A couple embarks on a journey home for Chinese new year along with 130 million other migrant workers, to reunite with their children and struggle for a future. Their unseen story plays out as China soars towards being a world superpower.
In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body ... See full summary »
Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all ... See full summary »
Sandro do Nascimento,
Luiz Eduardo Soares
EPIC JAVA is a visual of the universe and human culture. A searching process of the mysteries of life and everything related to it. A contemplative depiction that will take us into God ... See full summary »
The one joy in the lives of a mother and daughter comes from the regular letters sent to them from Paris from the family's adored son, Otar. When the daughter finds out that Otar has died ... See full summary »
On one level, this film can bring out the child in us that just wants to build sandcastles and throw stuff in the air just for the sake of seeing it fall down again. On a deeper level though, it explores a profound desire to reconnect with the land. I thoroughly empathized with the artist when he said, "when I'm not out here (alone) for any length of time, I feel unrooted."
I considered Andy Goldsworthy one of the great contemporary artists. I'm familiar with his works mainly through his coffee-table books and a couple art gallery installations. But to see his work in motion, captured perfectly through Riedelsheimer's lens, was a revelation. Unfrozen in time, Goldsworthy's creations come alive, swirling, flying, dissolving, crumbling, crashing.
And that's precisely what he's all about: Time. The process of creation and destruction. Of emergence and disappearing. Of coming out of the Void and becoming the Universe, and back again. There's a shamanic quality about him, verging on madness. You get the feeling, watching him at work, that his art is a lifeforce for him, that if he didn't do it, he would whither and perish.
Luckily for us, Goldsworthy is able to share his vision through the communication medium of photography. Otherwise, with the exception of a few cairns and walls, they would only exist for one person.
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