The Nature of Nicholas is a surreal fable that follows twelve-year-old Nicholas as he struggles with an intense attraction to his best friend, Bobby. Nicholas is obsessed with his friend ... See full summary »
Fictionalized account of Jürgen Bartsch, a German boy who became notorious in the 1960's after his conviction for the serial killings and sexual molestation of a number of young German boys... See full summary »
Kai S. Pieck
THIS SPECIAL FRIENDSHIP tells of the tender relationship between a twelve-year-old boy and the upperclassman who is the object of his desire. All set in the rigid atmosphere of a Jesuit run... See full summary »
Trouble starts when Lars, a 25-year-old with few prospects for the future, discovers that an older man is fooling around with the teenage boys in his suburb. A terrible rage is triggered in... See full summary »
Erik Richter Strand
Nils Jørgen Kaalstad,
Mikkel Bratt Silset,
A particularly vivid and realistic portrayal of the emotional rupture between a father recently released from jail and his 12 year-old son, following a dark family tragedy that no one has strength enough to confront.
José Ramón Lafita,
The Nature of Nicholas is a surreal fable that follows twelve-year-old Nicholas as he struggles with an intense attraction to his best friend, Bobby. Nicholas is obsessed with his friend Bobby. Bobby's feelings are less clear. At times he seems to share Nicholas's fascination, but then appears more interested in making inroads with the girls at school. All this leaves young Nicholas very confused. When images of Nicholas's absent father start to appear to him, the boy is understandably frightened. This curious figure gives Nicholas the impression he is pressing his young son closer to the girls in his life and away from Bobby. This only leads to increased anxiety and fear in Nicholas. Fearing that Bobby is drifting away from him, Nicholas takes a chance and kisses him. Bobby is taken aback and storms out. Because of his shame, Bobby undergoes a type of 'splitting' where a decrepit, ghoulish version of him is separated from his healthy self. Nicholas is immediately drawn to this ... Written by
Traymasters' review is far more coherent than the movie
I hate pretentious movies that try so hard to be art that they forget to be entertaining. This movie falls into that category. I'm not really a fan of abstract surrealism at the best of times, but bleak self-loathing surrealism can just go take a jump in the lake! The trouble with symbolism is that if it needs a guide book to tell you what's going on (especially symbolism in movies where the viewer doesn't have the time to dissect every nuance), I think it fails. It just becomes a series of directorial in-jokes. I don't mind challenging film. I can stomach dark movies. But this simply failed to reward the effort.
Furthermore, none of the non-surreal relationships (Nicholas and Bobby, Nicholas and his mother, mother and boyfriend) were remotely credible, so my mind was constantly tussling with the disbelief about their relationships, long before the actual surreal stuff started happening.
This movie had the potential to be really worthwhile, with some mature performances from the young leads forging the way, but instead it disappeared right up its own self-indulgent rectum.
Read traymasters' review above, then save yourself the time of actually watching the movie. His review is far more meaningful and lucid than the actual movie!
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