In Madrid, the divorced middle-age pianist Sofía discloses to her daughters Elvira, Gimena and Sol on the day of her birthday that she is in love with the talented Czechoslovak pianist ... See full summary »
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A young Jewish American man endeavors to find the woman who saved his grandfather during World War II in a Ukrainian village, that was ultimately razed by the Nazis, with the help of an eccentric local.
Jonathan Safran Foer
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
In the 1970s, a young transwomen, Patrick "Kitten" Braden, comes of age by leaving her Irish town for London, in part to look for her mother and in part because his gender identity is beyond the town's understanding.
In Madrid, the divorced middle-age pianist Sofía discloses to her daughters Elvira, Gimena and Sol on the day of her birthday that she is in love with the talented Czechoslovak pianist Aliska, who is twenty-years younger than she. The bigoted sisters are shocked with the revelation and do not accept the idea that their mother is lesbian. Elvira is an insecure and neurotic young aspirant writer that has a lousy job in a publishing house; Sol is the singer of a rock band; and Gimena is married with a boy and has a troubled marriage with Raúl. When they discover that her mother has lent all her savings to support the education of Aliska, they decide to seduce the girlfriend to make her leave their mother. But when Aliska returns to her country alone and their mother is very depressed, they need to try to revert the situation. Meanwhile the nervous Elvira meets the writer Miguel and has a clumsy relationship with him. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Sofia is the loving mother of three daughters, a concert pianist, and a lesbian -- in that order.
Her recent discovery of her lesbian sexuality, and her relationship with Eliska, an illegal alien from the Czech Republic, is almost incidental to the film. It is certainly presented in a very matter-of-fact way, taken for granted as entirely natural and acceptable. It is not milked for titillation or homophobic humor.
In fact, despite this movie's title and marketing, the fact that Sofia likes women is merely the plot device that sets things in motion and drives the action of the film. (It is also the subject of the very catchy and bouncy title song.)
The real message here is that Sofia is totally in charge of every facet of her life -- something her three daughters emphatically are not. This is especially true of the middle daughter, Elvira. She is the heroine of "My Mother Likes Women".
Where Sofia is a creative artist, Elvira doubts her ability and keeps her first novel hidden in a drawer. Where Sofia is a passionate lover, Elvira screws up every relationship with a man, including her shrink.
By the end, however, Elvira learns to stand up for herself and go after what she wants in life -- and the audience stands up and cheers.
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