A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Simon J. Smith
Boog, a domesticated 900lb. Grizzly bear finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
Lewis is a brilliant inventor who meets mysterious stranger named Wilbur Robinson, whisking Lewis away in a time machine and together they team up to track down Bowler Hat Guy in a showdown that ends with an unexpected twist of fate.
Stephen J. Anderson
The sea underworld is shaken up when the son of the shark mob boss is found dead and a young fish named Oscar is found at the scene. Being a bottom feeder, Oscar takes advantage of the situation and makes himself look like he killed the finned mobster. Oscar soon comes to realize that his claim may have serious consequences. Written by
Anthony Anderson was cast as a sperm whale, but the role's suggestive dialogue got his character cut down. Anderson has only a few non-risqué lines: when the whale meets Angie, and when Oscar cleans the whale's eye. See more »
When Angie and Sykes are watching Oscar on TV "killing" Lenny, Angie's tail passes through the desk. See more »
[a shark slowly approaches a worm, who frantically struggles to get free of his line... ]
Hi, I'm Lenny.
[the worm faints]
Ooh! Little buddy, did I scare you?
See more »
The movie starts when the kid in the DreamWorks logo casts his fishing line and the camera zooms in on its hook. See more »
Shark Tale is doubtlessly going to be endlessly compared to Pixar's "Finding Nemo". It is unfortunate that Shark Tale comes out the lesser of the two movies, but truly comparing the two is generally a fruitless exercise.
Opening with a detailed dive into the city of the fish Shark Tale presents a world of sight gags and moderate puns. From the star fish walk of fame through the dolphin police, through to the shots of "the top of the reef", the sequence is a bustling hive of activity. At this point I would make one valid comparison with Nemo - the graphics. Shark Tale fails to really seem as if anything is happening underwater. Yes, there are fish in the shot and yes everything intellectually should be under the sea, but where Nemo oozed and flowed in a very fluid vista Shark Tale shows colour and spectacle, but without that organic ocean feeling. This is not to say Shark Tale's graphic work is bad, simply that it does not feel waterborne.
With that aside, the cartoon images in Shark Tale are well presented, with the anthropomorphic fish taking on the facial characteristics of their voice actors. Never has (or will) a fish ever look more like Wil Smith , or acted like him. This is Wil Smith in full Fresh Prince wise-cracking mode made piscine in Oscar. Renee Zellwegger is instantly recognisable in her fish counterpart Angie, as is the vampy Angela Jolie (Lola).
The story itself revolves around Oscar's passage from an unhappy, dreaming, nobody to a famous, unhappy, somebody to a happy nobody. It's a generic, oft-repeated tale, albeit set in a world full of mafioso sharks, vengeful shrimp, and whales with poor personal hygiene.
As such, the story itself is both predictable and can be safely ignored. You can feel each step of the way long before it hits the screen. It has no surprises, and so the movie resorts to banter and set pieces to amuse.
It doesn't often succeed with these. Of the set pieces the shark funeral is by far the best part of the movie. It is hilarious and somehow moving at the same time. Lenny (Jack Black) and Don Lino (Robert De Niro) make an amusing scene in a restaurant debating with the food. The remainder, including Oscar's big fight scene, are generally uninvolving unless you have an interest in keeping an ear and eye out for the multitude of pop references - many of which are simply thrown in for no reason other than that somebody thought they should be there. Oscar's non sequiturs at the end of the great shark fight are particularly pointless and unfunny.
Some in jokes and references do work - having Ziggy Marley solemnly tell Oscar (Smith) that he's singing reggae wrong is clever. Some gags also work - the pizza ordering Octopus is a gem.
But despite playing heavily on racial stereotypes the movie as a whole feels rather bland - as if it was designed by marketers and a committee rather than by people who had a funny tale they wanted to tell.
The actors supplying the voices vary in effectiveness. Wil Smith is effectively Wil Smith, love it or hate it. Zellwegger gives a decent, if shallow, performance as the love interest, and Jolie's Lola is barely on screen long enough for her to make an impact. De Niro makes the movie as Don Lino, shark godfather, and without his presence it would be fair to say that the movie would simply be too weak to sustain interest.
The music is very MTV, and the end song sequence is atrocious - though kids will probably love it, parents should bring ear plugs for the time when Oscar releases "Missy and Christina" until you leave the cinema.
Shark Tale offers an amusing hour and a half for the children but a rather predictable and only occasionally amusing time for adults. It lacks the magic, sparkle, and dare I say bite, that was so desperately needed.
Six starfish out of a possible 10.
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