In the Season Four finale, the bodies from the vacants pile up while Burrell offers his support to Daniels and admonishes Rawls for crossing him. A distraught Bubbles finds himself at his wit's end ...
The wire begins to yield information about the Barksdale organization. Stringer and Avon reminisce on how far they have come. McNulty finds the way to a key piece of the puzzle in an unlikely place. ...
Set in Baltimore, this show centers around the city's inner-city drug scene. It starts as mid-level drug dealer, D'Angelo Barksdale beats a murder rap. After a conversation with a judge, Det. James McNulty has been assigned to lead a joint homicide and narcotics team, in order to bring down drug kingpin Avon Barksdale. Avon Barksdale, accompanied by his right-hand man Stringer Bell, enforcer Wee-Bey and many lieutenants (including his own nephew, D'Angelo Barksdale), has to deal with law enforcement, informants in his own camp, and competition with a local rival, Omar, who's been robbing Barksdale's dealers and reselling the drugs. The supervisor of the investigation, Lt. Cedric Daniels, has to deal with his own problems, such as a corrupt bureaucracy, some of his detectives beating suspects, hard-headed but determined Det. McNulty, and a blackmailing deputy. The show depicts the lives of every part of the drug "food chain", from junkies to dealers, and from cops to politicians. Written by
Throughout the series some Officers are shown on both the day, evening and Night shifts in a short period of time, some even within the same day. The Baltimore police department rarely gives shift changes until the next fiscal year. See more »
I'm just a humble motherfucker with a big-ass dick.
You give yourself too much credit.
Okay then. I ain't that humble.
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The opening song is the same, but every season a new version is used with different artists performing in different genres (blues, soul, etc.). See more »
This isn't just a show about crime - this tries to show every aspect of life in a crumbling society
Along with TV-shows like 'Oz', 'Deadwood', 'The Sopranos' and 'Six Feet Under', David Simon's 'The Wire' was part of a revolution - qualitywise
in television. Although it is very entertaining, this isn't just
entertainment; this is art, pure and simple - and the concept of this show was groundbreaking. On the surface, one might think this is a show about crime, but really, 'The Wire' is about the life and soul of a whole city. Every aspect of the city of Baltimore gets its share of screen time, and the way this is done - the writing, the direction, the amazing performances by the terrific cast; the music, the camera work, the realism... I could go on and on - is just outstanding. On par with 'Generation Kill' (no wonder, since the same creative team was behind both), this is as good as television gets.