Cindy finds out the house she lives in is haunted by a little boy and goes on a quest to find out who killed him and why. Also, Alien "Tr-iPods" are invading the world and she has to uncover the secret in order to stop them.
Malcolm and Kisha move into their dream home, but soon learn a demon also resides there. When Kisha becomes possessed, Malcolm - determined to keep his sex life on track - turns to a priest, a psychic, and a team of ghost-busters for help.
A masked killer begins murdering teenagers in a small town, and as the body count rises, one girl and her friends contemplate the "rules" of horror films as they find themselves living in a real-life one.
A mysterious killer video tape is circulating around. One look at this tape and you have seven days left to live. News Reporter Cindy Campbell (Faris) witnesses this video tape and tries to work out a way to prevent her death. But this is not the only mystery to appear. Crop circles have been appearing in the local farm of Tom (Sheen) and George (Rex). With help from Aunt Shaneequa (Latifah), Cindy suspects that the aliens may be linked with the killer tape and must now work out both mysteries before it's the end of the world. Written by
The Car Driven by the main character is a Brilliant Blue Toyota Prius Hybrid. It is the first mass produced gas/electric hybrid to appear in a major motion picture. See more »
When "Becca" fights with the refrigerator, the reflection of a hand pushing the refrigerator's door from the inside can be seen on the window. See more »
This is really weird...
[referring to ringing phone]
Yeah... Big house, only one phone...
[picks up phone]
[passes it to Becca]
Voice on Phone:
I'm coming for you my precious...
See more »
Midway through the credits, there is a line that reads: WE ARE ABOUT HALF WAY THROUGH THIS THING!! See more »
Put the name "Wayans" on it and I walk out of the theater (if ambushed), or change the channel. The Wayans are a brand name in Hollywood that can greenlight anything they want, but the traffic laws should be rewritten to prevent this. Fortunately, none of the Ws returned for this film.
I did not see either of the first two films of this trilogy, but you really don't need to know the story to enjoy this film, since the plot of any good parody is just an excuse to deliver the maximum number of spoofs, gags, swipes, and one-liners by the end of the film. In that regard, this film does not disappoint.
Anna Faris (Cindy Campbell) is a surprisingly strong and exceptionally hot leading lady who should be considered for any A-list roles in the future. She did everything asked of her and then some, and the sky appears to be the limit for her talent. Cindy is a reporter for a Newscast that brings to life the song "Dirty Laundry" by Don Henley (she's the bubbleheaded bleached blond who comes on at 5:00 and tells you about the plane crash with a gleam in her eye). Charlie Sheen plays a former reverend who lost faith after his hot wife was killed in an accident (again, they even made that funny).
Anthony Anderson is excellent in his supporting role, while the rest of the cast could have been chosen by lottery, other than Leslie Neilsen, who seems to have a contract somewhere that says a parody can't be made without him (he plays the president in this one). George Carlin makes a creepy cameo, as does Eddie Griffin and Queen Latifah, but the stars of the movie are the jokes, and they come rapid-fire.
The film was designed for an intelligent audience in tune with pop culture, and doesn't take time to explain itself: Simon Cowell gets to judge an 8-mile style rap battle with predictable and hilarious results; Anderson's character sheds more light on the possible depths of the relationship between B. Rabbit and Future; Leslie Neilsen gets to deliver a classic line from "Airplane" at one point, while showing that he's kept up with the times in another. The newsroom was more realistic than most would admit or want to believe, and the way the horror was delivered in this film (yes, it's a genuine horror movie) was a "Scream." We even get a nod to Final Destination (one of the most original concepts of all time), and at times the movie even seems to parody itself.
If you liked "Airplane!" and its genre, there's little chance you won't like this film. If you can't stand that type of humor, get ready to tear your hair out. For better or worse, this film belongs in a time capsule to explain what a movie parody is and how it should be made.
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