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The Tulse Luper Suitcases, Part 1: The Moab Story (2003)The first of three parts, we follow Tulse Luper in three distinct episodes: as a child during the first World War, as an explorer in Mormon Utah, and as a writer in Belgium during the rise ... See full summary » Director:Peter GreenawayWriter:Peter Greenaway |
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Title: The Tulse Luper Suitcases, Part 1: The Moab Story (2003)
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Cast
| Cast overview, first billed only: | |||
| JJ Feild | ... |
Tulse Luper /
Floris Creps
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| Caroline Dhavernas | ... | ||
| Jordi Mollà | ... | ||
| Steven Mackintosh | ... | ||
| Raymond J. Barry | ... | ||
| Scot Williams | ... | ||
| Enrique Alcides | ... |
Hans Heiner
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| Barbara Tarbuck | ... |
Ma Fender
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Drew Mulligan | ... | |
| Yorick van Wageningen | ... | ||
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Jack Wouterse | ... | |
| Naím Thomas | ... |
Hercule
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Nilo Mur | ... |
Pip
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| Valentina Cervi | ... | ||
| Tom Bower | ... |
Tom Fender
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Plot Summary
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Storyline
The first of three parts, we follow Tulse Luper in three distinct episodes: as a child during the first World War, as an explorer in Mormon Utah, and as a writer in Belgium during the rise of fascism. Packed with stylistic flourishes, it's a dense, comic study of 20th century history, revolving around the contents of one man's suitcases. Written by Anonymous
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Details
Release Date:
18 July 2003 (Spain) See more »Also Known As:
As Maletas de Tulse Luper - Parte I: A História de Moab See more »Box Office
Budget:
$10,000,000 (estimated)Company Credits
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Technical Specs
Runtime:
|Sound Mix:
Dolby DigitalColor:
ColorAspect Ratio:
1.85 : 1
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This film is the nth Wonder of the World. It's just so unashamedly full of details, pictures in pictures, special effects, not so special effects, special and unspecial characters, kids, lists of lists, colors, sets, music that puts other, more franchise-y trilogies such as Matrix and Lord of the Rings to shame, plot, plot, plot, perspectives and fiery dialogue about America, Europe, war, sex, friendship, family, torture, dentistry,... It's nominally about stuff like imprisonment and 20th century history, but it's really all about the limits of film and the artist's ability to satirize his own extremism. And the tracking-shots are just stupid, in a good way. And it's completely insane. And so funny I was shaking and bit my chewing gum in half. It never stops. I think P.G. ran out of money --- the sequel wasn't too great --- which is a shame, he's been planning this for years. Anyway, I believe I enjoyed this film. And hey: I love Ferris Bueller's Day Off and Braveheart too.