Kris Kelvin joins the space station orbiting the planet Solaris, only to find its two crew members plagued by "phantoms," creations of Solaris. Kelvin is soon confronted with his own phantom, taking the shape of his dead wife Hari.
Dr. Gibarian, part of a team at a space station studying Solaris, makes an urgent and self-described bizarre video request to his friend, civilian psychiatrist Dr. Chris Kelvin, to come to the station to deal with an unspecified phenomenon aboard, that phenomenon with which Chris' experience and background may be able to explain and solve. Chris learns that his trip is sanctioned by the space program as a security force had been sent to the station to investigate, that security team which is now missing. When Chris arrives at the station, he finds only two surviving team members, Drs. Gordon and Snow (Dr. Gibarian committed suicide), who are both acting nervously. Chris also finds two unexpected people there, the first, who Chris only sees fleetingly, being Dr. Gibarian's adolescent son Michael, and the second being Chris' deceased wife, Rheya. Chris and Rheya had a passionate relationship in all its good and bad before she committed suicide. Apparently, these appearances of loved ... Written by
One of the proposed taglines for this film was, "Love never dies". However, this same tagline had already been used for Dracula (1992). See more »
George Clooney is shown traveling in a sleek slightly futuristic rapid transit train but the rear projection/blue screen out the window clearly shows the current day "Merchandise Mart" station of the Chicago CTA Subway. Also during his journey the train he passes going the opposite direction is a present day subway train. See more »
[Chris's memories, in voiceover]
Chris, what is it? I love you so much. Don't you love me anymore?
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There are no credits at the beginning. All the credits are at the end of the film. See more »
Canon on the Fifth
(Variation 15) from the "Goldberg Variations" (BWV 988)
Composed by Johann Sebastian Bach (as J.S. Bach)
Performed by Glenn Gould (1955)
From the Sony Classical/Legacy Release:
"Glenn Gould - A State of Wonder" (S3K 87703)
Courtesy of Sony Clasical and The Estate of Glenn Gould
By Arrangement with Sony Music Licensing See more »
Forgive me, being a philosopher, was this based on the original Solaris? I saw the name on the poster and I bought a ticket but it resembles the original as I resemble Brad Pitt: not at all. Was this The Shrink Finds His Squeeze? Hairy Guy, His Large Posterior and Scary Lady? I defer to the experts above me on Solaris; I liked the movie but it was over my head. This much I can testify to: This is not a remake of that movie. Yes, the planet is there, some elements like dead people coming back but believe it or not Solaris was not about this man and this woman the whole freaking movie. It really was a science fiction not a romance. Within this paradigm, how was hairy butt's relationship going with Rhea before she killed herself? Were they deeply in love when they weren't endlessly fighting? The effects, all five minutes of them, were interesting. The director, apparently believing that Americans are too stupid to grasp the original's profundity, that even sailed over my head, settled upon converting a deep, esoteric reflection of being, the soul and death into a prosaic romance featuring a woman who is frightening when she smiles.
The ending, for any of you young people who have visited your parents' house lately, is not rapturous it is like a twilight zone torture ending. They never got along whilst they were living; how long would Chris have had those tears of happiness before they changed into different tears? The movie is boring beyond belief. The only good scene is when he shoots her into space; the bad part is she comes back. Computer boy, if he is human, needs years of acting classes. The director felt that it would heighten the drama to shoot huge scenes where the room is so dark I cannot tell if that is Clooney or the Pillsbury Dough Boy. Please, Lights? It does not raise the intensity, it angers us: who the hell is that? People were saying that in the theater, loudly too. The movie consists of hairy boy and Ronin girl looking deeply into each other's eyes for very long periods of time.
It does not take Sigmund Freud to figure out Chris is full of guilt over his treating her like crap, rejecting her and then she off's herself. There was no empirical love in the relationship; they fought constantly. See, what happened to me? I am talking like a freaking guidance counselor; the movie will do this to you also. Like any of us give a crap about Chris and who his pants are blazing for. The distillation of what is considered to be equal to 2001 in profundity reduced to: Hairy Boy And Ronin Girl: As Solaris Turns. Romantics, even within your world, which I avoid like The Black Death, it is a badly written romance. These two could not stand each other. He only feels guilty for dumping her then she kills herself; probably due also to that mawkish piece of crap poem. Yes, when I had to take those English classes, for my degree, I thought about taking pills many times.
Young people, this is not science fiction, it is a romance that like a changeling was left in the place of the script of Solaris. People were walking out of this movie: Do you blame them? It commits the worst sin a movie can: Misrepresentation. See, I do not go to romances and I, like many of you, get slightly angry when I was sold one genre and I buy a ticket to a romance movie. Boring like you cannot imagine, badly lighted for half an hour. You better have the brightness control handy, even then, the director rotates the image and blurs it; I don't know, he was probably drinking, do you blame him? He goes down with the station into Solaris, he wakes up and sees Ronin Girl. They have a wonderful reunion; all is right in the universe: End Of Movie. Boring, incoherent, pretentious and Not, repeat, Not Solaris. One terrible piece of poop.
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