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Sarah Jessica Parker
New Orleans, 1981. Sonny Phillips, just discharged from the Army, returns home where the only life he's known is as a gigolo working for his mother. He wants to leave that behind, but the job his Army buddy promised doesn't materialize, and he can't escape his past. Written by
Jon Reeves <email@example.com>
In 2010, New York Magazine reported that while doing research for his role in Sonny (2002), James Franco visited male strip clubs in New Orleans and also followed a male prostitute around, even into a hotel room while the prostitute did his job. See more »
You could take me out eatin' if you didn't spend all your money guzzlin' whiskey and gamblin', when the only thing you're any good at's losin'.
Now, you hold on, woman! We've been through all this before! I don't say nothin' about your ass gettin' fatter by the minute...
Now, you leave my ass outta this!
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Concerto in D Minor, after 'Alessandro' BWV 974
Composed by Johann Sebastian Bach (1685-1750)
Performed by Glenn Gould
Courtesy of Estate of Glenn Gould and Sony Classical (SK 52620)
By Arrangement with Sony Music Licencing See more »
Sonny, the son of a New Orleans whore, returns home from the army determined to start a new life far away from prostitution. He finds that, even in 'live and let live' New Orleans, one's past is hard to escape.
The characters in this film are disturbing, volitile and manipulative. Other times they are sensitive, caring and fragile. Even Cage's over the top portrayal of a pimp, left me with the feeling that people such as this existed in the early 80's sex industry. The film captured excellent and emotional performances by James Franco, Brenda Blethyn, Harry Dean Stanton and Mena Suvari. Nicholas Cage, in his directorial debut, brings to life a script that fits well with his 'outside the box' body of work. The unusual sound track relied heavily on Bach and Beethoven with Devo and Wall of Voodoo mixed in.
Sonny was shown to a US audience for the first time at the Virginia Film Festival in Charlottesville, Virginia. A superb Roger Ebert interview of Mr. Cage followed. During the interview, we learned that the film went into production 3 weeks after Mr.Cage decided to produce and direct the project. It was shot primarily in a French Quarter building that Mr. Cage happened upon, purchased and now does not know what to do with. Filming lasted 6 weeks. Even if you consider the fact that Nicholas Cage first read the script many years ago, intending to play the part of Sonny, it is unbelievable that this film went from 'green light' to 'in the can' in 9 weeks.
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