Sam, a Hong Kong cop, has busted crime lord Night. Ann, Sam's girlfriend, is the prosecuting witness. Night is jailed for five years. On a trip to Paris, Ann is killed by an assassin. Sam ... See full summary »
In this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.
Anthony Wong Chau-Sang
"Vampire Buster" Lam Ching-Ying returns as Master Gao in this vampire-filled adventure. Here, he joins forces with his colleagues in ridding their village of restless ghosts, Chinese ... See full summary »
The boss of the Hung Hing gang, Tian Sang, has died. Ho Nam and Hon Bun find Sangs younger brother, Yang to lead the gang. Meanwhile, Hon Bun receives news that his younger brother, a ... See full summary »
An amusement park reopens after a deadly accident fourteen years prior. But although the park is back in business, that doesn't mean it's safe, and when a young boy goes missing, a group of his friends set out to find him.
A street hustler with terrible luck (Tony Leung) encounters the sensual ghost of a woman (Chingmy Yau) and discovers that he was murdered by a crime boss in a previous life. Together they ... See full summary »
Sam, a Hong Kong cop, has busted crime lord Night. Ann, Sam's girlfriend, is the prosecuting witness. Night is jailed for five years. On a trip to Paris, Ann is killed by an assassin. Sam quits the force and two years later, runs a bar on Lamma Island with his uncles. One day, a Japanese tourist who looks exactly like Ann arrives. Sam and the lady soon fall in love. However, that love is shortened when she holds a dark past and after a successful appeal, Night is back and out for revenge. Written by
Although it uses the same hokey elements typical of HK films, Bullets of Love cooks them up to somewhat tastier effect. Maybe it's just the advantage of a bigger budget than usual, but the music, the cinematography, even the acting seemed above average for what we normally find in Hong Kong action movies. Or it could be the Japanese actress, Asaka Seto -- although she hasn't been in a lot of films, she has a genuine screen presence and plays her role with a charm and delicacy one does not usually find in pictures of this ilk. Compare, for example, the ridiculous overacting of The Stewardess' Seina Kasugai and it becomes clear that Ms. Seto saved this picture from being a mess.
Don't get me wrong. This film wasn't exactly high art, more like "high trash." The storyline was hackneyed, totally predictable, but perhaps a better description would be "classic." The ending would not have been out of place in a Shakespearean or Greek tragedy, and so, as a whole, the film receives a strong recommendation from me.
PS: I haven't given it a full listen, but apparently the DVD comes with a director's commentary of some kind on the fifth audio track. Go figure.
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