A high school slacker who's rejected by every school he applies to opts to create his own institution of higher learning, the South Harmon Institute of Technology, on a rundown piece of property near his hometown.
A comedy centered around four couples who settle into a tropical-island resort for a vacation. While one of the couples is there to work on the marriage, the others fail to realize that participation in the resort's therapy sessions is not optional.
Peter Sanderson is a divorced, straight-laced, uptight attorney who still loves his ex-wife and can't figure out what he did wrong to make her leave him. However, Peter's trying to move on, and he's smitten with a brainy, bombshell barrister he's been chatting with online. However, when she comes to his house for their first face-to-face, she isn't refined, isn't Ivy League, and isn't even a lawyer. Instead, it's Charlene, a prison escapee who's proclaiming her innocence and wants Peter to help her clear her name. But Peter wants nothing to do with her, prompting the loud and shocking Charlene to turn Peter's perfectly ordered life upside down, jeopardizing his effort to get back with his wife and woo a billion dollar client. Written by
Sujit R. Varma
People tend to cut comedies lots of slack as long as they make us laugh. They can be blasphemous, tasteless, lowbrow, highbrow, moronic, offensive, racist, subversive, disgusting, pretentious, pointless, shallow, blatantly left-wing, blatantly right-wing, vulgar, cruel, preachy, you name it -- if they make us laugh our butts off, we'll forgive them any and all of these sins. If they just aren't funny, like this turkey, that's when we start noticing all the bad stuff.
And there is plenty of bad stuff, believe me, starting with Steve Martin, who exhausted his tiny bag of comedic tricks more than twenty years ago and who has been coasting along ever since. I think this movie is where he finally coasts to a dead stop. Please, Hollywood, just leave him there.
And then there's the story. Bringing Down the House is a clash-of-cultures movie evidently written by people who don't have a clue about either of the cultures involved in the clash. The result is a bunch of crudely drawn caricatures of nonexistent social types. Nobody thinks white people or black people are anything like this, and it is insulting to have to sit through a movie made by people who think we do.
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