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This is a very intriguing short movie by David Lynch, and saying the name
David Lynch is probably enough for a lot of people. This is your typical
Lynch short. A blonde and a brunette are in a dark room. The blonde has been
crying, the brunette is talking in a threatening way to the blonde, and
that's about it.
With a lot of silent moments, but with the haunting music from Angelo Badalamenti, there is a strange form of suspense. This short feels a little like 'Mulholland Dr.', a movie I loved, and therefore I liked this one as well. It is probably especially for Lynch fans but there is a chance you like this.
David Lynch's new short is a very "Lynchian" piece, full of darkness,
tension, silences, discreet but very textured background music, and
again two beautiful actresses, a blonde and a brunette, a recurrent theme
Both characters create a very intriguing slave-mistress relationship that could be seen as a direct follow up to the same kind of relationship featured in Mulholland Dr.
Beautiful. For Lynch fan's.
when I watched this movie the first time I found myself drifting along the screen looking for little hints such as the puppet and missed out on the dialogue completely. The second time I was certain that the girl was pregnant and not allowed back in her old life which is why she claim`s to be left out although sitting inside a room. The puppet is a visual hint that the crying girl has just learned about her new baby boy and her step-mom or sis or even young mom doesn`t seem to be supporting her very well. For a half-a-day production this is a nice little picture that lynch painted, however maybe i was just being dumb but i missed the in-depth a little bit, hence i`ll watch again and again because we know what kind of books lynch reads ... there`s gotta be something out there. who likes lynch likes dali so why not check out the artwork there is ...
Darkened Room is a short film from David Lynch's digital video phase.
It starts with an Asian girl who refers ambiguously to a troubled
friend, who we then cut to. She is a visibly upset blonde woman alone
in room on a sofa whose face is streaked by mascara from her tears.
Later a third woman enters and verbally torments her.
This is a technically raw short film which brought me to mind the look and feel of Lynch's last feature film Inland Empire (2006), a film I have mixed feelings about. With that film, Lynch moved away from the gorgeous visual aesthetic he had hitherto been associated with. The change was mainly down to the move from film to digital video, which looks a lot uglier. The sound in this one is pretty amateurish as well, with the hum of the video camera audible at times. There is still an unmistakable Lynch feel to proceedings though with uncomfortably long pauses where little happens, a mysterious situation that is never fully explained (to say the least) and an ominous low soundtrack maintaining a certain feeling of dread. Lynch does generate an interesting tone to a certain extent but the short run-time never allows him to develop the material into anything very engaging, while it's also a little too lo-fi for its own good as well.
I'm not gonna lie, I am obsessed with David Lynch. My favorite movie of all time is his 1977 film, Eraserhead and close behind that is Elephantman, and Mulholland Drive. I also loved Lost Highway, Twin Peaks, and Blue Velvet. I however haven't been as pleased with his stuff after Mulholland Drive. I thought Inland Empire was a mess and a huge disappointment. This would bring me to Darkened Room. A film that ties into Inland Empire quite a bit but has the same pointless feel as that film. I guess I just have no idea what's going on so I didn't a point in filming it. I did like how it was shot though. It had a very low budget, independent feel and that is very inspiring to me as a young filmmaker. I'm making it a goal to see all of David Lynch's films but this one was a disappointment.
What experimental follies David Lynch loves to go into. And, of course,
that's the prerogative of any artist with access to the equipment that
Lynch has, and as part of how he goes about using the digital medium to
put out ideas he wouldn't of had expressed out for everyone to see
years ago. This one, however, shows what good and not so good qualities
can come with the mental floodgates let open and with little cohesion.
Darkened Room, which like Rabbits may have some connection to Lynch's
magnum opus Inland Empire, has three parts to it, with the first two
actually not bad at all really. The first, which is very random and
hilarious in the vein of the director's absurd idiosyncrasies, shows a
Japanese woman in her Tokyo apartment spouting off statistics about
bananas, in a weird audio voice. Then, by way of the Japanese woman's
'friend', we move on to the darkened room of the title, where a blond
girl sits, mascara smeared on her face, sobbing about something that no
matter what she says in-between her cries, doesn't make sense. It
doesn't matter too much, in this instance at least, that we don't know
exactly why she's crying or how long she's been in the darkened room.
