Down-and-out lounge singer Johnny Slade is hired by a mystery man to open a hot new club, the catch being he's given a new--and terrible--song to sing each night. Noticing that whenever he ... See full summary »
Jerranium 90, a "little rock" that made all the papers, is buried deep within the Amazon. And everybody wants it, including crooked importer Handscomb Draile, slimy Gondreau Slykes, cheap ... See full summary »
A small town infestation of crawling alien foreheads that begin attaching to people and taking them over collides with a scientist's experiments to extract foreheadazine and things go horribly horribly wrong.
A dedicated scientist, aided by his clueless wife, rolls up his shirt sleeves and tries to save the world from a radioactive monster, curious space aliens, an evil scientist and a crabby skeleton in this send-up of the best of the B movies of the 1950's. Written by
Most errors in continuity and acting are purposeful and are part of the gag in recreating the '50s B movie experience. For example during the cabin sequence, Dr. Fleming's jacket disappears between shots immediately after Ranger Brad arrives, Animala suddenly sprouting furry gloves without explanation during the last half of her appearance in the film, the visible wires on the Skeleton, and the shoes of the actor portraying the mutant during some of the walking scenes. See more »
Dr. Paul Armstrong:
Seriously, Betty, you know what this meteor could mean to science. If we find it, and it's real, it could mean a lot. It could mean actual advances in the field of science.
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Coming soon... Trail of the Screaming Forehead See more »
I really liked this movie, and I think those of us old enough to remember the awful sci-fi films shown on TV on the weekends (in the afternoons and, especially, late at night, when the TV stations figured no one sane or sober was watching) can really appreciate the satire. Dialog isn't the only thing that is parodied, although the purposely stilted, strained dialog here is very funny. I also enjoy the clunky editing - the long close-ups, the awkward reaction shots - as well as the claustrophobic scenery and the props that look like whatever happened to be in someone's garage at the time. The people who made this film have apparently seen and studied many of these old sci-fi/horror films, and have made an affectionate and accurate send-up of the genre. Lack of subtlety was a hallmark of such films, and the makers here get it just right.
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