In the series finale, Carcetti maps out a damage-control scenario with the police brass in the wake of a startling revelation from Pearlman and Daniels. Their choice: clean up the mess...or hide the ...
The detail makes a desperate move. Nick's deceit is in the open, as Sobotka is overwhelmed by bad news. The Greeks confidently ease out of a brief encounter with the detail and Omar's suspicions are ...
Stinger reorganizes everything after the raids: no telephones, no pagers and more importantly, no dope now that their main stash has been seized. Avon and Stringer start to target anyone who could do...
The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their ... See full summary »
Set in Baltimore, this show centers around the city's inner-city drug scene. It starts as mid-level drug dealer, D'Angelo Barksdale beats a murder rap. After a conversation with a judge, Det. James McNulty has been assigned to lead a joint homicide and narcotics team, in order to bring down drug kingpin Avon Barksdale. Avon Barksdale, accompanied by his right-hand man Stringer Bell, enforcer Wee-Bey and many lieutenants (including his own nephew, D'Angelo Barksdale), has to deal with law enforcement, informants in his own camp, and competition with a local rival, Omar, who's been robbing Barksdale's dealers and reselling the drugs. The supervisor of the investigation, Lt. Cedric Daniels, has to deal with his own problems, such as a corrupt bureaucracy, some of his detectives beating suspects, hard-headed but determined Det. McNulty, and a blackmailing deputy. The show depicts the lives of every part of the drug "food chain", from junkies to dealers, and from cops to politicians. Written by
Much like its sister show Homicide: Life on the Street (1993), contains numerous references to David Simon's book "Homicide: A Year On The Killing Streets". For instance, the opening of the very first show is lifted directly from the book. See more »
Throughout the last two seasons, Carcetti repeatedly refers to a possible gubernatorial challenge in 2008, after serving two years as Baltimore mayor. But Maryland holds gubernatorial elections in off years - 2006, 2010, etc. The new governor would have been elected the same year that Carcetti was elected mayor - 2006 - and up for re-election in four years, not two. See more »
All in the game yo, all in the game.
See more »
The opening song is the same, but every season a new version is used with different artists performing in different genres (blues, soul, etc.). See more »
I don't subscribe to HBO. A couple of weeks ago I heard an interview with a young actor from this series on NPR. It was described as a "gritty crime drama" with many Baltimore locals portraying variations on themselves. The interview made it sound interesting enough that I decided to check out the first season on DVD.
After the first few episodes I became seriously hooked and devoted 36 hours of the next ten days to the show.
Having now watched the first 3 seasons, I believe it to be the best television series I have seen.
I do not understand why this show hasn't generated the buzz or the awards of HBO's other series, such as the Sopranos or Deadwood. It is more gripping, faster paced, and more intelligent. The other shows can be a bit plodding, with plot lines that go nowhere, and a few characters I don't much care about. That wasn't the case here.
The show is a cross between the Sopranos and the old NBC show Homicide: Life on the Street. The crime/sopranos side and the law/Homicide side run in parallel. Individually, the parallel plot lines are compelling. In tandem, they are complimentary and brilliant.
There is no way to avoid having "the best show ever" tag sound like anything but silly hype--regardless, what makes this show substantially better than any other realistic and compelling crime or police drama is the fact it is... searching. It doesn't just delve into the individual psychologies motivating these people (ala the Sopranos) or the complex interactions amongst the members of a community (ala Deadwood) it asks "what the hell can be done for all of these people" and points out the problems with any and all of the answers.
It's truly brilliant. If you like intelligent television, I envy the enjoyment you will have watching this for the first time.
447 of 484 people found this review helpful.
Was this review helpful to you?