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Le divorce (2003)

 -  Drama | Romance | Comedy  -  29 August 2003 (USA)
4.9
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Ratings: 4.9/10 from 8,918 users   Metascore: 51/100
Reviews: 153 user | 89 critic | 36 from Metacritic.com

French vs. American social customs and behaviors are observed in a story about an American visiting her Frenchman-wed sister in Paris.

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Writers:

(novel), (screenplay), 1 more credit »
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Title: Le divorce (2003)

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Cast

Cast overview, first billed only:
...
Jean-Marie Lhomme ...
Immigration Officer
...
Esmée Buchet-Deàk ...
Gennie de Persand
Jean-Jacques Pivert ...
Talkative Shopkeeper
...
Charles-Henri de Persand
Catherine Samie ...
Madame Florian
Samuel Labarthe ...
Antoine de Persand
...
...
Nathalie Richard ...
Charlotte de Persand
Samuel Gruen ...
de Persand Child
Peter Wyckoff ...
de Persand Child
Sandrel Lonnoy ...
Maid
...
Olivia Pace
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Storyline

The differences in legalities and cultural mores of French and Americans regarding sex, love, marriage, religion and family bonds are presented through the interactions of two families related by marriage. American Isabel Walker heads to Paris to visit her half-sister, poet Roxeanne de Persand, who is early in the pregnancy of her second child. Isabel arrives to find that Roxy's French husband, Charles-Henri de Persand, has just left Roxy, the sisters both eventually further learning that it is because he has fallen in love with another woman, who is herself married. Roxy and Charles-Henri deal with their break-up, which Roxy does not want but must face the legal consequences of, including determining the ownership of what may be a valuable French painting that has been casually in the Walker family for years, but which Roxy has had in her possession since she got married. Meanwhile, Isabel begins to explore all that France has to offer, which includes concurrently embarking on sexual... Written by Huggo

Plot Summary | Plot Synopsis

Plot Keywords:

american | french | love | sex | france | See more »

Taglines:

A comedy of manners...both good and bad. See more »

Genres:

Drama | Romance | Comedy

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic elements and sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

29 August 2003 (USA)  »

Also Known As:

Divorcio a la francesa  »

Box Office

Opening Weekend:

$66,323 (South Africa) (12 December 2003)

Gross:

$66,323 (South Africa) (12 December 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The painting sold before Roxy's LaTour is Claude-Joseph Vernet's "La Nuit, au Port au Clair de Lune", which is in the Louvre's permanent collection. See more »

Goofs

When Isabel gets out of the taxi the driver closes the back, but when Charles-Henri hands the driver his bag the back is open again. See more »

Quotes

Olivia Pace: Today, they are victms, tomorrow, who knows? Because the world is ruled by hawks and arms dealers and minority phobias.
See more »

Connections

Features The Simpsons (1989) See more »

Soundtracks

En relisant ta lettre
Written by Serge Gainsbourg
Performed by Serge Gainsbourg
(c) Warner Chappell Music France
(p) 1961 Mercury (France)
With the permission of Universal Music Projets Spéciaux France
See more »

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User Reviews

 
Better than the general opinion allows
29 October 2008 | by (United States) – See all my reviews

I keep trying to figure out why this movie is rated so low. I thought it was very good, and that was before I started reading the book -- well more than halfway through, I think it's a faithful adaptation that delivers the storyline and the theme of the novel very well. I tend now to read the novel a movie is based on after I've seen the film, since my experience has taught me that doing the reverse always leads to disappointment in the movie. This was not an error with this title. I think all the casting, all the acting, and especially the direction, were well done.

It seems to me that somehow viewers were expecting too much from the movie. My philosophy is that expectations are arranged disappointments, and I try not to expect anything going in. I do admit that I had some doubts when it seemed that Merchant-Ivory were doing what looked like a light comedy, but there is much more to the book and film than that, first of all, and secondly, why should accomplished filmmakers not move around the genres? Look at Kubrick and The Archers, just to name two, who did so and did it successfully. I wonder how many people went in expecting "Howards End" and thus were disappointed, not in the film but by their own expectations. It's not fair to the filmmakers. Expecting "Le Divorce" to be on par with "Howards End" was like expecting "Howards End" to have the same effect as "Shakespeare Wallah" -- two completely different experiences. It's entirely possible, in fact, that Merchant-Ivory might not have done as good a job on "Le Divorce" had they not made "Howards End" first. It's a matter of process. My point being, that each film must be judged on its own merits.

I've read a couple of comments and message board posts that complain about how the movie makes French people look -- arrogant, garrulous, etc. I think that's overstating a generalization. The movie makes THESE PARTICULAR French people look arrogant and garrulous, because they are -- and devious and self-centered and boorish. But to leap to the conclusion that the movie is making a statement about all French people is patently ridiculous. "The views expressed by the characters in this movie are entirely their own".

On the other hand, one has to remember that Diane Johnson, who wrote the book and a number of books about the culture since, spends half her time in France. She does't take her subjects lightly; she's an intelligent, thoughtful, and though-provoking writer, and I would urge the people who find the movie too subjective to go to its source and read the book. They will find that the book is written from the point of view of one person, and is about the relations between two families -- not two complete cultures. Just because people say something about a culture does't make it true. Perception itself is subjective. In the book (I can't recall if this occurs in the film, I'll have to see it again) Uncle Edgar, perhaps the most sensible character, himself speaks those words that send a shiver of annoyance up my spine: "You Americans. You think..." As if we all think the same thing (and we all know THAT isn't true!). It shows that subjectivity is a common human trait, that we look at the world with our own particular set of blinders, filter our thought through our cultural stance, although I think that perhaps French thought is more synthesized and common than American thought which is, by nature of the population, more diverse.

In the end I think that the book and the film are VERY objective, and let us look at our own judgmental selves and see how the judgmental and subjective nature of our thought and attitude can be damaging and inhibiting. I think that's the theme, and it comes across very well.


3 of 3 people found this review helpful.  Was this review helpful to you?

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