College freshman Steve Karp, his girlfriend and their fellow dormmates embark on one the greatest experiences of their lives. Unfortunately for Steve, his lonely and recently divorced father is tagging along for the ride.
Hollywood icon Carrie Fisher tells her raw and intoxicating true story in this documentary based on her hit stage production. Touching on stardom, mental illness, addiction and more, the ... See full summary »
Most of these comments show exactly why interesting and innovative shows, or indeed any show that's not in the same mold as every other show, don't get made. Or if they get made, they don't attract viewers quickly enough for the networks and they get dumped, whereas junk like "Veronica's Closet" just keeps getting renewed. "Action" was brilliant, and i'm glad it had its short perfect run. "Freaks and Geeks" was great. "Undeclared" is great. "Once and Again" had the best-written teens on televison, maybe ever. "The Tick" took a brilliant cartoon and somehow made it even better in live-action. And they all failed, because the American people want jokes in their comedy, jokes that come at regular intervals. They don't want comedy that's closer to drama, or to "real life", or to tragedy. They want a laugh track to tell them when something's funny. "Watching Ellie" is really funny, mostly because Julia Louis-Dreyfus is a brilliant physical comedienne. You watch her expressions, what she does with her eyes and mouth and hands, reacting to the frustrations of life, and she is just brilliant. The 22-minute limit is a gimmick, but it's actually fun to see what new situation the writers come up with to attach the ticking clock to. This show is going to die a quick death, and in five years it's going to come out on DVD and everyone will declaim its brilliance. Too bad it's a network show. Cheers to Julia Louis-Dreyfus (and even to Brad Hall).
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