An eager and idealistic young attorney defends an Alcatraz prisoner accused of murdering a fellow inmate. The extenuating circumstances: his client had just spent over three years in solitary confinement.
An outlaw, a waitress and her misfit neighbor come upon a baby in the midst of car wreckage. With his former partner in crime out to get him, the outlaw and his new friends put their lives on the line to protect the infant from danger.
An aimless young man, Johnny, is sent prison. He entrusts his beloved dog, Evie, to the care of his former lover and best friend, Frank. When he gets out of prison, he has to face ... See full summary »
"It started with one bad decision, a bag of money, and a one night stand." Kyle steals money from his loanshark's girlfriend and runs for it. He breaks down in a remote location and is ... See full summary »
Retired cop Eddie Burns gave 15 years and the use of his left arm to the Reno homicide squad. When his wayward sister, Kassie, goes missing Eddie Burns finds himself subjected to a fiendish and ingenious campaign of revenge by the mysterious Charlie Strom. In order to protect his sister, Eddie - disabled, betrayed and alone - journeys into the heart of his own darkness: where he discovers that the reason for his ordeal lies in his own past sins and those of his adversary Charlie Strom. Written by
Gary Oldman described this as 'the worst movie ever made'. He did this film because he had taken time off work and had just gone through a divorce. See more »
When Kassie draws a circle on the mirror with her lipstick the circle changes shape between shots. See more »
[quoting the opening and closing lines of John Donne's sonnet "Death Be Not Proud"]
Death be not proud, though some have called thee / Mighty and dreadful, for thou art not so;... One short sleep past, we wake eternally, / And death shall be no more; Death, thou shalt die.
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A so-so crime thriller -- actually a Western in drag -- that pits ex-cop Ving Rhames against revenge-minded Gary Oldman. Clunky, badly edited, shot full of plot holes, and directed by a novice director with exactly one other film under his belt. Oldman reprises his role from THE PROFESSIONAL, but fails to convince. Rhames sleepwalks through his role, reminding one of other "great" nonactors like Jim Brown and Isaac Hayes, Brian Cox as Rhames' former boss is wasted, and obviously was just in this for the paycheck. Skip it -- except for the last 10 minutes, which may remind older viewers of all those B-flick undercard programmers from the late 1940s and 1950s.
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