The amount of emotional connection that can be felt though, and the
subtext behind the words, make it something sort of special.
But then comes that last part, which feels MUCH longer than the other two parts combined, where another woman- another friend of the blonde girl- comes in and just talks and talks about something or this or that, and suddenly, like with a snip with a pair of scissors, the emotional connection is snapped, and what we're left with is Lynch's pretentious ramblings feed through and out of this other actress's mouth. In fact, this last part is one of the worst things I've ever seen from Lynch, as it committed something that I don't like seeing from the director much at all- as it doesn't happen too often for me at any rate- which is that it's dull and weird for the sake of it. Nothing gets resolved, and the end is just a 'huh' that isn't a satisfying one in the slightest. I was left with some good memories of Darkened Room, and some very bad ones too. In a sense it's Lynch working stuff out, via digital video and access on his website, and it'll either appeal to some sense or not. For me, it was both.
I am a huge fan of David Lynch. This film, however, was a quite
disappointing experience. Apart from the ambient background music
which really sets the mood of the film it lacks almost all the
qualities that I've come to associate with Lynch's work. The visuals
are dull, to say the least, and the dialog is to vague and monotone to
be of any interest.
This feels more like a film students awkward try to do an arty dogma movie than the work of an experienced director. I've seen a lot of amateur movies with far superior camera-work, scenery, sound and script. This film lacks almost all artistic qualities. I feel as though I'm watching one of Davids home videos, produced during a weekend trip with some friends.
*** This review may contain spoilers ***
It's a short movie from David Lynch with just 8 minutes, but it got all
the "Lynchian ingredients"! It's mysterious, dark, inconclusive, eerie,
and strange; and before the blond girl starts to talk it's even a bit
scary! The soundtrack is exceptional to create this odd atmosphere
because it's also sinister and mysterious
About the setting itself, it hasn't the "traditional" red curtains, but it has socking purple painted walls, which give it an equally effect of eeriness.
The plot is about a girl who's locked in a dark room and she cries for help; then comes another girl who starts talking to her in a mysterious way, saying she's there just because of her fault We don't know what did happen or what will happen next it ended unsolved and puzzling, as a good Lynch movie must end!
It's a great short, despite some amateurish acting. The girls are professional actresses, but I think their acting could have been better in this short.
Hello, this little film is interesting especially for an artist,
film-maker or music creator or a visual artist, for:
One can feel and examine David's touch/style straight out of a short piece of relative simplicity.
You can see the rhythmic spacing of the shots, the pans and the sound elements.
Even as simple film, this creation is multy-layer. For example, there are some sounds that drone all along, while others appear (though subtle), at certain points to support certain shots.
One can see also several types of pans: some go up and down in a gentle back-forth way. There is diagonal pan. Zooms also go back and forth sometimes.
The lightning and the composition/disposition of elements in the space is, as usual and obviously, work of a painer/artist. This can be felt even in this crappy room. This is to say: one can make exquisite art already by the simple art of placing the look/view and composing the scene. Then comes the forcelines of the visuals: like digonales, parallels, etc. The light's degradées and the colours, although without too much research for textures as in big productions, are fine too. This is an artist's sketch of a sort...
All this is not calculated but done with inner feeling and this feel gives the David's touch/feel to it, as with any true artist.
I finally got to have a look at this experimental Lynch short after
waiting for so long....and unfortunately, it wasn't worth it! Even for
a die hard Lynch fan, I found this to be really tedious....
nothing happens, there are long, long, long painful pauses where nothing happens, long, monotonous speeches where nothing is said and the whole thing finishes with the viewer not knowing, or caring, what the hell it was all about, what happened before and what happened afterward.
There was a Mulholland Drive allusion - the blonde girl and the brunette girl were very Diane and Rita -esque, and a Lost Highway moment with allusions to some significant event that happened but cannot be talked about clearly.
Unfortunately, It's all very uninteresting and very dull, nothing happens, it's very forgettable and I think i will delete it from my computer and forget I ever watched it. Sorry David!
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