors auditioning for roles, which is also used later. Tulse is a young boy with his friend Martino Knockavelli in the back yard of his house in Newport, Wales. A red brick wall collapses on Tulse and then we progress through history, with war footage in the background. Tulse travels to Moab where he is abused and jailed, and then later travels to Antwerp and faces the sinister Red Fox fascists. Throughout the film a small box with the head of a talking expert inside appears (like A TV Dante) describing the background of what is happening. Characters are noted on screen with name and number when they appear. It was fun reading all of Luper's Lost Films that scrolled down the screen, as well as seeing the other suitcases (suitcases 1 - 21 are featured in this film). It was good to see former Greenaway films - Vertical Features Remake, Water Wrackets, A Zed & Two Noughts, and The Belly of an Architect - referenced and appear. Greenaway is really experimenting here with image and sound, using repetitive sound at times giving an echoing effect. He plays with connecting numbers to draw shapes on screen when Percy strikes Tulse. Sometimes the screenplay is shown on screen after the characters have said it. The cinematography by Reinier Van Brummelen is good. The music by Borut Krzisnik is superb and feels appropriate. In the acting stakes Caroline Dhavernas is the stand out, and J.J. Feild does a capable job as Tulse. It's a film that (like all Greenaway films) needs to be watched several times. I look forward to seeing Vaux to the Sea.