In the series finale, Carcetti maps out a damage-control scenario with the police brass in the wake of a startling revelation from Pearlman and Daniels. Their choice: clean up the mess...or hide the ...
The detail makes a desperate move. Nick's deceit is in the open, as Sobotka is overwhelmed by bad news. The Greeks confidently ease out of a brief encounter with the detail and Omar's suspicions are ...
Stinger reorganizes everything after the raids: no telephones, no pagers and more importantly, no dope now that their main stash has been seized. Avon and Stringer start to target anyone who could do...
The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their ... See full summary »
Set in Baltimore, this show centers around the city's inner-city drug scene. It starts as mid-level drug dealer, D'Angelo Barksdale beats a murder rap. After a conversation with a judge, Det. James McNulty has been assigned to lead a joint homicide and narcotics team, in order to bring down drug kingpin Avon Barksdale. Avon Barksdale, accompanied by his right-hand man Stringer Bell, enforcer Wee-Bey and many lieutenants (including his own nephew, D'Angelo Barksdale), has to deal with law enforcement, informants in his own camp, and competition with a local rival, Omar, who's been robbing Barksdale's dealers and reselling the drugs. The supervisor of the investigation, Lt. Cedric Daniels, has to deal with his own problems, such as a corrupt bureaucracy, some of his detectives beating suspects, hard-headed but determined Det. McNulty, and a blackmailing deputy. The show depicts the lives of every part of the drug "food chain", from junkies to dealers, and from cops to politicians. Written by
David J. Smolar, who appears in the final episode of season 3 as a reporter talking to Councilman Gray, previously appeared as the piano player in a restaurant scene between D'Angelo and his girlfriend in episode 5 of season 1. Smolar performed the piano music heard in that episode, a posthumous Chopin Etude and later movement 2 of Beethoven's Pathetique Sonata. See more »
Throughout the series some Officers are shown on both the day, evening and Night shifts in a short period of time, some even within the same day. The Baltimore police department rarely gives shift changes until the next fiscal year. See more »
I ain't no suit-wearin' businessman like you... you know I'm just a gangsta I suppose...
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The opening song is the same, but every season a new version is used with different artists performing in different genres (blues, soul, etc.). See more »
This isn't just a show about crime - this tries to show every aspect of life in a crumbling society
Along with TV-shows like 'Oz', 'Deadwood', 'The Sopranos' and 'Six Feet Under', David Simon's 'The Wire' was part of a revolution - qualitywise
in television. Although it is very entertaining, this isn't just
entertainment; this is art, pure and simple - and the concept of this show was groundbreaking. On the surface, one might think this is a show about crime, but really, 'The Wire' is about the life and soul of a whole city. Every aspect of the city of Baltimore gets its share of screen time, and the way this is done - the writing, the direction, the amazing performances by the terrific cast; the music, the camera work, the realism... I could go on and on - is just outstanding. On par with 'Generation Kill' (no wonder, since the same creative team was behind both), this is as good as television gets.