A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.
Benicio Del Toro,
Dr. Gibarian, part of a team at a space station studying Solaris, makes an urgent and self-described bizarre video request to his friend, civilian psychiatrist Dr. Chris Kelvin, to come to the station to deal with an unspecified phenomenon aboard, that phenomenon with which Chris' experience and background may be able to explain and solve. Chris learns that his trip is sanctioned by the space program as a security force had been sent to the station to investigate, that security team which is now missing. When Chris arrives at the station, he finds only two surviving team members, Drs. Gordon and Snow (Dr. Gibarian committed suicide), who are both acting nervously. Chris also finds two unexpected people there, the first, who Chris only sees fleetingly, being Dr. Gibarian's adolescent son Michael, and the second being Chris' deceased wife, Rheya. Chris and Rheya had a passionate relationship in all its good and bad before she committed suicide. Apparently, these appearances of loved ... Written by
Was originally given an R rating by the MPAA primarily due to a pair of shots of George Clooney's nude rear end. Steven Soderbergh appealed the decision, citing that similar content (and worse) had appeared on network television. Soderbergh won the appeal and the movie was granted a PG-13 rating. See more »
George Clooney is shown traveling in a sleek slightly futuristic rapid transit train but the rear projection/blue screen out the window clearly shows the current day "Merchandise Mart" station of the Chicago CTA Subway. Also during his journey the train he passes going the opposite direction is a present day subway train. See more »
[Chris's memories, in voiceover]
Chris, what is it? I love you so much. Don't you love me anymore?
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There are no credits at the beginning. All the credits are at the end of the film. See more »
Canon on the Fifth
(Variation 15) from the "Goldberg Variations" (BWV 988)
Composed by Johann Sebastian Bach (as J.S. Bach)
Performed by Glenn Gould (1955)
From the Sony Classical/Legacy Release:
"Glenn Gould - A State of Wonder" (S3K 87703)
Courtesy of Sony Clasical and The Estate of Glenn Gould
By Arrangement with Sony Music Licensing See more »
SF for the Blade Runner/2001 crowd... not necessarily for the Star Wars crowd
First off, if you are looking for shoot 'em up, space ship flying through the stars, hunting aliens type of science fiction, don't even bother with this film. If you are looking for a Science Fiction film that explores the human condition in the way that Blade Runner, 2001: A Space Odyssey or Contact does, then this is right up your alley.
This film is not about events and actions, it's about ideas and concepts. People looking for plot points to move them along will be bored to death with this film because most of the action of this film are those that will happen in your head. It is about people, desires, regrets and what we would be willing to do if we could have that one thing we cannot have back.
Some people complain about the fact that Clooney's character of Chris does very little psychiatric work in this film. But, the truth of the matter is that his occupation is used more to propel his anti-faith views. I haven't seen it mentioned, but there is a reason why there are a lot of discussion about God, religion and faith in this film.
Throughout the film, Chris questions and belittles Rheya's religious views, seeing the idea of putting stock in something that he sees as fantasy as being useless and just a crutch for people deluding themselves into a happiness based on illusion. Chris comes to realize that he would give up anything to be with Rheya, whether being with her is an illusion or not. His happiness depends on her, and he realizes that accepting what he needs is not a weakness -- as accepting faith is not a weakness -- it is simply a choice to fulfill one's life, whether it be real or illusion. And, as philosophers would argue, who can really say which is which?
For those who want a science fiction film to make you think (like Blade Runner does), this film is it. With a tremendous cast, beautiful production design, excellent direction, and one of the best film scores in recent years (hats off to Cliff Martinez), I have no trouble recommending this film to anybody who is in the need of an intelligent, thought-provoking film.
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