In the series finale, Carcetti maps out a damage-control scenario with the police brass in the wake of a startling revelation from Pearlman and Daniels. Their choice: clean up the mess...or hide the ...
The detail makes a desperate move. Nick's deceit is in the open, as Sobotka is overwhelmed by bad news. The Greeks confidently ease out of a brief encounter with the detail and Omar's suspicions are ...
In the Season Four finale, the bodies from the vacants pile up while Burrell offers his support to Daniels and admonishes Rawls for crossing him. A distraught Bubbles finds himself at his wit's end ...
The show follows a crime, usually adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.
Jesse L. Martin,
Dr. Cal Lightman teaches a course in body language and makes an honest fortune exploiting it. He's employed by various public authorities in various investigations, doing more when the ... See full summary »
With his rumpled raincoat, ever-present cigar, bumbling demeanour and Sherlock Holmesian powers of deduction, disarmingly polite homicide detective Lieutenant Columbo took on some of the most cunning murderers in Los Angeles, most of whom made one fatal, irrevocable mistake: underestimating his investigative genius.
Set in Baltimore, this show centers around the city's inner-city drug scene. It starts as mid-level drug dealer, D'Angelo Barksdale beats a murder rap. After a conversation with a judge, Det. James McNulty has been assigned to lead a joint homicide and narcotics team, in order to bring down drug kingpin Avon Barksdale. Avon Barksdale, accompanied by his right-hand man Stringer Bell, enforcer Wee-Bey and many lieutenants (including his own nephew, D'Angelo Barksdale), has to deal with law enforcement, informants in his own camp, and competition with a local rival, Omar, who's been robbing Barksdale's dealers and reselling the drugs. The supervisor of the investigation, Lt. Cedric Daniels, has to deal with his own problems, such as a corrupt bureaucracy, some of his detectives beating suspects, hard-headed but determined Det. McNulty, and a blackmailing deputy. The show depicts the lives of every part of the drug "food chain", from junkies to dealers, and from cops to politicians. Written by
According to Michael K. Williams, he secretly struggled with a cocaine addiction during the third season. He never missed a day of work nor was he ever late. He also suffered with an identity crisis due to his popularity as Omar. See more »
Frequently we see the Dock/Union people in icy conditions on the streets. At a similar time the police, including McNulty working on the docks, are never in icy conditions. See more »
The best thing ever made for television, and really more complex and entertaining than all but a handful of movies as well. It's hard to know where to begin to praise this series - there really hasn't been anything like it before. Imagine if your all-time favorite movie, with the most compelling characters and interesting story, could go on for another 48 hours and only get better and you start to get the idea. When it starts you think it's going to a standard tale of noble cops versus sinister bad guys, but that's only the surface and you are about to see so much more.
A "wire" is police shorthand for a wiretap a way to observe and record people without their knowledge. Soon you realize this is also a metaphor for the show itself you as the viewer are getting a chance to be a hidden observer into the workings of a modern American city at all its levels, from the streets to the corridors of power. It's really like a televised novel - a realistic, complex exploration of the characters and the world they inhabit. As episodes build the hidden web of interdependence between the people and institutions from the lowest to the highest levels in the city of Baltimore is vividly brought to life. And as in life, the quick conclusion you make after seeing the surface of a person or institution is often revealed to be a completely different truth when you start peeling back the layers.
The people who write the Wire seem to be determined to pull no punches. Realistic violence, sex, and language are a main theme of this show and will no doubt turn off some potential viewers. But the beauty of The Wire is that all of these things are put in context due to the length (five seasons) of the series, and they are never gratuitous. Actions both large and small are shown to have consequences - sometimes far down the line, sometimes far beyond what was intended.
For me one of the most outstanding aspects of this series has to do with race. The Wire manages to make race both the focal point and just a starting point for the story at the same time. Although racial realities are never avoided and hang as an omnipresent backdrop just as they do in real life, as the series progresses the hugely diverse cast proceeds to lay glorious waste to many of the stale, narrow stereotypes Hollywood has been selling us for all these years. For this alone The Wire is far ahead of its time.
Nothing this epic or comprehensive could have been so amazingly well done with out superb efforts from everyone involved, and they are more than up to the task. Every member of the cast seems destined to play their role - McNulty, Bunk, Lester, Greggs, Omar, Prez, Bunny, Stringer, Avon, Bubbles, Bodie - there are too many great performances to pick a favorite. Superb writing, terrific direction, real sets, everything top notch. Despite being little-seen by mainstream TV audiences and being nearly ignored by the Emmys, this series will one day get the credit it deserves as a towering achievement and a true ground breaker.
38 of 52 people found this review helpful.
Was this review helpful to you?