Le divorce (2003)

French vs. American social customs and behaviors are observed in a story about an American visiting her Frenchman-wed sister in Paris.

Director:

James Ivory

Writers:

Diane Johnson (novel), Ruth Prawer Jhabvala (screenplay),

Stars:

Kate Hudson, Jean-Marie Lhomme, Naomi Watts

2 wins.

Cast

Cast overview, first billed only:
Kate Hudson	...	Isabel Walker
Jean-Marie Lhomme	...	Immigration Officer
Naomi Watts	...	Roxeanne de Persand
Esmée Buchet-Deàk	...	Gennie de Persand
Jean-Jacques Pivert	...	Talkative Shopkeeper
Melvil Poupaud	...	Charles-Henri de Persand
Catherine Samie	...	Madame Florian
Samuel Labarthe	...	Antoine de Persand
Leslie Caron	...	Suzanne de Persand
Thierry Lhermitte	...	Edgar Cosset
Nathalie Richard	...	Charlotte de Persand
Samuel Gruen	...	de Persand Child
Peter Wyckoff	...	de Persand Child
Sandrel Lonnoy	...	Maid
Glenn Close	...	Olivia Pace

Storyline

French vs. American social customs and behaviors are observed in a story about an American visiting her Frenchman-wed sister in Paris.

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Plot Keywords:

american | french | painting | puppy | murder | 

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Taglines:

A comedy of manners...both good and bad.

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Genres:

Drama | Romance | Comedy

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Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic elements and sexual content

Details

Official Sites:

Fox Searchlight Pictures Merchant Ivory Production

Country:

USA

Language:

English French

Release Date:

29 August 2003 (USA)

Also Known As:

Divorcio a la francesa

Filming Locations:

Café de Flore - 172 boulevard Saint-Germain, Paris 6, Paris, France

Box Office

Opening Weekend:

$66,323 (South Africa) (12 December 2003)

Gross:

$66,323 (South Africa) (12 December 2003)

Company Credits

Production Co:

Merchant Ivory Productions, Radar Pictures

Technical Specs

Runtime:

117 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The painting sold before Roxy's LaTour is Claude-Joseph Vernet's "La Nuit, au Port au Clair de Lune", which is in the Louvre's permanent collection.

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Goofs

When Isabel gets out of the taxi the driver closes the back, but when Charles-Henri hands the driver his bag the back is open again.

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Quotes

[after seeing Isabel's new look at the airport]
Roger Walker: She looks like something out of "Tie Me Up! Tie Me Down!".

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Connections

Features The Simpsons (1989)

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Soundtracks

"Pleurons plutôt de présentes douleurs"
(from "Il faut rire et chanter: Dispute de bergers, H. 484")
Composed by Marc-Antoine Charpentier
Performed by Alan Ewing
Early music performed under the direction of David Bahanovich

User Reviews

Better than the general opinion allows

I keep trying to figure out why this movie is rated so low. I thought it was very good, and that was before I started reading the book -- well more than halfway through, I think it's a faithful adaptation that delivers the storyline and the theme of the novel very well. I tend now to read the novel a movie is based on after I've seen the film, since my experience has taught me that doing the reverse always leads to disappointment in the movie. This was not an error with this title. I think all the casting, all the acting, and especially the direction, were well done.

It seems to me that somehow viewers were expecting too much from the movie. My philosophy is that expectations are arranged disappointments, and I try not to expect anything going in. I do admit that I had some doubts when it seemed that Merchant-Ivory were doing what looked like a light comedy, but there is much more to the book and film than that, first of all, and secondly, why should accomplished filmmakers not move around the genres? Look at Kubrick and The Archers, just to name two, who did so and did it successfully. I wonder how many people went in expecting "Howards End" and thus were disappointed, not in the film but by their own expectations. It's not fair to the filmmakers. Expecting "Le Divorce" to be on par with "Howards End" was like expecting "Howards End" to have the same effect as "Shakespeare Wallah" -- two completely different experiences. It's entirely possible, in fact, that Merchant-Ivory might not have done as good a job on "Le Divorce" had they not made "Howards End" first. It's a matter of process. My point being, that each film must be judged on its own merits.

I've read a couple of comments and message board posts that complain about how the movie makes French people look -- arrogant, garrulous, etc. I think that's overstating a generalization. The movie makes THESE PARTICULAR French people look arrogant and garrulous, because they are -- and devious and self-centered and boorish. But to leap to the conclusion that the movie is making a statement about all French people is patently ridiculous. "The views expressed by the characters in this movie are entirely their own".

On the other hand, one has to remember that Diane Johnson, who wrote the book and a number of books about the culture since, spends half her time in France. She does't take her subjects lightly; she's an intelligent, thoughtful, and though-provoking writer, and I would urge the people who find the movie too subjective to go to its source and read the book. They will find that the book is written from the point of view of one person, and is about the relations between two families -- not two complete cultures. Just because people say something about a culture does't make it true. Perception itself is subjective. In the book (I can't recall if this occurs in the film, I'll have to see it again) Uncle Edgar, perhaps the most sensible character, himself speaks those words that send a shiver of annoyance up my spine: "You Americans. You think..." As if we all think the same thing (and we all know THAT isn't true!). It shows that subjectivity is a common human trait, that we look at the world with our own particular set of blinders, filter our thought through our cultural stance, although I think that perhaps French thought is more synthesized and common than American thought which is, by nature of the population, more diverse.

In the end I think that the book and the film are VERY objective, and let us look at our own judgmental selves and see how the judgmental and subjective nature of our thought and attitude can be damaging and inhibiting. I think that's the theme, and it comes across very well.