A single woman, Ellie Riggs, tries to navigate her way through the Los Angeles music scene and her own messy personal life. Told in real time, each episode is a linear 22-minute slice of Ellie's life.

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2   1  
2003   2002   Unknown  
3 nominations. See more awards »

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Cast

Series cast summary:
...
 Ellie Riggs (17 episodes, 2002-2003)
...
 Ben (16 episodes, 2002-2003)
...
 Edgar (16 episodes, 2002-2003)
...
 Susan (16 episodes, 2002-2003)
...
 Dr. Don Zimmerman / ... (16 episodes, 2002-2003)
...
 Ingvar (11 episodes, 2002-2003)
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Storyline

A single woman, Ellie Riggs, tries to navigate her way through the Los Angeles music scene and her own messy personal life. Told in real time, each episode is a linear 22-minute slice of Ellie's life.

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26 February 2002 (USA)  »

Also Known As:

22 Minutes with Eleanor Riggs  »

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Runtime:

(19 episodes)

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1.33 : 1
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Did You Know?

Trivia

The original concept of the series was that each episode took place in real time. A timer on the corner of the screen counted down from 22 minutes, pausing in the middle for one commercial break. The timer was discontinued after a few episodes. For the second season, the conceit was abandoned altogether in favor of a more conventional time structure, perhaps due to a combination of network pressure and the difficulties in planning and filming the action so that it appears to unfold in real time. See more »

Connections

Featured in 101 Biggest Celebrity Oops (2004) See more »

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User Reviews

Why Hollywood can't try something different
5 April 2002 | by (Philadelphia) – See all my reviews

Most of these comments show exactly why interesting and innovative shows, or indeed any show that's not in the same mold as every other show, don't get made. Or if they get made, they don't attract viewers quickly enough for the networks and they get dumped, whereas junk like "Veronica's Closet" just keeps getting renewed. "Action" was brilliant, and i'm glad it had its short perfect run. "Freaks and Geeks" was great. "Undeclared" is great. "Once and Again" had the best-written teens on televison, maybe ever. "The Tick" took a brilliant cartoon and somehow made it even better in live-action. And they all failed, because the American people want jokes in their comedy, jokes that come at regular intervals. They don't want comedy that's closer to drama, or to "real life", or to tragedy. They want a laugh track to tell them when something's funny. "Watching Ellie" is really funny, mostly because Julia Louis-Dreyfus is a brilliant physical comedienne. You watch her expressions, what she does with her eyes and mouth and hands, reacting to the frustrations of life, and she is just brilliant. The 22-minute limit is a gimmick, but it's actually fun to see what new situation the writers come up with to attach the ticking clock to. This show is going to die a quick death, and in five years it's going to come out on DVD and everyone will declaim its brilliance. Too bad it's a network show. Cheers to Julia Louis-Dreyfus (and even to Brad Hall).


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