Ruthless cop Chul-joong and a merciless killer in raincoat run into each other in a small alleyway and form a fatal bond. A free-for-all fight occurs by coincidence on a rainy street. A ... See full summary »
Talent manager Seung-min sees Yoon Jin Ah, a rising actress, as his one last hope to turn his life around. Just as Jin-Ah is on the path to stardom, he receives a threat from her former ... See full summary »
The story takes place in occupied Korea at the start of the 20th century, where a young student in medicine discovers the murdered body of the son of a government official. Being scared of ... See full summary »
A serial killer targeting elementary school students is on the loose. When the most probable suspect dies and the case looks like it's reached a dead end, police brass decide to create a ... See full summary »
Sol Kyung-Gu plays a staff member of the National Institute of Scientific Investigation (NISI) in South Korea. He attempts to uncover the identity of a mysterious serial killer who ... See full summary »
Frank M. Ahearn,
Officers Kyung-yoon CHO and Eun-joo PARK are on the hunt a killer following duo of ghastly murders. The victims carry a common military past, and the secret of their past must be unraveled to find the killer.
Despite their different family backgrounds, four friends grew up together in the wearisome years of the 70s. But as time goes by, each of them takes a different life path. After enrolling ... See full summary »
Byung-du is a 29-year-old career criminal, working for the middle-rank enforcer Sang-chul. Burdened with a terminally ill mother and taking care of younger siblings, Byung-du is feeling ... See full summary »
Released from prison, Taesik goes to live with an adopted mother. He takes a job and tries to live a quiet life with his new family. His efforts are threatened when a politician seeks to knock the family restaurant down to build a mall.
Jung-Ho a famous photographer who has a special ability to read people's minds, has just returned to Korea from abroad. Jung-Ho still can't get rid of traumatic memories of his late ... See full summary »
Ruthless cop Chul-joong and a merciless killer in raincoat run into each other in a small alleyway and form a fatal bond. A free-for-all fight occurs by coincidence on a rainy street. A week later, the dead bodies of an old couple are discovered with multiple stab wounds. Chul-joong suddenly recalls the night he met the man in the raincoat. Chul-joong meets the old couple's son CHO Gyoo-hwan. He has an intuition that CHO is the murder but has no clue. In the meantime, another murder takes place in the same fashion. The showdown between a dirty cop and a killer unfolds, as things get more personal. Written by
Searing indictment of Korea's soulless corporate culture
Director Kang Woo-suk dresses up his diatribes about the social ills of modern Korea in the well- worn finery of the cop-vs-serial-killer thriller so beloved by Hollywood. Disheveled cop Sol Kyung-gu, unrepentantly violent and perpetually on the take--because, let's face it, that's just how thing's get done in Korea--relentlessly pursues a dapper, smarmy financial whiz (Lee Sung- jae, who he believes killed his parents over his father's decision to remove a large chunk of money from a big investment deal in order to save an orphanage from the bulldozers. There's no doubt Lee is guilty of the crime--we see the act in all it's squishy glory, and he further confounds the investigators by randomly killing a hapless stranger to make all the murders appear to be the work of a serial killer, but Sol knows better, and will use every dirty trick at his disposal to put this doggy down. The real target of director Kang's venomous social criticism is quite obviously the soulless corporate culture he seems convinced has poisoned Korean society and subverted traditional family values far more than corrupt law enforcement ever could, and which he views as a wellspring of self-obsessed Armani-clad sociopaths who would slit their own mothers' throats to score a big ROI, only here the metaphor isn't actually a metaphor, it's the central plot device! (I'm guessing he read "American Psycho" or at least saw the movie; certainly Lee's icy villain would make an ideal overseas pen-pal for Bret Easton Ellis' Patrick Bateman). As in TWO COPS 1 and 2, the director sides squarely with the overworked, underpaid cops, and he lovingly (and humorously) illustrates the complex, even necessary web of corruption and deception they must weave in order to maintain the status quo.
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