In the series finale, Carcetti maps out a damage-control scenario with the police brass in the wake of a startling revelation from Pearlman and Daniels. Their choice: clean up the mess...or hide the ...
The detail makes a desperate move. Nick's deceit is in the open, as Sobotka is overwhelmed by bad news. The Greeks confidently ease out of a brief encounter with the detail and Omar's suspicions are ...
Stinger reorganizes everything after the raids: no telephones, no pagers and more importantly, no dope now that their main stash has been seized. Avon and Stringer start to target anyone who could do...
The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their ... See full summary »
Set in Baltimore, this show centers around the city's inner-city drug scene. It starts as mid-level drug dealer, D'Angelo Barksdale beats a murder rap. After a conversation with a judge, Det. James McNulty has been assigned to lead a joint homicide and narcotics team, in order to bring down drug kingpin Avon Barksdale. Avon Barksdale, accompanied by his right-hand man Stringer Bell, enforcer Wee-Bey and many lieutenants (including his own nephew, D'Angelo Barksdale), has to deal with law enforcement, informants in his own camp, and competition with a local rival, Omar, who's been robbing Barksdale's dealers and reselling the drugs. The supervisor of the investigation, Lt. Cedric Daniels, has to deal with his own problems, such as a corrupt bureaucracy, some of his detectives beating suspects, hard-headed but determined Det. McNulty, and a blackmailing deputy. The show depicts the lives of every part of the drug "food chain", from junkies to dealers, and from cops to politicians. Written by
The character of Sgt. Jay Landsman played by Delaney Williams was based on Jay Landsman, a real-life Sergeant with the Baltimore County Police. He was featured in David Simon's book "Homicide: A Year On The Killing Streets". Landsman himself joined the cast in the third season playing Lt. Mello. See more »
Frequently we see the Dock/Union people in icy conditions on the streets. At a similar time the police, including McNulty working on the docks, are never in icy conditions. See more »
You're the perfect bait. They will view you as conflicted, your homophobia is so visceral.
See that. I haven't even walked in the place yet and you're already calling me a cocksucker.
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In every episode, after the opening credits a quote appears on the screen that will be spoken by a character in that episode. See more »
Hate to be rude but don't pay attention to the moronic post below. That was some of the most lame criticism I have ever come across on this site. I doubt the guy even watched the entire first season. This show is the best thing going on TV. Writing. Direction. Acting. Its all perfection. The people behind the show are former journalists and police officers who were covering crime in Baltimore or working the beat as cops for over 20 years. They know what they speak of and don't rely on cookie cutter characterization. This is the closest thing to a novel that you will find on TV. It is so impeccably plotted and so honest and realistic that I will never be able to watch another cop show (or any TV drama) without comparing it to this example of television greatness. Did I mention its also the smartest TV show on the air too? The Sopranos gets the media attention but it can't match the sophistication and grittiness of The Wire. The Sopranos is a romanticized TV crime drama by comparison. And as for Six Feet Under? Please! It reached its peak in its final six episodes of the first season and haven't lived up to that magic since. It doesn't get any better than The Wire. Universal critical acclaim. The winner of the 2002 TV Critics awards. The winner of the 2004 Peabody award. Nuff said.
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