The detail makes a desperate move. Nick's deceit is in the open, as Sobotka is overwhelmed by bad news. The Greeks confidently ease out of a brief encounter with the detail and Omar's suspicions are ...
Set in Baltimore, this show centers around the city's inner-city drug scene. It starts as mid-level drug dealer, D'Angelo Barksdale beats a murder rap. After a conversation with a judge, Det. James McNulty has been assigned to lead a joint homicide and narcotics team, in order to bring down drug kingpin Avon Barksdale. Avon Barksdale, accompanied by his right-hand man Stringer Bell, enforcer Wee-Bey and many lieutenants (including his own nephew, D'Angelo Barksdale), has to deal with law enforcement, informants in his own camp, and competition with a local rival, Omar, who's been robbing Barksdale's dealers and reselling the drugs. The supervisor of the investigation, Lt. Cedric Daniels, has to deal with his own problems, such as a corrupt bureaucracy, some of his detectives beating suspects, hard-headed but determined Det. McNulty, and a blackmailing deputy. The show depicts the lives of every part of the drug "food chain", from junkies to dealers, and from cops to politicians. Written by
Marlo Stanfield was based on Timmirror Stanfield, a major Baltimore drug trafficker. In 1986, Stanfield was 25 and ran a gang which included over fifty members. The Stanfield gang controlled South Baltimore's Westport area and West Baltimore's Murphy Homes housing project. The gang committed multiple murders and drew the attention of authorities, who were able to persuade fifteen witnesses to testify. The core of the gang was convicted. See more »
Throughout the series some Officers are shown on both the day, evening and Night shifts in a short period of time, some even within the same day. The Baltimore police department rarely gives shift changes until the next fiscal year. See more »
Season 3 of The Wire ended like a great novel, in a series of great novels, about crime, politics, "po-lice" and personalities in the City of Baltimore. The Wire truly has no equivalent on American TV, more akin to something like the British miniseries Traffik, or Robert Altman's Short Cuts, but really in a class by itself. The show also doesn't fetch the ratings of HBO's other blockbuster series, like The Sopranos or Deadwood, but so far the network has stood behind what is indisputably a creative / artistic success. Viewers accustomed to having a Tony Soprano or an Al Swearingen to latch onto may be daunted by The Wire's 2-dozen or so "main" characters, all given equal importance within multiple story lines. The concurrent tales all buoy one another, and as the season draws to a close, they begin to merge and compliment each other in unexpected ways. No detail is too small to not be done with great care, and no significant threads are left to hang, which also speaks to the brilliance of the writers.
The Wire is no less than a dramatic triumph, and I can't wait for a new season.
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