In the series finale, Carcetti maps out a damage-control scenario with the police brass in the wake of a startling revelation from Pearlman and Daniels. Their choice: clean up the mess...or hide the ...
The detail makes a desperate move. Nick's deceit is in the open, as Sobotka is overwhelmed by bad news. The Greeks confidently ease out of a brief encounter with the detail and Omar's suspicions are ...
In the Season Four finale, the bodies from the vacants pile up while Burrell offers his support to Daniels and admonishes Rawls for crossing him. A distraught Bubbles finds himself at his wit's end ...
The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their ... See full summary »
Set in Baltimore, this show centers around the city's inner-city drug scene. It starts as mid-level drug dealer, D'Angelo Barksdale beats a murder rap. After a conversation with a judge, Det. James McNulty has been assigned to lead a joint homicide and narcotics team, in order to bring down drug kingpin Avon Barksdale. Avon Barksdale, accompanied by his right-hand man Stringer Bell, enforcer Wee-Bey and many lieutenants (including his own nephew, D'Angelo Barksdale), has to deal with law enforcement, informants in his own camp, and competition with a local rival, Omar, who's been robbing Barksdale's dealers and reselling the drugs. The supervisor of the investigation, Lt. Cedric Daniels, has to deal with his own problems, such as a corrupt bureaucracy, some of his detectives beating suspects, hard-headed but determined Det. McNulty, and a blackmailing deputy. The show depicts the lives of every part of the drug "food chain", from junkies to dealers, and from cops to politicians. Written by
The character of "Bubbles", played by Andre Royo, was largely based on a real Baltimore drug addict and police informant who went by that name. The real Bubbles, who would slur his speech much more than the fictional character, first started working with the cops near the early 1960's after being arrested for a burglary. He spent the next few decades as an informant, leading to the arrest of several hundred felons and getting paid at least $50 for each one caught. His photographic memory and ability to blend into the scene made him one of the best in the city. Eventually he would start using the hat method portrayed on the series, where he acted as if he was selling hats and would place one of a certain color on the head of those the police should arrest. See more »
Throughout the last two seasons, Carcetti repeatedly refers to a possible gubernatorial challenge in 2008, after serving two years as Baltimore mayor. But Maryland holds gubernatorial elections in off years - 2006, 2010, etc. The new governor would have been elected the same year that Carcetti was elected mayor - 2006 - and up for re-election in four years, not two. See more »
Sgt. Jay Landsman:
For you I would suggest some pantsuits, perhaps muted in color, something to offset Detective Moreland's pinstripe lawyerly affectations and the brash tweedy impertinence of Detective Freamon. Rawls is watching on this one, let's at least pretend like we got a fucking clue.
Tweedy impertinence? I like that.
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In every episode, after the opening credits a quote appears on the screen that will be spoken by a character in that episode. See more »
Season 3 of The Wire ended like a great novel, in a series of great novels, about crime, politics, "po-lice" and personalities in the City of Baltimore. The Wire truly has no equivalent on American TV, more akin to something like the British miniseries Traffik, or Robert Altman's Short Cuts, but really in a class by itself. The show also doesn't fetch the ratings of HBO's other blockbuster series, like The Sopranos or Deadwood, but so far the network has stood behind what is indisputably a creative / artistic success. Viewers accustomed to having a Tony Soprano or an Al Swearingen to latch onto may be daunted by The Wire's 2-dozen or so "main" characters, all given equal importance within multiple story lines. The concurrent tales all buoy one another, and as the season draws to a close, they begin to merge and compliment each other in unexpected ways. No detail is too small to not be done with great care, and no significant threads are left to hang, which also speaks to the brilliance of the writers.
The Wire is no less than a dramatic triumph, and I can't wait for a new season.
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