In the Season Four finale, the bodies from the vacants pile up while Burrell offers his support to Daniels and admonishes Rawls for crossing him. A distraught Bubbles finds himself at his wit's end ...
The wire begins to yield information about the Barksdale organization. Stringer and Avon reminisce on how far they have come. McNulty finds the way to a key piece of the puzzle in an unlikely place. ...
The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their ... See full summary »
Set in Baltimore, this show centers around the city's inner-city drug scene. It starts as mid-level drug dealer, D'Angelo Barksdale beats a murder rap. After a conversation with a judge, Det. James McNulty has been assigned to lead a joint homicide and narcotics team, in order to bring down drug kingpin Avon Barksdale. Avon Barksdale, accompanied by his right-hand man Stringer Bell, enforcer Wee-Bey and many lieutenants (including his own nephew, D'Angelo Barksdale), has to deal with law enforcement, informants in his own camp, and competition with a local rival, Omar, who's been robbing Barksdale's dealers and reselling the drugs. The supervisor of the investigation, Lt. Cedric Daniels, has to deal with his own problems, such as a corrupt bureaucracy, some of his detectives beating suspects, hard-headed but determined Det. McNulty, and a blackmailing deputy. The show depicts the lives of every part of the drug "food chain", from junkies to dealers, and from cops to politicians. Written by
Sonja Sohn's role in the series led to her current work as the leader of a Baltimore community initiative called ReWired for Change. The program is run out of the University of Maryland School of Social Work and uses episodes of the series as a teaching tool, encouraging the participants to examine and query their lives and past actions. Other actors and writers involved with the series serve as board members. See more »
Frequently we see the Dock/Union people in icy conditions on the streets. At a similar time the Investigating police, including McNulty working on the docks, are never in icy conditions. See more »
Possibly the best thing written for television ever; certainly the best to come out in the last 25 or so years.
"The Wire" escapes the melodramatic pitfalls of shows like "the West Wing," "Six Feet Under" and even "The Sopranos" (which are all smartly written--or rather have had their moments of greatness).
Here is a show which over the course of 37 hours weaves together scores of very tautly detailed characters. It's not easy to watch--and its certainly challenging. But it is surely worth it.
The story unfolds in Baltimore and is a study on the effect of institutions on its members: police, politicians, criminals, addicts.
Some may find the show didactic. This is understandable because its creators make heavy usage of allegory (for instance, seasons three's not-so-subtle criticism of the situation in Iraq).
Didactic or not, the show forces its viewers to think about and hopefully start a larger discussion of the issues it touches upon: the failure of the drug war, the gradual extinction of the American worker and the dangers of a presumptive, preemptive war.
Hats off to creators David Simon and Ed Burns (a retired BPD detective) for creating one of the most interesting, daring shows in the history of television.
Let's hope HBO renews it for another 26 episodes.
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